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Author: Bruce Biggs
Publisher: Auckland University Press
ISBN: 9781869401191
Category : History
Languages : en
Pages : 424
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Book Description
The Maori language biographies of Maori who appear in The Dictionary of New Zealand Biography Vol 1.
Author: Bruce Biggs
Publisher: Auckland University Press
ISBN: 9781869401191
Category : History
Languages : en
Pages : 424
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Book Description
The Maori language biographies of Maori who appear in The Dictionary of New Zealand Biography Vol 1.
Author: Jeff Evans
Publisher:
ISBN: 9781877514401
Category : Canoes and canoeing
Languages : en
Pages : 0
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Book Description
An illustrated overview of the key aspects of the Maori war canoe: history and recent revival, types, building process, parts, crew responsibilities and paddling techniques.
Author: Jeff Evans
Publisher:
ISBN:
Category : Canoes and canoeing
Languages : en
Pages : 76
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Book Description
Author: Jeff Evans
Publisher: Massey University Press
ISBN: 1991016670
Category : Social Science
Languages : en
Pages : 278
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Book Description
This is the biography of the mighty ceremonial war canoe Ngatokimatawhaorua that rests on the Treaty Grounds at Waitangi.The inspiration for its construction came from Te Puea Herangi. In the late 1930s the Waikato leader held a dream to build seven waka taua for the 1940 centennial commemorations at Waitangi. By 1937 two waka had been commissioned. Carved in Northland under the guidance of Pita Heperi (Te Tai Tokerau) and Piri Poutapu (Waikato), Ngatokimatawhaorua was one of them. But it was to be many decades before the true power of the waka to inspire a people was realised. In 1974 Ngatokimatawhaorua was refurbished by the late Sir Heke-nuku-mai-nga-iwi &‘ Hec' Busby for relaunching during Waitangi Day ceremonies. It was then that Te Puea' s dream turned into reality. By 1990, The Year of the Waka, 22 canoes and their 2000 crew gathered at Waitangi.Ngatokimatawhaorua and others became symbols of Maori unity and pride and an important part of the renaissance of the traditions of carving and voyaging around Aotearoa and beyond.
Author: Sue Abel
Publisher: Auckland University Press
ISBN: 9781869401764
Category : History
Languages : en
Pages : 244
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Book Description
This is an unusual study of the way in which New Zealand television presents local news. It takes a well-known and often controversial annual event, the Waitangi Day commemorations, and explores in considerable detail how this has been handled from 1990 to 1995. As well as giving an illuminating picture of how television news is produced, it also offers insights into the way in which Maori issues are treated by mainly Pakeha news teams and the powerful if often unconscious shaping of attitudes towards race relations and biculturalism presented by television news programmes.
Author: Dominion Museum (N.Z.)
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 806
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Book Description
Author:
Publisher:
ISBN:
Category : Antiquities, Prehistoric
Languages : en
Pages : 480
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Book Description
Author: Polynesian Society (N.Z.)
Publisher:
ISBN:
Category : Polynesia
Languages : en
Pages : 314
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Book Description
Vols. for 1892-1941 contain the transactions and proceedings of the society.
Author: Elsdon Best
Publisher:
ISBN:
Category : Māori (New Zealand people)
Languages : en
Pages : 332
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Book Description
Author: Ngarino Ellis
Publisher: Auckland University Press
ISBN: 1775587436
Category : Art
Languages : en
Pages : 505
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Book Description
From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngati Porou carving and a profound transformation in Maori art. Beginning around 1830, three previously dominant art traditions – waka taua (war canoes), pataka (decorated storehouses) and whare rangatira (chief's houses) – declined and were replaced by whare karakia (churches), whare whakairo (decorated meeting houses) and wharekai (dining halls). Ellis examines how and why that fundamental transformation took place by exploring the Iwirakau School of carving, based in the Waiapu Valley on the East Coast of the North Island. An ancestor who lived around the year 1700, Iwirakau is credited for reinvigorating the art of carving in the Waiapu region. The six major carvers of his school went on to create more than thirty important meeting houses and other structures. During this transformational period, carvers and patrons re-negotiated key concepts such as tikanga (tradition), tapu (sacredness) and mana (power, authority) – embedding them within the new architectural forms whilst preserving rituals surrounding the creation and use of buildings. A Whakapapa of Tradition tells us much about the art forms themselves but also analyzes the environment that made carving and building possible: the patrons who were the enablers and transmitters of culture; the carvers who engaged with modern tools and ideas; and the communities as a whole who created the new forms of art and architecture. This book is both a major study of Ngati Porou carving and an attempt to make sense of Maori art history. What makes a tradition in Maori art? Ellis asks. How do traditions begin? Who decides this? Conversely, how and why do traditions cease? And what forces are at play which make some buildings acceptable and others not? Beautifully illustrated with new photography by Natalie Robertson, and drawing on the work of key scholars to make a new synthetic whole, this book will be a landmark volume in the history of writing about Maori art.
