Webster and Ford's Play PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Webster and Ford's Play PDF full book. Access full book title Webster and Ford's Play by John Webster. Download full books in PDF and EPUB format.
Author: John Webster
Publisher: Dutton Adult
ISBN:
Category : Drama
Languages : en
Pages : 360
Get Book Here
Book Description
Author: John Webster
Publisher: Dutton Adult
ISBN:
Category : Drama
Languages : en
Pages : 360
Get Book Here
Book Description
Author: Rowland Wymer
Publisher: English Dramatists S.
ISBN: 9780333567388
Category : English drama
Languages : en
Pages : 174
Get Book Here
Book Description
The reputation of Webster and Ford is based on a handful of tragedies which display extreme situations and emotional intensity. Productions since 1945 have helped to vindicate the enthusiastic judgement of 19th-century Romantic critics and demonstrated that these plays retain their capacity to disturb audiences, arousing strong responses of both horror and pity. The author outlines the careers of both dramatists and illuminates the Jacobean and Caroline theatre contexts. It includes a detailed analysis of six plays, emphasizing their emotional power and theatrical effectiveness, and makes frequent references to modern performances. The plays considered include The White Devil, The Duchess of Malfi and 'Tis Pity She's a Whore.
Author: John Ford
Publisher: CUP Archive
ISBN: 9780521295451
Category : Drama
Languages : en
Pages : 388
Get Book Here
Book Description
This selection contains the three finest plays of the Stuart dramatist John Ford. The Broken Heart is a classical tragedy of suffering; 'Tis Pity She's a Whore, Ford's best-known play and one still frequently performed, is a tragic story of limitless ambition and social rivalry expressed in sexual terms; Perkin Warbeck is the last great successor to the history plays of Shakespeare. Together they exemplify the unique tone of Ford's drama, in which passion and gravity are united by a playwright with a poetic sense of theatre. This is the only one-volume selection of Ford's plays now available. The texts are modernised and equipped with notes explaining unfamiliar language and historical references. A general introduction gives a brief biography and bibliography; individual introductions deal with the sources and stage history of each play. Longer notes at the back of the book discuss points of staging and interpretation, and there is a full textual apparatus which makes this edition useful for the scholar as well as the student.
Author: Ernest Henry Clark Oliphant
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 596
Get Book Here
Book Description
Author: John Webster
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 374
Get Book Here
Book Description
Author: Lisa Hopkins
Publisher: Manchester University Press
ISBN: 9780719037979
Category : Drama
Languages : en
Pages : 216
Get Book Here
Book Description
Author: Cynthia Marshall
Publisher: JHU Press
ISBN: 0801876435
Category : Literary Criticism
Languages : en
Pages : 246
Get Book Here
Book Description
In The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts, Cynthia Marshall reconceptualizes the place and function of violence in Renaissance literature. During the Renaissance an emerging concept of the autonomous self within art, politics, religion, commerce, and other areas existed in tandem with an established, popular sense of the self as fluid, unstable, and volatile. Marshall examines an early modern fascination with erotically charged violence to show how texts of various kinds allowed temporary release from an individualism that was constraining. Scenes such as Gloucester's blinding and Cordelia's death in King Lear or the dismemberment and sexual violence depicted in Titus Andronicus allowed audience members not only a release but a "shattering"—as opposed to an affirmation—of the self. Marshall draws upon close readings of Shakespearean plays, Petrarchan sonnets, John Foxe's Acts and Monuments of the Christian Martyrs, and John Ford's The Broken Heart to successfully address questions of subjectivity, psychoanalytic theory, and identity via a cultural response to art. Timely in its offering of an account that is both historically and psychoanalytically informed, The Shattering of the Self argues for a renewed attention to the place of fantasy in this literature and will be of interest to scholars working in Renaissance and early modern studies, literary theory, gender studies, and film theory.
Author: Kenneth Muir
Publisher: Cambridge University Press
ISBN: 9780521523639
Category : Drama
Languages : en
Pages : 212
Get Book Here
Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Katarzyna Burzyńska
Publisher: Routledge
ISBN: 1000551911
Category : Drama
Languages : en
Pages : 271
Get Book Here
Book Description
This book explores how the pregnant body is portrayed, perceived and enacted in Shakespeare’s and his contemporaries’ drama by means of a phenomenological analysis and a recourse to early modern popular medical discourse on reproduction. Phenomenology of pregnancy is a fairly new and radical body of philosophy that questions the post-Cartesian chasm of an almost autonomous reason and an enclosed and self-sufficient (male) body as foundations of identity. Early modern drama, as is argued, was written and staged at the backdrop of revolutionary changes in medicine and science where old and new theories on the embodied self-clashed. In this world where more and more men were expected to steadily grow isolated from their bodies, the pregnant body constituted an embattled contradiction. Indebted to the theories of embodiment this book offers a meticulous and detailed investigation of a plethora of pregnant characters and their “pregnant embodiment” in the pre-modern works by Shakespeare, Middleton, Webster and Ford. The analysis in each chapter argues for an indivisible link between an intensely embodied experience of pregnancy as enacted in space and identity-shaping processes resulting in a more acute sense of selfhood and agency. Despite seemingly disparate experiences of the selected heroines and the repeated attempts at containment of their “unruly” bodies, the ever transforming and “spatial” pregnant identities remain loci of embodied selfhood and agency. This book provocatively argues that fictional characters’ experience reflects tangible realities of early modern women, while often deflecting the scientific consensus on reproduction in the period.
Author: John Webster
Publisher: Cambridge University Press
ISBN: 9780521260619
Category : Drama
Languages : en
Pages : 586
Get Book Here
Book Description
This is the third and final volume of the Cambridge edition of the works of John Webster. It contains the final complete play in the edition, the City comedy Anything for a Quiet Life, as well as Webster's spectacular Lord Mayor's pageant Monuments of Honour and his Induction and additions to John Marston's The Malcontent. Webster's non-dramatic work is also included: the deeply felt verse elegy to Prince Henry entitled A Monumental Column, his various shorter poems, including verses for the engraving of The Progeny of ... Prince James, and the thirty-two New Characters added to the sixth edition of Sir Thomas Overbury's Characters. This Cambridge critical edition preserves the original spelling of all the plays, poetry and prose, and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays, and new critical methods and textual theory.
