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Author: Alessandro Vanoli
Publisher: Silvana Editoriale
ISBN: 9788836643479
Category : Art
Languages : en
Pages : 0
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Book Description
"There exists an age-old and intimate bond between water and the Islamic world. This relationship can be explained only in part by atmospheric conditions: an ancient legacy of previous cultures and civilizations, a deep sense of religion and many complex social and cultural themes. Water belongs to our most profound dreams: it evokes motherhood, cleanliness, purity, sensuality, and death. Naturally, this is true for every civilization, but in Islam this series of ideas found its most profound meaning, turning water into one of the cornerstones of human existence: a cornerstone that is both spiritual as well as social and aesthetic. Water was tamed with the qanat, became a ritual with the hammam, it was venerated as a heavenly gift and feared as a divine punishment. The statements in the Qur'an and subsequent literature illustrate the historic development of the many roles and meanings of water and the incarnation of its significance in Islamic art and craftsmanship. This volume tells a story through artifacts, books, and miniatures, but also through canalization systems in Syria, gardens in Spain and baths in Istanbul. In this story everyday life, art and technology intertwined offering the reader a new approach to the millenary Islamic culture"--Page 4 of cover.
Author: Alessandro Vanoli
Publisher: Silvana Editoriale
ISBN: 9788836643479
Category : Art
Languages : en
Pages : 0
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Book Description
"There exists an age-old and intimate bond between water and the Islamic world. This relationship can be explained only in part by atmospheric conditions: an ancient legacy of previous cultures and civilizations, a deep sense of religion and many complex social and cultural themes. Water belongs to our most profound dreams: it evokes motherhood, cleanliness, purity, sensuality, and death. Naturally, this is true for every civilization, but in Islam this series of ideas found its most profound meaning, turning water into one of the cornerstones of human existence: a cornerstone that is both spiritual as well as social and aesthetic. Water was tamed with the qanat, became a ritual with the hammam, it was venerated as a heavenly gift and feared as a divine punishment. The statements in the Qur'an and subsequent literature illustrate the historic development of the many roles and meanings of water and the incarnation of its significance in Islamic art and craftsmanship. This volume tells a story through artifacts, books, and miniatures, but also through canalization systems in Syria, gardens in Spain and baths in Istanbul. In this story everyday life, art and technology intertwined offering the reader a new approach to the millenary Islamic culture"--Page 4 of cover.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Emma Clark
Publisher: The Crowood Press
ISBN: 0719843588
Category : Gardening
Languages : en
Pages : 685
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Book Description
Islamic gardens are enchanting places. Just the names of some of the most beautiful gardens in the world - the Alhambra, the Generalife, the Shalimar - conjure up images of calm and even divine beauty. No visitor is left untouched by their magic. This new paperback edition of The Art of the Islamic Garden is an introduction to the design, symbolism and making of an Islamic Garden and it examines that magic, describes the component parts which allow a deeper understanding of the beauty. Topics covered include: history, symbolism and the Quran in relation to the traditional Islamic garden; significance of design and layout of the garden explained, geometry, hard landscaping and architectural elements and aguide to designing the garden with water, and recommendations for trees, shrubs and flowers. There is a unique account of the design and planting of HRH The Prince of Wales' Carpet Garden at Highgrove.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394824
Category : Art
Languages : en
Pages : 241
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Book Description
Family guide, Dazzling details in folded front cover.
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: Amir Hussain
Publisher: Wood Lake Publishing Inc.
ISBN: 1770642870
Category :
Languages : en
Pages : 226
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Book Description
Listen to any news broadcast today and the message comes through loud and clear: Islam is a religion of violence and behind every Muslim there lurks a potential terrorist. Islam is a threat to values of the Christian West. They are like oil and water. Clearly, they don't mix. Oil & Water: Two Faiths One God confronts these popular perceptions head-on. With keen insight and gentle understanding, it explores the differences between Christianity and Islam, as well as the many things these two enduring faith traditions hold in common - including, first and foremost, their belief in and desire to be faithful to the one, true God; their shared roots and scripture (from the Jewish faith); and the spiritual values of peace and social justice. Written for Christians by Muslim world-religions scholar Amir Hussain, the book is divided into two parts. Part 1 provides an overview of the Islamic faith and of the lives of Muslims in North America today. Chapters focus on the place and identity of Muslims in society, as well as on the importance and role of Muhammad, the Qur'an, and basic beliefs and practices (The Five Pillars of Islam). Having provided a foundation for understanding, the book moves on, in Part 2, to explore key points for dialogue today, including issues of violence and jihad, the roles of women and men, and the mystical tradition within Islam. The final two chapters look at interfaith dialogue and the practical aspects of being good "neighbours." In all of this, the book invites the reader to a place of reconciliation, to a place where the truth and value of each of these great faith traditions can be recognized and honoured by the other. In the end, the metaphor of oil and water is an interesting one for the reality of conflict and the hope for reconciliation between Islam and Christianity today.
Author: George N. Atiyeh
Publisher: State University of New York Press
ISBN: 079149540X
Category : History
Languages : en
Pages : 336
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Book Description
The Book in the Islamic World brings together serious studies on the book as an intellectual entity and as a vehicle of cultural development. Written by a group of distinguished scholars, it examines and reflects upon this unique tool of communication not as a physical artifact but as a manifestation of the aspirations, values, and wisdom of Arabs and Muslims in general. The Islamic system of book production differed from that of the West. This volume shows the peculiarities of book making and the intellectual principles that governed a book's inner structure, mysteries, and impact on culture. Investigated and explained are the issues involved in printing; the compilation of the Koran, the most important book in Islam; attitudes toward books; the oral versus the written tradition; metaphors of the book in literature; biographical dictionaries, an important genre of Islamic books; the grammatical tradition; women's contribution to calligraphy; scientific manuscripts; the transition from scribal to print culture; publishing in the modern Arab World; and the new electronic media, a non-book vehicle of communication, and its impact on education.
Author: Margaret S. Graves
Publisher: Oxford University Press
ISBN: 0190695935
Category : Art
Languages : en
Pages : 572
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Book Description
The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.
Author: P. Hill
Publisher: Springer
ISBN: 9789401025751
Category : History
Languages : en
Pages : 311
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Book Description
To judge by the dictum of al-Ja~i?: (d. A.D. 869), 'Wisdom has descended upon these three: the brain of the Byzantine, the hands of the Chinese, and the tongue of the Arab', in the great age of the
