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Author: Keith Gandal
Publisher: JHU Press
ISBN: 1421425114
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army’s unprecedented attempt during World War I to assign men—except, notoriously, African Americans—to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context—as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed—often in coded ways—the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers—Katherine Anne Porter, Willa Cather, and Ellen La Motte—who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn’t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.
Author: Keith Gandal
Publisher: JHU Press
ISBN: 1421425114
Category : Literary Criticism
Languages : en
Pages : 289
Get Book Here
Book Description
A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army’s unprecedented attempt during World War I to assign men—except, notoriously, African Americans—to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context—as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed—often in coded ways—the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers—Katherine Anne Porter, Willa Cather, and Ellen La Motte—who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn’t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.
Author: Keith Gandal
Publisher: JHU Press
ISBN: 1421425106
Category : History
Languages : en
Pages : 289
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Book Description
A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army’s unprecedented attempt during World War I to assign men—except, notoriously, African Americans—to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context—as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed—often in coded ways—the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers—Katherine Anne Porter, Willa Cather, and Ellen La Motte—who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn’t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.
Author: Christoph Cornelissen
Publisher: Berghahn Books
ISBN: 1800737270
Category : History
Languages : en
Pages : 516
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Book Description
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
Author: David M. Keithly
Publisher: Rowman & Littlefield
ISBN: 1538185938
Category : History
Languages : en
Pages : 299
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Book Description
The World Today Series: USA and The World describes not only what happened, but puts events in the context of the past and criticizes policy actions as appropriate. The result goes deeper than most of what appears in current publications. Updated annually and part of the renowned “World Today Series,” USA and the World presents an unusually penetrating look into America and its relationship to the rest of the world. The combination of factual accuracy and up-to-date detail along with its informed projections make this an outstanding resource for researchers, practitioners in international development, media professionals, government officials, potential investors and students. Now in its 19th edition, the content is thorough yet perfect for a one-semester introductory course or general library reference.
Author: Ichiro Takayoshi
Publisher: Cambridge University Press
ISBN: 1108307809
Category : Literary Criticism
Languages : en
Pages : 514
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Book Description
American Literature in Transition, 1920–1930 examines the dynamic interactions between social and literary fields during the so-called Jazz Age. It situates the era's place in the incremental evolution of American literature throughout the twentieth century. Essays from preeminent critics and historians analyze many overlapping aspects of American letters in the 1920s and re-evaluate an astonishingly diverse group of authors. Expansive in scope and daring in its mixture of eclectic methods, this book extends the most exciting advances made in the last several decades in the fields of modernist studies, ethnic literatures, African-American literature, gender studies, transnational studies, and the history of the book. It examines how the world of literature intersected with other arts, such as cinema, jazz, and theater, and explores the print culture in transition, with a focus on new publishing houses, trends in advertising, readership, and obscenity laws.
Author: David O'Keefe
Publisher: Harper Perennial
ISBN: 9781443454797
Category : History
Languages : en
Pages : 464
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Book Description
A riveting tour de force by Canada's leading military historian about the heroic Black Watch's fight for survival at Verrières Ridge Centred around one of Canada's most storied regiments, Seven Days in Hell tells the epic tale of the bloody battle for Verrières Ridge, a dramatic saga that unfolded just weeks after one of Canada's greatest military triumphs of the Second World War. O'Keefe takes us on a heart-pounding journey at the sharp end of combat during the infamous Normandy campaign, when more than 300 Black Watch Highlanders from across Canada, the United States, Great Britain and the Allied world found themselves embroiled in mortal combat against elite Waffen-SS units and grizzled Eastern Front veterans. Only a handful walked away. Pinned down as the result of strategic blunders and the fog of war, the men were thrust into a nightmare where station, rank, race and religion mattered little and only character won the day. Drawing on formerly classified documents and rare first-person testimony from the men who fought on the front lines, O'Keefe follows the footsteps of the ghosts of Normandy, giving a voice yet again to the men who sacrificed everything in the summer of 1944.
Author: Griselda Heppel
Publisher: Troubador Publishing Ltd
ISBN: 1780882408
Category : Juvenile Fiction
Languages : en
Pages : 249
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Book Description
Twelve year-old Ante (Antonia) Alganesh has a problem. It’s lunchbreak and Florence’s gang are after her. Desperate for a place to hide, she climbs the forbidden staircase to the old organ loft, where a hundred years ago a boy tumbled to his death. No one will think of looking for her there... Except Florence. Petrified, Ante watches her enemy approach, leaning on the rotten hand-rail. She shouts a warning, but it’s too late. There’s a crash – and a boy appears from nowhere, just as a door opens in the wall behind them. All three find themselves in a tunnel leading to a river bank where people queue to be rowed across by a filthy old ferryman…Forced to bury their differences, Ante and Florence accompany the strange boy, Gil, on a journey he should have taken 100 years ago through the Underworld. Making their way past the Shopping Maul and Multivice Complex, attacked by Cerberus, Harpies, Furies and the Minotaur, all this is bad enough: far worse is the doubt gnawing at Ante’s heart...Ante’s Inferno is a gripping combination of fantasy, Greek mythology and adventure, for children aged 9-12 years old. Author Griselda is inspired by C. S. Lewis and Norton Juster’s The Phantom Tollbooth. Ante's Inferno won the Children's award in the People's Book Prize 2013, and the Silver award in the 9-12 year-old category of the Wishing Shelf Independent Book Awards 2012.
Author: David M. Keithly
Publisher: Rowman & Littlefield
ISBN: 1475856482
Category : History
Languages : en
Pages : 293
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Book Description
The World Today Series: USA and The World describes not only what happened, but puts events in the context of the past and criticizes policy actions as appropriate. The result goes deeper than most of what appears in current publications. Updated annually and part of the renowned “World Today Series,” USA and the World presents an unusually penetrating look into America and its relationship to the rest of the world. The combination of factual accuracy and up-to-date detail along with its informed projections make this an outstanding resource for researchers, practitioners in international development, media professionals, government officials, potential investors and students. Now in its 16th edition, the content is thorough yet perfect for a one-semester introductory course or general library reference.
Author: James T. Dyet
Publisher: David C Cook
ISBN: 9781562928254
Category : Philosophy
Languages : en
Pages : 164
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Book Description
In an open-minded and satisfying way, author and speaker Jim Dyet takes on these and other common misconceptions many people have about God, the Bible, and Christianity. He allows readers to consider carefully his responses to objections standing between skepticism and faith. Do you want to learn how to enjoy peace with God and an eternal relationship with Him? Then you'll welcome the clarity and simplicity with which this book relates biblical truths. Read it.. think on it. Doing so may mark the beginning of a new way of looking at life. It may even mark the beginning of a new life!
Author: Mark Whalan
Publisher: Cambridge University Press
ISBN: 1108808026
Category : Literary Criticism
Languages : en
Pages : 948
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Book Description
The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.
