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Author: Marietta Franke
Publisher:
ISBN: 9783865606211
Category :
Languages : en
Pages : 96
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Book Description
This volume presents outdoor sculptures, both those recently produced for the new arrangement of the Cologne Sculpture Park and works that already exist, on numerous colour plates. It grapples with the decline of outdoor sculpture and the debate on its current forms, as well as the aspects of modern society and environment that are reflected in the subject range of these works. Reaktor by Dirk Skreber, Herbert-Bayer-Zigarettenkiosk / Atomskulptur by Michael Sailstorfer and Disappearing Forest of Germany by Alan Sonfist all deal with the burning issues of our times. The focus is on the current discussion about the financial and economic crisis, the dominance of technology, the shift in global power, climate change and over-population, but also 'celebrity culture', success and fame. In this way, KölnSkulptur 5 affords a representative view of the positions taken by contemporary outdoor sculpture and makes the vitality of this genre clear for all to see. Published alongside an exhibition at Galerie der Stadt Remscheid, Städtische Galerie Wolfsburg and Sprüth Magers Galerie, Berlin / London in 2009 / 2010. English and German text.
Author: Marietta Franke
Publisher:
ISBN: 9783865606211
Category :
Languages : en
Pages : 96
Get Book Here
Book Description
This volume presents outdoor sculptures, both those recently produced for the new arrangement of the Cologne Sculpture Park and works that already exist, on numerous colour plates. It grapples with the decline of outdoor sculpture and the debate on its current forms, as well as the aspects of modern society and environment that are reflected in the subject range of these works. Reaktor by Dirk Skreber, Herbert-Bayer-Zigarettenkiosk / Atomskulptur by Michael Sailstorfer and Disappearing Forest of Germany by Alan Sonfist all deal with the burning issues of our times. The focus is on the current discussion about the financial and economic crisis, the dominance of technology, the shift in global power, climate change and over-population, but also 'celebrity culture', success and fame. In this way, KölnSkulptur 5 affords a representative view of the positions taken by contemporary outdoor sculpture and makes the vitality of this genre clear for all to see. Published alongside an exhibition at Galerie der Stadt Remscheid, Städtische Galerie Wolfsburg and Sprüth Magers Galerie, Berlin / London in 2009 / 2010. English and German text.
Author: Laurent Roosens
Publisher: A&C Black
ISBN: 0720123542
Category : Photography
Languages : en
Pages : 458
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Book Description
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Author: Chris Reitz
Publisher: MIT Press
ISBN: 0262545012
Category : Art
Languages : en
Pages : 245
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Book Description
An illuminating study of the work of artist Martin Kippenberger, whose art expressed the enthusiasms and frustrations of the West German middle class. Martin Kippenberger: Everything Is Everywhere is the first scholarly monograph in English on West German artist Martin Kippenberger (1953–1997), one of the most prominent German artists of the 1980s. In this book, Chris Reitz shows that the condition of Kippenberger’s art was an endless, enthusiastic searching, constrained by the impossibility of fulfillment. A child during West Germany’s Wirtschaftswunder, the economic miracle of the 1950s and 1960s, and a young adult during the economic recession and political tumult of the 1970s, Kippenberger belonged to the first truly postwar generation. But, largely uninterested in the legacy of National Socialism that had occupied his predecessors, Kippenberger instead pursued a hyperproductive artistic practice that reflected the dreams and fears of the ascendent 1980s West German middle class. Kippenberger’s ambitions took him everywhere: he founded a museum in Greece, invested in a fashion business and a restaurant, and even bought a gas station in Brazil. He made art in a dizzying range of genres, from paintings to poetry, from posters to stickers. He made art out of his appetites, too, producing art on the theme of his own alcoholism. Intensely entrepreneurial, Kippenberger carried out an artistic practice in which his diverse endeavors, and the people who joined him in them, were all connected in a sprawling network. Reitz deftly presents Kippenberger’s career as an allegory of the neoliberal networks of capital, technology, and culture that spanned Europe and America in the 1980s.
Author: Michael H. Kater
Publisher: Yale University Press
ISBN: 030027503X
Category : History
Languages : en
Pages : 552
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Book Description
A wide-ranging, insightful history of culture in West Germany—from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period’s progressive ideals. In this moment of cultural stasis, how could West Germany’s artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen’s innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past—and eventually allow democracy to reemerge.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 618
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Book Description
Author: Gregory H. Williams
Publisher: University of Chicago Press
ISBN: 0226898954
Category : Art
Languages : en
Pages : 256
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Book Description
Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 1960s West Germany and the trends that followed German unification in 1990, Williams describes how they no longer heeded calls for a brighter future, turning to jokes, anecdotes, and linguistic play in their work instead of overt political messages. He reveals that behind these practices is a profound loss of faith in the belief that art has the force to promulgate political change, and humor enabled artists to register this changed perspective while still supporting isolated instances of critical social commentary. Providing a much-needed examination of the development of postmodernism in Germany, Permission to Laugh will appeal to scholars, curators, and critics invested in modern and contemporary German art, as well as fans of these internationally renowned artists.
Author: Dominic Molon
Publisher: Yale University Press
ISBN: 9780300134261
Category : Art
Languages : en
Pages : 296
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Book Description
Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.
Author: Victoria Nelson
Publisher: Harvard University Press
ISBN: 0674041410
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.
Author: Bill Powers
Publisher: Gagosian Gallery
ISBN: 1935263706
Category : Art
Languages : en
Pages : 412
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Book Description
Bill Powers' first non-fiction book, Interviews With Artists, is a collection of Q&As ranging from art world legends like Ed Ruscha, George Condo, and Jeff Koons, to newer talent such as Nate Lowman, Rashid Johnson, and Adam McEwen (whose painting graces the cover). Many of these conversations were originally published in Purple Fashion magazine (Dave Hickey, Peter Beard, Damien Hirst with Jay-Z), but several were conducted specifically for this volume (Tom Sachs, Ryan McGinely, Julian Schnabel). Discover what Kara Walker considers to be the first human artwork, read Dana Schutz's remembrances of drawing Barack Obama in person, or hear John Currin's problem with bad reviews ("they're usually right.") This collection is a must-read for any contemporary art lover.
Author: Herbert Grabes
Publisher: BRILL
ISBN: 9042029110
Category : Social Science
Languages : en
Pages : 204
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Book Description
This compact, indispensable overview answers a vexed question: Why do so many works of modern and postmodern literature and art seem designed to appear ‘strange’, and how can they still cause pleasure in the beholder? To help overcome the initial barrier caused by this ‘strangeness’, the general reader is given an initial, non-technical description of the ‘aesthetic of the strange’ as it is experienced in the reading or viewing process. There follows a broad survey of modern and postmodern trends, illustrating their staggering variety and making plain the manifold methods and strategies adopted by writers and artists to ‘make it strange’. The book closes with a systematic summary of the theoretical underpinnings of the ‘aesthetic of the strange’, focussing on the ways in which it differs from both the earlier ‘aesthetic of the beautiful’ and the ‘aesthetic of the sublime’. It is made amply clear that the strangeness characteristic of modern and postmodern art has ushered in an entirely new, ‘third’ kind of aesthetic – one that has undergone further transformation over the past two decades. Beyond its usefulness as a practical introduction to the ‘aesthetic of the strange’, the present study also takes up the most recent, cutting-edge aspects of scholarly debate, while initiates are offered an original approach to the theoretical implications of this seminal phenomenon.
