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Author: Anne Tucker
Publisher: Museum of Fine Arts (Houston)
ISBN: 9780300177381
Category : Photography, Artistic
Languages : en
Pages : 0
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Book Description
Contains primary source material.
Author: Anne Tucker
Publisher: Museum of Fine Arts (Houston)
ISBN: 9780300177381
Category : Photography, Artistic
Languages : en
Pages : 0
Get Book Here
Book Description
Contains primary source material.
Author: David Shields
Publisher: Simon and Schuster
ISBN: 1576879496
Category : History
Languages : en
Pages : 112
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Book Description
Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.
Author: Kent Puckett
Publisher: Fordham Univ Press
ISBN: 0823276511
Category : History
Languages : en
Pages : 288
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Book Description
In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation. Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence. Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.
Author: James B. Rogers
Publisher:
ISBN:
Category : Military chaplains
Languages : en
Pages : 282
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Book Description
Author: Tim Page
Publisher: National Geographic Society
ISBN:
Category : History
Languages : en
Pages : 246
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Book Description
These and a hundred other images are seared into our consciousness - but a very different viewpoint appears in this vision of three decades of war in Vietnam.".
Author: Neil Kagan
Publisher:
ISBN:
Category : History
Languages : en
Pages : 312
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Book Description
Oxmoor House Great Photographs of World War II (Collectors Edition) The most evocative collection of World War II photographs ever published. Selected by Time Life editors from thousands of images from museums and collections around the world, these photographs tell the haunting story of the war's heroes and horrors. Famous images from LIFE magazine are juxtaposed with rare photographs to give us a unique glimpse of war through the eyes of soldiers and civilians caught up in the most destructive conflict of all time. The editors have assembled over 280 gripping images into 25 chronological photo essays. Here, the most cataclysmic events of the war, from the Battle of Britain and the attack on Pearl Harbor to D-Day and the fall of the Third Reich, are defined by some of the most dramatic photographs of the 20th century. February 2004280+ photos 304 pages1 0 1/2" x 10 1/4" Hardcover with jacket Carton 6, Item 130057 ISBN 0-8487-2818-1 $39.95 US UPC 7-49075-30057-7
Author: Fletcher Pratt
Publisher:
ISBN: 9781494062316
Category :
Languages : en
Pages : 258
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Book Description
This is a new release of the original 1955 edition.
Author: Louis Prang
Publisher: Fordham Univ Press
ISBN: 9780823221189
Category : Art
Languages : en
Pages : 212
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Book Description
Holzer (vice president of communications, Metropolitan Museum of Art, New York City) has produced a complete account of the creation by Prang, a printer known as the "father of the Christmas card," of a series of chromolithographs of Civil War scenes. Holzer's lengthy introduction describes in detail the process involved in creating the prints, setting the project in the larger context of Prang's print business in late 19th-century Boston. The extensive texts that originally accompanied the prints are included, along with good- quality color reproductions of the prints. c. Book News Inc.
Author: Sir Ian Malcolm
Publisher:
ISBN:
Category : Red Cross
Languages : en
Pages : 306
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Book Description
Author: Bela Estvàn
Publisher:
ISBN:
Category : History
Languages : en
Pages : 372
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Book Description
