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Author: Steven G. Mandis
Publisher: Birlinn Ltd
ISBN: 1788850947
Category : Sports & Recreation
Languages : en
Pages : 335
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Book Description
In the 1980s and 1990s, Serie A was known as 'Il campionato più bello del mondo' – the most beautiful championship in the world – and had the highest match attendances in Europe. The stadiums were not only full of people, but full of colour, flags, songs and rituals. Italy hosted World Cup 1990 and the stadia and stars on show in Serie A became iconic. Across a ten year period from 1989 to 1999 a remarkable 10 different Serie A clubs occupied nearly half the places in the finals of the Champions League and Europa Cup. They were dominant. But then in the 2000s they began to fall behind and despite the Azzurri winning the World Cup in 2006 and Inter Milan winning the Champions League in 2010, Italian football was on a downwards trajectory that saw the national team fail to qualify for the 2018 World Cup, their first absence from the tournament since 1958. What happened and why? In this extraordinary book, Steven G. Mandis investigates. Given unprecedented behind-the-scenes access to Italian clubs and key decision makers and players, Mandis is the first outside researcher to rigorously analyse both the on-the-pitch and business aspects of a club and league. What he learns is completely unexpected and challenges popular explanations and conventional wisdom.
Author: Steven G. Mandis
Publisher: Birlinn Ltd
ISBN: 1788850947
Category : Sports & Recreation
Languages : en
Pages : 335
Get Book Here
Book Description
In the 1980s and 1990s, Serie A was known as 'Il campionato più bello del mondo' – the most beautiful championship in the world – and had the highest match attendances in Europe. The stadiums were not only full of people, but full of colour, flags, songs and rituals. Italy hosted World Cup 1990 and the stadia and stars on show in Serie A became iconic. Across a ten year period from 1989 to 1999 a remarkable 10 different Serie A clubs occupied nearly half the places in the finals of the Champions League and Europa Cup. They were dominant. But then in the 2000s they began to fall behind and despite the Azzurri winning the World Cup in 2006 and Inter Milan winning the Champions League in 2010, Italian football was on a downwards trajectory that saw the national team fail to qualify for the 2018 World Cup, their first absence from the tournament since 1958. What happened and why? In this extraordinary book, Steven G. Mandis investigates. Given unprecedented behind-the-scenes access to Italian clubs and key decision makers and players, Mandis is the first outside researcher to rigorously analyse both the on-the-pitch and business aspects of a club and league. What he learns is completely unexpected and challenges popular explanations and conventional wisdom.
Author: Instituttet for sammenlignende kulturforskning
Publisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 240
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Book Description
Author: Steven G. Mandis
Publisher: Triumph Books
ISBN: 1641256133
Category : Sports & Recreation
Languages : en
Pages : 419
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Book Description
An important read for those passionate about not only U.S. Soccer but fascinated by player development. This in-depth look uses unprecedented access and original data and analysis for the U.S. and other countries. Prior to the 2002 FIFA World Cup, the U.S. Men's National Soccer Team had won just four World Cup matches in 72 years. While the American women's team has made World Cup victories a regular expectation, the men failed to even qualify for the 2018 tournament. In What Happened to the USMNT Columbia Business School adjunct professor and acclaimed author of The Real Madrid Way Steven Mandis turns his lens inward to examine what it will take for the U.S. men to achieve lasting success on the international stage. This meticulously researched, probing investigation challenges conventional wisdom and speaks to the importance of familiarity and authenticity to cultivate an organizational identity. If the Italians have their cantenaccio, the Spanish their tiki-taka, the Dutch their "total football," and the Brazilians their ginga, Mandis argues that cultivating a unique "American way" of soccer (coined the "Spirit of 1776") is not only possible but absolutely essential. Finally, a source of reference that goes beyond recounting history without context or repeating opinions without facts or analysis.
Author: Paddy Agnew
Publisher: Random House
ISBN: 144811764X
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
When journalist Paddy Agnew and his girlfriend Dympna touched down in Rome in 1985 in search of adventure, sunshine and the soul of Italian football (well, Paddy was looking for that), they were travelling into the uncharted terrain of a country they did not know and a language they did not speak. It soon became clear that neither Italy nor Italian football would be boring. In that first week in Italy, Michel Platini and Juventus won the Intercontinental Cup, whilst just days later the PLO killed 13 people in a random shooting at Rome's Fiumicino airport. Paddy covered both stories. The coming years saw the rise of TV tycoon Silvio Berlusconi, as he became owner of AC Milan and then Prime Minister of Italy, naming his political party 'Forza Italia' after a football chant. In that same period, Argentine Diego Maradona became the uncrowned King of Naples, leading Napoli to a first ever Scudetto title in 1987, notwithstanding a hectic, Hollywood-esque lifestyle that mixed footballing genius with off-the-field excess. Forza Italia is a fascinating tale of inspired players, skilled coaches, rich tycoons, glitzy media coverage, Mafia corruption, allegations of drug taking and fan power - culminating in the 2006 World Cup victory that delighted a nation and a match-fixing scandal that shocked the world. It is also a personalised reflection on the consistent and continuing excellence of Italian football throughout a period of huge social, political and economic upheaval, offering a unique insight into a society where football has always been much more than just a game.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 845
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Book Description
Author: John Foot
Publisher: HarperCollins UK
ISBN: 0007362455
Category : Sports & Recreation
Languages : en
Pages : 95
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Book Description
The first history of Italian football to be written in English, ‘Calcio’ is a mix of serious analysis and comic storytelling, with vivid descriptions of games, goals, dives, missed penalties, riots and scandals in the richest and toughest league in the world.
Author: Joe McGinniss
Publisher: Crown
ISBN: 0767905997
Category : Travel
Languages : en
Pages : 418
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Book Description
Master storyteller Joe McGinniss travels to Italy to cover the unlikely success of a ragtag minor league soccer team--and delivers a brilliant and utterly unforgettable story of life in an off-the-beaten-track Italian village. When Joe McGinniss sets out for the remote Italian village of Castel di Sangro one summer, he merely intends to spend a season with the village's soccer team, which only weeks before had, miraculously, reached the second-highest-ranking professional league in the land. But soon he finds himself embroiled with an absurd yet irresistible cast of characters, including the team's owner, described by the New York Times as "straight out of a Mario Puzo novel," and coach Osvaldo Jaconi, whose only English word is the one he uses to describe himself: "bulldozer." As the riotous, edge-of-your-seat season unfolds, McGinniss develops a deepening bond with the team, their village and its people, and their country. Traveling with the miracle team, from the isolated mountain region where Castel di Sangro is located to gritty towns as well as grand cities, McGinniss introduces us to an Italy that no tourist guidebook has ever described, and comes away with a "sad, funny, desolating, and inspiring story--everything, in fact, a story should be" (Los Angeles Times).
Author: Elena Ferrante
Publisher: Text Publishing
ISBN: 1922253278
Category : Fiction
Languages : en
Pages : 473
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Book Description
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Author: Hans Sagan
Publisher: Springer Science & Business Media
ISBN: 1461208718
Category : Mathematics
Languages : en
Pages : 200
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Book Description
The subject of space-filling curves has fascinated mathematicians for over a century and has intrigued many generations of students of mathematics. Working in this area is like skating on the edge of reason. Unfortunately, no comprehensive treatment has ever been attempted other than the gallant effort by W. Sierpiriski in 1912. At that time, the subject was still in its infancy and the most interesting and perplexing results were still to come. Besides, Sierpiriski's paper was written in Polish and published in a journal that is not readily accessible (Sierpiriski [2]). Most of the early literature on the subject is in French, German, and Polish, providing an additional raison d'etre for a comprehensive treatment in English. While there was, understandably, some intensive research activity on this subject around the turn of the century, contributions have, nevertheless, continued up to the present and there is no end in sight, indicating that the subject is still very much alive. The recent interest in fractals has refocused interest on space filling curves, and the study of fractals has thrown some new light on this small but venerable part of mathematics. This monograph is neither a textbook nor an encyclopedic treatment of the subject nor a historical account, but it is a little of each. While it may lend structure to a seminar or pro-seminar, or be useful as a supplement in a course on topology or mathematical analysis, it is primarily intended for self-study by the aficionados of classical analysis.
Author: Pete Bonet
Publisher: Page Publishing, Inc
ISBN: 1647019583
Category : Biography & Autobiography
Languages : en
Pages : 343
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Book Description
The Corso: The Real Nuyorican Salsa Story is a must-read book not just because it’s a fantastic and incredible story of success but also it’s a historic legacy of how it was at the beginning of the salsa movement. It is narrated firsthand by someone who was there and was an important part of it, if not the most important. Pete Bonet was born in a very humble, extremely poor part of the island of Puerto Rico. Even the police would not go in there. It was too dangerous. It is a place called El Fanguito, “the Muddy.” His mother, Olga, was abandoned there with her six children, ages fifteen down to a newborn baby. Pedrito, as he was called, was the fourth child; he was six years old when his father left for good. Olga was left alone with no money, no food, no man to protect the family, no government help, no nothing, not even shoes for the kids to go to school. The neighbors would say, “Poor Olga, she’s going to die along with all the six kids.” Pedrito left that part of the world at the age of fifteen to go to New York City, not knowing how to say no in English. At the age of twenty-one, Pedro graduated from Central Commercial High School with honors in bookkeeping and business law, typing sixty words a minute without errors. He then took the test in order to enter the United States Air Force and qualified in administration and thus entered the United States Air Force. Upon returning home with an honorable discharge, Pedro went to work for different construction companies as a timekeeper onsite—Marshall Const. Co., Arc Electric Co., Turner Const. Co., Melnick Const. Co., among others. He would go dancing on weekends to different nightclubs in New York City, from the world-famous Palladium Ballroom called the home of the mambo and cha-cha-cha, located on Broadway and Fifty-Third Street, the Manhattan Center on Thirty-Fourth Street, the Hunts Point Palace in the Bronx, and this was where Pete met the love of his life, Margie. They fell in love at first sight while dancing to the wonderful music of Tito Rodriguez and his big band orchestra. They got married six months later and still together today, in the year 2019, fifty-seven years and still counting. Pete Bonet, as he got to be known, got into music by mere chance. He started singing with Alfredito Valdez and his charanga, then Ray Barretto and his charanga, La Moderna. Then he went with Mongo Santamaria and his orchestra under the musical direction of trumpet player Marty Sheller. He formed his own big band together with the great Louie Ramirez as his arranger and musical director. After a couple of years, he got a call from Tito Rodriguez and went on to sing with the one and only Tito Rodriguez and his big band. Upon Tito Rodriguez’s death, he joined the Joe Cuba Sextet. He also sang with the king of Latin music, Tito Puente and his big band, and over forty other Latin orchestras in New York, Hollywood, and Puerto Rico. By reading this book, you will get to appreciate that great era, an extraordinary moment in time, the very beginning when the term “salsa” was born and started to be used instead of all the different names of all that great Cuban music. You will feel all the excitement of non-Latins dancing in clubs like the Corso that most likely will never be repeated again.
