W.B. Yeats and the Theatre of Desolate Reality

W.B. Yeats and the Theatre of Desolate Reality PDF Author: David R. Clark
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 136

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Book Description
Originally published in 1965, the revised edition of this lucid study uses six plays to show the development of the great poet-dramatist and includes all of the original book plus new material and much previously unpublished work by Yeats himself. Annotation copyright by Book News, Inc., Portland, OR

W. B. Yeats and the Theatre of Desolate Reality

W. B. Yeats and the Theatre of Desolate Reality PDF Author:
Publisher:
ISBN:
Category : Realism in literature
Languages : en
Pages : 125

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William Butler Yeats and the Theatre of Desolate Reality

William Butler Yeats and the Theatre of Desolate Reality PDF Author: David Ridgley Clark
Publisher:
ISBN:
Category :
Languages : en
Pages : 125

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W. B. Yeats and the Theatre of Desolate Reality [by] David R. Clark

W. B. Yeats and the Theatre of Desolate Reality [by] David R. Clark PDF Author: David R. Clark
Publisher:
ISBN:
Category : Realism in literature
Languages : en
Pages : 125

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Book Description


W.B. Yeats

W.B. Yeats PDF Author: Norman A. Jeffares
Publisher: Routledge
ISBN: 1136212248
Category : Literary Criticism
Languages : en
Pages : 497

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Book Description
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

W.B. Yeats and the theatre of desolate reality [Dublin], Dolmen

W.B. Yeats and the theatre of desolate reality [Dublin], Dolmen PDF Author: David R. Clark
Publisher:
ISBN:
Category : Realism in literature
Languages : en
Pages :

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Yeats and the theatre of desolate reality

Yeats and the theatre of desolate reality PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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W. B. Yeats and the Creation of a Tragic Universe

W. B. Yeats and the Creation of a Tragic Universe PDF Author: Maeve Good
Publisher: Springer
ISBN: 1349082465
Category : Literary Criticism
Languages : en
Pages : 184

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Book Description


Progress & Identity in the Plays of W.B. Yeats, 1892-1907

Progress & Identity in the Plays of W.B. Yeats, 1892-1907 PDF Author: Barbara A. Suess
Publisher: Routledge
ISBN: 1135454078
Category : Literary Criticism
Languages : en
Pages : 218

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Book Description
Progress and Identity in the Poems of W. B. Yeats explores the ways in which Yeats's plays offer an alternative form of progress via a philosophical system of opposites: Always seeking the opposite, the nature of which changes as we change, we continually augment our personalities, and ultimately improve society, with the inclusion of the Other. This system, which eventually became Yeats's doctrine of the mask, provided his contemporaries with a method of changing what science, Platonism, and Victorian bourgeois ideologies claimed to be inescapable qualities of self. Progress and Identityn relocates Yeats's literary, social, and political relevance from his essentializing cultural nationalism to his later, more broad-minded definitions of progress.

Modernists and the Theatre

Modernists and the Theatre PDF Author: James Moran
Publisher: Bloomsbury Publishing
ISBN: 1350145513
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
Modernists and the Theatre is the first study to examine how theories of modernism intersect with those of the theatre within the works, philosophies and literary lives of six key modernist writers. Drawing on a wealth of unfamiliar archive material and fresh readings of neglected documents, James Moran reveals how these literary figures interacted with the theatre through playwriting, by engaging in philosophical debates and participating in theatrical performances. Chapters assess W.B. Yeats's very earliest playwriting, Ezra Pound's onstage acting, the interconnections between James Joyce's and D.H. Lawrence's sense of drama, Eliot's thinking about theatre in Dublin, and the feminist politics of Virginia Woolf's small-scale theatrical experiments. While these writers valued coterie production and often made hostile comments about drama, this volume highlights the paradoxical fact that, despite their harsh words, the theatrically 'large-scale' also attracted each of these writers. The theatre event of 'restricted production' offered modernists a satisfying mode of sharing their work amongst the like-minded, and the book discloses a set of unfamiliar events of this sort that allowed these writers to act as agents of legitimation in granting cultural value. The book explores their engagements with popular drama, as well as the long-forgotten acting performances in which each of these writers personally participated. Moran uncovers how the playhouse became a key geographical space where the high-modernists could explore a tension that fascinated them, and which motivated much of their wider thinking and literary work.