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Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804762309
Category : Philosophy
Languages : en
Pages : 76
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Book Description
What is an apparatus? was originally published in Italian in 2006 under the title: Che cos'è un dispositivo?; The friend was originally published in Italian in 2007 under the title: L'amico; and, What is the contemporary? was originally published in Italian in 2008 under the title: Che cos'è il contemporaneo
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804762309
Category : Philosophy
Languages : en
Pages : 76
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Book Description
What is an apparatus? was originally published in Italian in 2006 under the title: Che cos'è un dispositivo?; The friend was originally published in Italian in 2007 under the title: L'amico; and, What is the contemporary? was originally published in Italian in 2008 under the title: Che cos'è il contemporaneo
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 1503600041
Category : Philosophy
Languages : en
Pages : 76
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Book Description
The three essays collected in this book offer a succinct introduction to Agamben's recent work through an investigation of Foucault's notion of the apparatus, a meditation on the intimate link of philosophy to friendship, and a reflection on contemporariness, or the singular relation one may have to one's own time. "Apparatus" (dispositif in French) is at once a most ubiquitous and nebulous concept in Foucault's later thought. In a text bearing the same name ("What is a dispositif?") Deleuze managed to contribute its mystification, but Agamben's leading essay illuminates the notion: "I will call an apparatus," he writes, "literally anything that has in some way the capacity to capture, orient, determine, intercept, model, control, or secure the gestures, behaviors, opinions, or discourses of living beings." Seen from this perspective, Agamben's work, like Foucault's, may be described as the identification and investigation of apparatuses, together with incessant attempts to find new ways to dismantle them. Though philosophy contains the notion of philos, or friend, in its very name, philosophers tend to be very skeptical about friendship. In his second essay, Agamben tries to dispel this skepticism by showing that at the heart of friendship and philosophy, but also at the core of politics, lies the same experience: the shared sensation of being. Guided by the question, "What does it mean to be contemporary?" Agamben begins the third essay with a reading of Nietzsche's philosophy and Mandelstam's poetry, proceeding from these to an exploration of such diverse fields as fashion, neurophysiology, messianism and astrophysics.
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 9780804762304
Category : Philosophy
Languages : en
Pages : 84
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Book Description
The three essays collected in this book offer a succinct introduction to Agamben's recent work through an investigation of Foucault's notion of the apparatus, a meditation on the intimate link of philosophy to friendship, and a reflection on contemporariness, or the singular relation one may have to one's own time. "Apparatus" (dispositif in French) is at once a most ubiquitous and nebulous concept in Foucault's later thought. In a text bearing the same name ("What is a dispositif?") Deleuze managed to contribute its mystification, but Agamben's leading essay illuminates the notion: "I will call an apparatus," he writes, "literally anything that has in some way the capacity to capture, orient, determine, intercept, model, control, or secure the gestures, behaviors, opinions, or discourses of living beings." Seen from this perspective, Agamben's work, like Foucault's, may be described as the identification and investigation of apparatuses, together with incessant attempts to find new ways to dismantle them. Though philosophy contains the notion of philos, or friend, in its very name, philosophers tend to be very skeptical about friendship. In his second essay, Agamben tries to dispel this skepticism by showing that at the heart of friendship and philosophy, but also at the core of politics, lies the same experience: the shared sensation of being. Guided by the question, "What does it mean to be contemporary?" Agamben begins the third essay with a reading of Nietzsche's philosophy and Mandelstam's poetry, proceeding from these to an exploration of such diverse fields as fashion, neurophysiology, messianism and astrophysics.
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804732787
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
This volume constitutes the largest collection of writings by the Italian philosopher Giorgio Agamben hitherto published in any language. The essays consider several figures in the history of philosophy; the relation of linguistic and metaphysical categories; messianism in Islamic, Jewish, and Christian theology; and the state and future of contemporary politics.
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804730229
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
This book, by one of Italy's most important and original contemporary philosophers, represents a broad, general, and ambitious undertaking--nothing less than an attempt to rethink the nature of poetic language and to rearticulate relationships among theology, poetry, and philosophy in a tradition of literature initiated by Dante. The author presents "literature" as a set of formal or linguistic genres that discuss or develop theological issues at a certain distance from the discourse of theology. This distance begins to appear in Virgil and Ovid, but it becomes decisive in Dante and in his decision to write in the vernacular. His vernacular Italian reaches back through classical allusion to the Latin that was in his day the language of theology, but it does so with a difference. It is no accident that in the Commedia Virgil is Dante's guide. The book opens with a discussion of just how Dante's poem is a "comedy," and it concludes with a discussion of the "ends of poetry" in a variety of senses: enjambment at the ends of lines, the concluding lines of poems, and the end of poetry as a mode of writing this sort of literature. Of course, to have poetry "end" does not mean that people stop writing it, but that literature passes into a period in which it is concerned with its own ending, with its own bounds and limits, historical and otherwise. Though most of the essays make specific reference to various authors of the Italian literary tradition (including Dante, Polifilo, Pascoli, Delfini, and Caproni), they transcend the confines of Italian literature and engage several other literary and philosophical authors (Plato, Aristotle, the Stoics, Boethius, the Provençal poets, Mallarmé, and Hölderlin, among others).
Author: Timothy C. Campbell
Publisher: U of Minnesota Press
ISBN: 1452932786
Category : Philosophy
Languages : en
Pages : 205
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Book Description
How biopolitics can get beyond its obsession with death
Author: Louis Althusser
Publisher: NYU Press
ISBN: 1583670386
Category : Political Science
Languages : en
Pages : 192
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Book Description
Louis Althusser has tackled a wide variety of subjects, including philosophy, economics, psychology, aesthetics and political science. This book contains a selection of his writings.
Author: Emma Goldman
Publisher:
ISBN:
Category : Anarchism
Languages : en
Pages : 300
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Book Description
Author: Giorgio Agamben
Publisher:
ISBN: 9780804769495
Category : Aesthetics
Languages : en
Pages : 0
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Book Description
In his new collection of essays, Giorgio Agamben addresses the most urgent themes of his recent research.
Author: Giorgio Agamben
Publisher: Princeton University Press
ISBN: 1942130562
Category : Philosophy
Languages : en
Pages : 77
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Book Description
The Italian philosopher Giorgio Agamben has always been an original reader of texts, understanding their many rich and multiple historical, aesthetic, and political meanings and effects. In Profanations, Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film. A meditation on memory and oblivion, on what is lost and what remains, Profanations proves yet again that Agamben is one of the most provocative writers of our times. In ten essays, Agamben rethinks approaches to a series of literary and philosophical problems: the relation between genius, ego, and theories of subjectivity; the problem of messianic time as explicated in both images and lived experience; parody as a literary paradigm; the potential of magic to provide an ethical canon. The range of topics and themes addressed here attest to the very creativity of Agamben’s singular mode of thought and his persistent pursuit to grasp the act of witnessing, sometimes futile, sometimes earth-shattering — the talking cricket in Pinocchio; “helpers” in Kafka’s novels; pictorial representations of the Last Judgment, of anonymous female faces, and of Orson Wells’s infamous object of obsession Rosebud. “In Praise of Profanity,” the central essay of this small but dense book, confronts the question of profanity as the crucial political task of the moment. An act of resistance to every form of separation, the concept of profanation — as both the “return to common usage” and “sacrifice” — reorients perceptions of how power, consumption, and use interweave to produce an urgent political modality and desire: to profane the unprofanable. In short, Agamben provides not only a new and potent theoretical model but also a writerly style that itself forges inescapable links between literature, politics, and philosophy.
