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Author: Elana Levine
Publisher: Duke University Press
ISBN: 0822389770
Category : Performing Arts
Languages : en
Pages : 331
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Book Description
Passengers disco dancing in The Love Boat’s Acapulco Lounge. A young girl walking by a marquee advertising Deep Throat in the made-for-TV movie Dawn: Portrait of a Teenage Runaway. A frustrated housewife borrowing Orgasm and You from her local library in Mary Hartman, Mary Hartman. Commercial television of the 1970s was awash with references to sex. In the wake of the sexual revolution and the women’s liberation and gay rights movements, significant changes were rippling through American culture. In representing—or not representing—those changes, broadcast television provided a crucial forum through which Americans alternately accepted and contested momentous shifts in sexual mores, identities, and practices. Wallowing in Sex is a lively analysis of the key role of commercial television in the new sexual culture of the 1970s. Elana Levine explores sex-themed made-for-TV movies; female sex symbols such as the stars of Charlie’s Angels and Wonder Woman; the innuendo-driven humor of variety shows (The Sonny and Cher Comedy Hour, Laugh-In), sitcoms (M*A*S*H, Three’s Company), and game shows (Match Game); and the proliferation of rape plots in daytime soap operas. She also uncovers those sexual topics that were barred from the airwaves. Along with program content, Levine examines the economic motivations of the television industry, the television production process, regulation by the government and the tv industry, and audience responses. She demonstrates that the new sexual culture of 1970s television was a product of negotiation between producers, executives, advertisers, censors, audiences, performers, activists, and many others. Ultimately, 1970s television legitimized some of the sexual revolution’s most significant gains while minimizing its more radical impulses.
Author: Elana Levine
Publisher: Duke University Press
ISBN: 0822389770
Category : Performing Arts
Languages : en
Pages : 331
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Book Description
Passengers disco dancing in The Love Boat’s Acapulco Lounge. A young girl walking by a marquee advertising Deep Throat in the made-for-TV movie Dawn: Portrait of a Teenage Runaway. A frustrated housewife borrowing Orgasm and You from her local library in Mary Hartman, Mary Hartman. Commercial television of the 1970s was awash with references to sex. In the wake of the sexual revolution and the women’s liberation and gay rights movements, significant changes were rippling through American culture. In representing—or not representing—those changes, broadcast television provided a crucial forum through which Americans alternately accepted and contested momentous shifts in sexual mores, identities, and practices. Wallowing in Sex is a lively analysis of the key role of commercial television in the new sexual culture of the 1970s. Elana Levine explores sex-themed made-for-TV movies; female sex symbols such as the stars of Charlie’s Angels and Wonder Woman; the innuendo-driven humor of variety shows (The Sonny and Cher Comedy Hour, Laugh-In), sitcoms (M*A*S*H, Three’s Company), and game shows (Match Game); and the proliferation of rape plots in daytime soap operas. She also uncovers those sexual topics that were barred from the airwaves. Along with program content, Levine examines the economic motivations of the television industry, the television production process, regulation by the government and the tv industry, and audience responses. She demonstrates that the new sexual culture of 1970s television was a product of negotiation between producers, executives, advertisers, censors, audiences, performers, activists, and many others. Ultimately, 1970s television legitimized some of the sexual revolution’s most significant gains while minimizing its more radical impulses.
Author: Elana Levine
Publisher: Duke University Press
ISBN: 9780822339199
Category : Health & Fitness
Languages : en
Pages : 342
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Book Description
DIVA cultural history of sexual content in television shows and TV advertising during the 1970s./div
Author: Eric Schaefer
Publisher: Duke University Press
ISBN: 0822376806
Category : Performing Arts
Languages : en
Pages : 517
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Book Description
Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world. Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams
Author: Trent Brown
Publisher: LSU Press
ISBN: 0807167649
Category : History
Languages : en
Pages : 431
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Book Description
In the American imagination, the South is a place both sexually open and closed, outwardly chaste and inwardly sultry. Sex and Sexuality in Modern Southern Culture demonstrates that there is no central theme that encompasses sex in the U.S. South, but rather a rich variety of manifestations and embodiments influenced by race, gender, history, and social and political forces. The twelve essays in this volume shine a particularly bright light on the significance of race in shaping the history of southern sexuality, primarily in the period since World War II. Francesca Gamber discusses the politics of interracial sex during the national civil rights movement, while Katherine Henninger and Riché Richardson each consider the intersections of race and sexuality in the blaxploitation film Mandingo and the comedy of Steve Harvey, respectively. Political and religious regulation of sexual behavior also receives attention in Claire Strom’s essay on venereal disease treatment in wartime Florida, Stephanie M. Chalifoux’s examination of prostitution networks in Alabama, Krystal Humphreys’s piece on purity culture in modern Christianity, and Whitney Strub’s essay delving into the sexual politics of the Memphis Deep Throat trials. Specific places in the South figure prominently in Jerry Watkins’s essay on queer sex in the Redneck Riviera of northern Florida, Richard Hourigan’s exploration of bachelor parties in Myrtle Beach, and Matt Miller’s piece on African American spring break celebrations in Atlanta. Finally, Abigail Parsons and Trent Brown investigate southern portrayals of gender and sexuality in the fiction of Fannie Flagg and Larry Brown. Above all, Sex and Sexuality in Modern Southern Culture demonstrates that sex has been a fluid and resilient force operating across multiple discourses and practices in the contemporary South, and remains a vital component in the perception of a culturally complex region.
Author: Kay Arthur
Publisher: WaterBrook
ISBN: 0307551563
Category : Religion
Languages : en
Pages : 260
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Book Description
What’s the Big Deal About Sex? Birds do it. Bees do it. And when you turn on the television, log on to the Internet, or watch a movie, you can’t help but notice that everyone else seems to be doing it too. Our culture has embraced the message that sex is just a basic bodily function, as irresistible and harmless as satisfying your hunger and thirst. But is it? Or have we bought into a lie that is rapidly corroding our souls and our society? When it comes to sexuality, you can’t ignore the Manufacturer’s directions and escape unharmed. That’s why everyone–teen or adult, single or married–needs to know The Truth About Sex. This compelling, interactive study provides an antidote to the world’s subtle yet insidiously dangerous lies. You’ll learn… ·why God created sex in the first place ·what happens when you don’t follow His design ·why virginity matters ·what consequences follow sex outside of marriage ·how to find healing if you’ve been harmed because you or someone else violated God’s instructions With this knowledge comes the power to stand firm, resisting the pull of temptation. Whatever your past–whether you’ve remained sexually pure or endured the pain of misusing God’s precious gift–you’ll find your eyes opened and your life transformed as you discover for yourself The Truth About Sex. Includes a companion study guide for personal use or group discussion.
Author: Regina Luttrell
Publisher: Bloomsbury Publishing
ISBN: 1786735814
Category : Art
Languages : en
Pages : 329
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Book Description
Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.
Author: Kelly Kessler
Publisher: Oxford University Press
ISBN: 0190674032
Category : Music
Languages : en
Pages : 353
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Book Description
It was as if American television audiences discovered the musical in the early 21st century. In 2009 Glee took the Fox Network and American television by storm with the unexpected unification of primetime programming, awkward teens, and powerful voices spontaneously bursting into song. After raking in the highest rating for a new show in the 2009-2010 season, Glee would continue to cultivate rabid fans, tie-in soundtracks and merchandising, and a spinoff reality competition show until its conclusion in 2015. Alongside Glee, NBC and Fox would crank up musical visibility with the nighttime drama Smash and a string of live musical productions. Then came ABC's comedic fantasy musical series Galavant and the CW's surprise Golden Globe darling Crazy Ex-Girlfriend. Television and the musical appeared to be a perfect match. But, as author Kelly Kessler illustrates, television had at that point been carrying on a sixty-year, symbiotic love affair with the musical. From Rodgers and Hammerstein's appearance on the first Toast of the Town telecast and Mary Martin's iconic Peter Pan airings to Barbra Streisand's 1960s CBS specials, The Carol Burnett Show, Cop Rock, Great Performances, and a string of one-off musical episodes of sitcoms, nighttime soaps, fantasy shows, and soap operas, television has always embraced the musical. Kessler shows how the form is written across the history of American television and how its various incarnations tell the stories of shifting American culture and changing television, film, and theatrical landscapes. She recounts and explores this rich, decades-long history by traversing musicals, stars, and sounds from film, Broadway, and Las Vegas to the small screen.
Author: Katherine J. Lehman
Publisher: University Press of Kansas
ISBN: 0700618082
Category : Social Science
Languages : en
Pages : 320
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Book Description
Long before Carrie Bradshaw in Sex and the City, there was Mary Richards in The Mary Tyler Moore Show. Every week, as Mary flung her beret into the air while the theme song proclaimed, “You’re gonna make it after all,” it seemed that young, independent women like herself had finally arrived. But as Katherine Lehman reveals, the struggle to create accurate portrayals of successful single women for American TV and cinema during the 1960s and 1970s wasn’t as simple as the toss of a hat. Those Girls is the first book to focus exclusively on struggles to define the “single girl” character in TV and film during a transformative period in American society. Lehman has scoured a wide range of source materials—unstudied film and television scripts, magazines, novels, and advertisements—to demonstrate how controversial female characters pitted fears of societal breakdown against the growing momentum of the women’s rights movement. Lehman’s book focuses on the “single girl”—an unmarried career woman in her 20s or 30s—to show how this character type symbolized sweeping changes in women’s roles. Analyzing films and programs against broader conceptions of women’s sexual and social roles, she uncovers deep-seated fears in a nation accustomed to depictions of single women yearning for matrimony. Yet, as television began to reflect public acceptance of career women, series such as Police Woman and Wonder Woman proved that heroines could wield both strength and femininity—while movies like Looking for Mr. Goodbar cautioned viewers against carrying new-found freedom too far. Lehman takes us behind the scenes in Hollywood to show us the production decisions and censorship negotiations that shaped these characters before they even made it to the screen. She includes often-overlooked sources such as the TV series Get Christie Love and Ebony magazine to give us a richer understanding of how women of color negotiated urban singles life. And she reveals how trailblazing characters continue to influence portrayals of single women in shows like Mad Men. This entertaining and insightful study examines familiar characters caught between the competing fears and aspirations of a society rethinking its understanding of social and sexual mores. Those Girls reassesses feminine genres that are often marginalized in media scholarship and contributes to a greater valuation of the unmarried, independent woman in America.
Author: Julie Passanante Elman
Publisher: NYU Press
ISBN: 1479841102
Category : Law
Languages : en
Pages : 255
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Book Description
The teenager has often appeared in culture as an anxious figure, the repository for American dreams and worst nightmares, at once on the brink of success and imminent failure. Spotlighting the “troubled teen” as a site of pop cultural, medical, and governmental intervention, Chronic Youth traces the teenager as a figure through which broad threats to the normative order have been negotiated and contained. Examining television, popular novels, science journalism, new media, and public policy, Julie Passanante Elman shows how the teenager became a cultural touchstone for shifting notions of able-bodiedness, heteronormativity, and neoliberalism in the late twentieth century. By the late 1970s, media industries as well as policymakers began developing new problem-driven ‘edutainment’ prominently featuring narratives of disability—from the immunocompromised The Boy in the Plastic Bubble to ABC’s After School Specials and teen sick-lit. Although this conjoining of disability and adolescence began as a storytelling convention, disability became much more than a metaphor as the process of medicalizing adolescence intensified by the 1990s, with parenting books containing neuro-scientific warnings about the incomplete and volatile “teen brain.” Undertaking a cultural history of youth that combines disability, queer, feminist, and comparative media studies, Elman offers a provocative new account of how American cultural producers, policymakers, and medical professionals have mobilized discourses of disability to cast adolescence as a treatable “condition.” By tracing the teen’s uneven passage from postwar rebel to 21st century patient, Chronic Youth shows how teenagers became a lynchpin for a culture of perpetual rehabilitation and neoliberal governmentality.
Author: Hongwei Bao
Publisher: Bloomsbury Publishing
ISBN: 1350415359
Category : Fiction
Languages : en
Pages : 297
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Book Description
Queer Literature in the Sinosphere is the most up-to-date English-language study of lesbian, gay, bisexual, transgender and queer (LGBTQ+) themed literature and culture in the Chinese-speaking world. From classical homoerotic texts to contemporary boys' love fan fiction, this book showcases the richness and diversity of queer Chinese literature across the full spectrum of genres, styles, topics and cultural politics. The book features authors and literary works from mainland China, Hong Kong, Taiwan, Singapore and the global Chinese diaspora. Featuring chapters by leading scholars from around the world, this book rewrites literature, history and culture from a queer lens in China and globally.
