Author:
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 104

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Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353

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Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Author: Paul Staiti
Publisher: Bloomsbury Publishing USA
ISBN: 1632864673
Category : History
Languages : en
Pages : 546

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Book Description
A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.

Author: Ugo Giannini
Publisher: Dover Publications
ISBN: 0486832422
Category : History
Languages : en
Pages : 196

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Book Description
“Drawing D-Day powerfully and poignantly reflects back on the watershed event of the 20th century in a way that is unexpected and completely unique.” — Jeffery R. Fulgham, CFRE, Vice President, Finance and Development, National D-Day Memorial Foundation Drawing D-Day: An Artist's Journey Through War offers an extraordinary, one-of-a-kind testimony in words and images by a soldier and artist who participated in one of the most famous military operations of World War II. On June 6, 1944, Ugo Giannini landed on Omaha Beach with a platoon of military police assigned to accompany the U.S. Army's 29th Infantry Division. Only six of the thirty-seven men in the platoon made it to the beach. Told that he was needed on the bluff above the shore, Ugo climbed the Verville Draw, jumped into a crater made by naval bombardment, and spent that day and part of the next as an eyewitness to the invasion. Remarkably, he began to draw. These are the only known drawings from that historic day. Drawn in pencil and pen, in a gritty, realist style, the images depict heavily burdened infantrymen trying to stay afloat in seawater, crawling on the beach, and dead among the ruins of a bombed-out village. The illustrations, interwoven with Ugo's letters to his family and girlfriend, portray the horror of war in a deep and personal way. Abstract paintings at the end of the book, composed forty years later, make a powerful statement of the enduring power about war on an artist-soldier's psyche.

Author: David Shneer
Publisher: Rutgers University Press
ISBN: 0813548845
Category : Biography & Autobiography
Languages : en
Pages : 302

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Most view the relationship of Jews to the Soviet Union through the lens of repression and silence. Focusing on an elite group of two dozen Soviet-Jewish photographers, including Arkady Shaykhet, Alexander Grinberg, Mark Markov-Grinberg, Evgenii Khaldei, Dmitrii Baltermants, and Max Alpert, Through Soviet Jewish Eyes presents a different picture. These artists participated in a social project they believed in and with which they were emotionally and intellectually invested-they were charged by the Stalinist state to tell the visual story of the unprecedented horror we now call the Holocaust. These wartime photographers were the first liberators to bear witness with cameras to Nazi atrocities, three years before Americans arrived at Buchenwald and Dachau. In this passionate work, David Shneer tells their stories and highlights their work through their very own images-he has amassed never-before-published photographs from families, collectors, and private archives. Through Soviet Jewish Eyes helps us understand why so many Jews flocked to Soviet photography; what their lives and work looked like during the rise of Stalinism, during and then after the war; and why Jews were the ones charged with documenting the Soviet experiment and then its near destruction at the hands of the Nazis.

Author: Howard Zinn
Publisher: Seven Stories Press
ISBN: 1609801679
Category : History
Languages : en
Pages : 63

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Book Description
"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.

Author: Melissa Ho
Publisher: Princeton University Press
ISBN: 0691191182
Category : Art
Languages : en
Pages : 417

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Book Description
"Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019."

Author: H. Avery Chenoweth
Publisher: Friedman-Fairfax
ISBN:
Category : Art
Languages : en
Pages : 392

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Book Description
This book traces the history of American combat art from precolonial America to the end of the twentieth century.

Author: Jennifer Farrell
Publisher: Metropolitan Museum of Art
ISBN: 1588396568
Category : History
Languages : en
Pages : 51

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Book Description
Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Author: Rebecca Searle
Publisher: Bloomsbury Publishing
ISBN: 1350075450
Category : History
Languages : en
Pages : 167

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Book Description
The War Artists' Advisory Committee (WAAC) were responsible for the production of some of the most iconic images of the Second World War. Despite its rich historical value, this collection has been poorly utilised by historians and hasn't been subjected to the levels of analysis afforded to other forms of wartime culture. This innovative study addresses this gap by bringing official war art into dialogue with the social, economic and military histories of the Second World War. Rebecca Searle explores the tensions between the documentarist and propagandistic roles of the WAAC in their representation of aerial warfare in the battle for production, the Battle of Britain, the Blitz and the bombing of Germany. Her analyses demonstrate that whilst there was a strong correlation between war art and propaganda, the WAAC depicted many aspects of experience that were absent from wartime propaganda, such as class divisions within the services, gendered hierarchies within industries, civilian death and the true nature of the bombing of Germany. In addition, she shows that propagandistic constructions were not entirely separate from lived experience, but reflected experience and shaped the way that individuals made sense of the war. Accessibly written, highly illustrated and packed with valuable examples of the use of war art as historical source, this book will enhance our understanding of the social and cultural history of Britain during the Second World War.