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Author: Ann Richards
Publisher: Crowood Press (UK)
ISBN: 9781847973191
Category : Textile crafts
Languages : en
Pages : 0
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Book Description
Weaving with high-twist yarns and contrasting materials creates lively textures that are transformed by washing. Ann Richards explains the processes and potential of this approach, and provides a broad introduction to designing with high-twist yarns.
Author: Ann Richards
Publisher: Crowood Press (UK)
ISBN: 9781847973191
Category : Textile crafts
Languages : en
Pages : 0
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Book Description
Weaving with high-twist yarns and contrasting materials creates lively textures that are transformed by washing. Ann Richards explains the processes and potential of this approach, and provides a broad introduction to designing with high-twist yarns.
Author: Ann Richards
Publisher: The Crowood Press
ISBN: 1785009303
Category : Crafts & Hobbies
Languages : en
Pages : 653
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Book Description
Weaving: Structure and Substance looks at weave design from several different perspectives, showing how resources, ideas and practical experience can come together in a creative process of designing through making. Emphasizing the potential of woven textiles throughout, Ann Richards follows the success of her sister title Weaving Textiles that Shape Themselves and explores the tactile properties that emerge from the interaction of material and structure. The book is organized into four parts that look at the natural world as inspiration, the design resources of material and weave structure, the fabric qualities as starting points for design, and the practical issues of designing through making. With over 280 lavish photos, this book will be an invaluable resource for textile designers and enthusiasts looking for inspiration and practical advice.
Author: Anne Field
Publisher:
ISBN: 9781877427176
Category : Hand weaving
Languages : en
Pages : 160
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Book Description
After striving to create flat, consistent fabrics for most of her career, Anne Field discovered a new kind of weaving that emphasised the flexibility and movement of yarns. This new method of weaving, termed Collapse Weave, started appearing everywhere she looked in museums and books - it was an ancient form of decorative weaving largely overlooked by modern weavers. Collapse weave can be created by contrasting yarn factors, or combining weave structures that react with each other to create ridges and hollows. The deliberately pleated and puckered fabric produced has a flexibility of movement that makes it lovely to wear, and the uniqueness of the weave means the artistry of the weaver can be seen in the cloth. As Anne says 'The hand of the maker' is evident in the fabric, making each piece created an original artwork. This is the kind of weaving that can only be created by hand, and is extremely satisfying to produce. Instructions are clearly written and easy to understand, and the book is fully illustrated with examples of the kinds of cloth produced, and clear, easy to follow diagrams. This guide opens the door to an exciting form of weaving.
Author: Elizabeth Wayland Barber
Publisher: W. W. Norton & Company
ISBN: 0393285588
Category : Social Science
Languages : en
Pages : 344
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Book Description
"A fascinating history of…[a craft] that preceded and made possible civilization itself." —New York Times Book Review New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies. Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture. Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion. In a "brilliantly original book" (Katha Pollitt, Washington Post Book World), she argues that women were a powerful economic force in the ancient world, with their own industry: fabric.
Author: Beverly Gordon
Publisher: UPNE
ISBN: 9780874512427
Category : Antiques & Collectibles
Languages : en
Pages : 352
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Book Description
A comprehensive book on the kinds of textiles the Shakers used, how they were produced, and their cultural and economic importance to the communities.
Author: Ann Richards
Publisher: The Crowood Press
ISBN: 071984360X
Category : Crafts & Hobbies
Languages : en
Pages : 579
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Book Description
Weaving Textiles That Shape Themselves sounds like a contradiction in terms, but this book sets out to show how textiles can do precisely that: shape themselves. Weaving with high-twist yarns and contrasting materials can create fabrics with lively textures and elastic properties. Although these fabrics are flat on the loom, they are transformed by washing - water releases the energy of the different yarns and the fabrics 'organize themselves' into crinkled or pleated textures.
Author: T’ai Smith
Publisher: U of Minnesota Press
ISBN: 1452943222
Category : Art
Languages : en
Pages : 290
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Book Description
The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.
Author: Anni Albers
Publisher: Courier Corporation
ISBN: 9780486431925
Category : Crafts & Hobbies
Languages : en
Pages : 214
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Book Description
This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.
Author: Sabit Adanur
Publisher: CRC Press
ISBN: 9781420031966
Category : Business & Economics
Languages : en
Pages : 450
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Book Description
A mixture of science and art, weaving is nearly as old as human history. Despite the many technological advances in the field, however, it is still virtually impossible to control each individual fiber in a woven structure. To help you meet this and other weaving challenges, Handbook of Weaving covers every step of the process clearly and systemati
Author: Theo Moorman
Publisher: Schiffer Craft
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 108
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Book Description
Outstanding among textile artists -- Theo Moorman is a British weaver who has taught extensively in the United States. Illustrated with beautiful colour and black-and-white examples of her work are her thoughts on the design and aesthetic expression embodied in a woven fabric. The technique of weaving that bears her name is explained with numerous ways the Moorman technique may be varied and used with further exploration. Her experiences with commissioned works are utilised in a special chapter relating the problems and opportunities these present.
