Author: Charles Jones
Publisher: Stackpole Books
ISBN: 0811744434
Category : History
Languages : en
Pages : 266
Book Description
Story of how military photographers got their shots while storming beaches and assaulting pillboxes with combat troops.
War Shots
Who's Calling the Shots?
Author: Nancy Carlsson-Paige
Publisher: Library Company of Philadelphia
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 212
Book Description
Grade level: 1, 2, 3, 4, 5, 6, 7, e, p, i, t.
Publisher: Library Company of Philadelphia
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 212
Book Description
Grade level: 1, 2, 3, 4, 5, 6, 7, e, p, i, t.
67 Shots
Author: Howard Means
Publisher: Da Capo Press
ISBN: 0306823802
Category : History
Languages : en
Pages : 229
Book Description
At midday on May 4, 1970, after three days of protests, several thousand students and the Ohio National Guard faced off at opposite ends of the grassy campus Commons at Kent State University. At noon, the Guard moved out. Twenty-four minutes later, Guardsmen launched a 13-second, 67-shot barrage that left four students dead and nine wounded, one paralyzed for life. The story doesn't end there, though. A horror of far greater proportions was narrowly averted minutes later when the Guard and students reassembled on the Commons. The Kent State shootings were both unavoidable and preventable: unavoidable in that all the discordant forces of a turbulent decade flowed together on May 4, 1970, on one Ohio campus; preventable in that every party to the tragedy made the wrong choices at the wrong time in the wrong place. Using the university's recently available oral-history collection supplemented by extensive new interviewing, Means tells the story of this iconic American moment through the eyes and memories of those who were there, and skillfully situates it in the context of a tumultuous era.
Publisher: Da Capo Press
ISBN: 0306823802
Category : History
Languages : en
Pages : 229
Book Description
At midday on May 4, 1970, after three days of protests, several thousand students and the Ohio National Guard faced off at opposite ends of the grassy campus Commons at Kent State University. At noon, the Guard moved out. Twenty-four minutes later, Guardsmen launched a 13-second, 67-shot barrage that left four students dead and nine wounded, one paralyzed for life. The story doesn't end there, though. A horror of far greater proportions was narrowly averted minutes later when the Guard and students reassembled on the Commons. The Kent State shootings were both unavoidable and preventable: unavoidable in that all the discordant forces of a turbulent decade flowed together on May 4, 1970, on one Ohio campus; preventable in that every party to the tragedy made the wrong choices at the wrong time in the wrong place. Using the university's recently available oral-history collection supplemented by extensive new interviewing, Means tells the story of this iconic American moment through the eyes and memories of those who were there, and skillfully situates it in the context of a tumultuous era.
BETWEEN SHOTS
Author: P. L. Crosby
Publisher:
ISBN: 9781360690711
Category : History
Languages : en
Pages : 106
Book Description
Publisher:
ISBN: 9781360690711
Category : History
Languages : en
Pages : 106
Book Description
Basic Military Training
Author: Paul Stanley Bond
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
Book Description
Screen Shots
Author: Rebecca L. Stein
Publisher: Stanford University Press
ISBN: 1503628035
Category : Social Science
Languages : en
Pages : 283
Book Description
In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography—closer, sharper, faster—would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.
Publisher: Stanford University Press
ISBN: 1503628035
Category : Social Science
Languages : en
Pages : 283
Book Description
In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography—closer, sharper, faster—would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.
Shots that Hit
Author: William R. Wells (II.)
Publisher:
ISBN:
Category : Shooting
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category : Shooting
Languages : en
Pages : 190
Book Description
The Shot
Author: James A. Burgess
Publisher: Archway Publishing
ISBN: 1480837830
Category : Biography & Autobiography
Languages : en
Pages : 271
Book Description
Ask anyone old enough where they were when President John F. Kennedy was assassinated and theyll be able to tell you. Photojournalist Robert Hill Jackson was riding in the presidents motorcade that fateful day. He heard the shots ring out from the Dallas School Book Depository, and when he looked up at the sixth floor, he saw a rifle being withdrawn from a window. Jackson captured the events of that day so everyone could see them. From the cheering fans at Dallas Love Field Airport to the grief on peoples faces at Parkland Hospital, he was there with his camera as a witness to history. But he had yet to capture his most famous photo, which came Nov. 24, 1963, when he took a photograph of Jack Ruby shooting Lee Harvey Oswald. The iconic photograph earned him the Pulitzer Prize in photojournalism, and he would refer to it as the shot, which was a reference to the photography shot as well as Rubys gunshot. Jackson would go on to cover the Ruby trial and its bigger-than-life characters, and his photographs were incredible and provoking. Get a behind-the-scenes look at his life and storied career with this well-researched biography.
Publisher: Archway Publishing
ISBN: 1480837830
Category : Biography & Autobiography
Languages : en
Pages : 271
Book Description
Ask anyone old enough where they were when President John F. Kennedy was assassinated and theyll be able to tell you. Photojournalist Robert Hill Jackson was riding in the presidents motorcade that fateful day. He heard the shots ring out from the Dallas School Book Depository, and when he looked up at the sixth floor, he saw a rifle being withdrawn from a window. Jackson captured the events of that day so everyone could see them. From the cheering fans at Dallas Love Field Airport to the grief on peoples faces at Parkland Hospital, he was there with his camera as a witness to history. But he had yet to capture his most famous photo, which came Nov. 24, 1963, when he took a photograph of Jack Ruby shooting Lee Harvey Oswald. The iconic photograph earned him the Pulitzer Prize in photojournalism, and he would refer to it as the shot, which was a reference to the photography shot as well as Rubys gunshot. Jackson would go on to cover the Ruby trial and its bigger-than-life characters, and his photographs were incredible and provoking. Get a behind-the-scenes look at his life and storied career with this well-researched biography.
Body Shots
Author: Jonathan Auerbach
Publisher: Univ of California Press
ISBN: 0520941195
Category : Performing Arts
Languages : en
Pages : 214
Book Description
This original and compelling book places the body at the center of cinema's first decade of emergence and challenges the idea that for early audiences, the new medium's fascination rested on visual spectacle for its own sake. Instead, as Jonathan Auerbach argues, it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, Auerbach begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display—both exceptional figures, such as 1896 presidential candidate William McKinley, and ordinary people caught by the movie camera in their daily routines. The result is a sharp, unique, and groundbreaking way to consider the turn-of-the-twentieth-century American incarnation of cinema itself.
Publisher: Univ of California Press
ISBN: 0520941195
Category : Performing Arts
Languages : en
Pages : 214
Book Description
This original and compelling book places the body at the center of cinema's first decade of emergence and challenges the idea that for early audiences, the new medium's fascination rested on visual spectacle for its own sake. Instead, as Jonathan Auerbach argues, it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, Auerbach begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display—both exceptional figures, such as 1896 presidential candidate William McKinley, and ordinary people caught by the movie camera in their daily routines. The result is a sharp, unique, and groundbreaking way to consider the turn-of-the-twentieth-century American incarnation of cinema itself.
Current Opinion
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 606
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 606
Book Description