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Author: Claudia Glunz
Publisher: V&R unipress GmbH
ISBN: 389971590X
Category : Art
Languages : de
Pages : 330
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Book Description
English summary: Since antiquity, technical innovations have had a direct influence on the portrayal of war in the media and the arts. But has the actual structure and substance of war reporting changed in the course of technological progress from antiquity to the present day? Have pamphlets, war paintings, photography, radio reports and radio plays, newsreels, war films, tv news coverage or internet videos yielded more information content? Have they been able to make the incomprehensible reality of the horrors of war more comprehensible, or have means of manipulation and discourse through war images remained the same? Are the media truth machines in both senses? These are the central questions discussed in this anthology. German text. German description: Technische Innovationen haben zweifellos seit der Antike unmittelbaren Einfluss auf die Darstellung des Krieges in den Medien und Kunsten ausgeubt. Doch haben sich tatsachlich die Strukturen und Inhalte der Kriegsberichterstattung in den Produkten verandert, die mit diesen Innovationen erstellt wurden? Haben von der Antike bis zur Gegenwart des 21. Jahrhunderts Flugschriften, Schlachtengemalde, Fotografien, Radioberichte und Horspiele, Wochenschauen und Kriegsfilme, Fernsehnachrichten oder Internetvideos zu einem Mehr an Informationsgehalt gefuhrt? Haben sie die unfassbare Realitat des Grauens der Schlachten nachvollziehbar gestaltet, oder sind die Manipulationswege und die den Bildern eingeschriebenen Diskurse unverandert geblieben? Sind die Medien Wahrheitsmaschinen im doppelten Sinne? Dies waren die zentralen Fragestellungen der Tagung Wahrheitsmaschinen. Der Einfluss technischer Innovationen auf die Darstellung und das Bild des Krieges in den Medien und Kunsten, die vom 3. bis 6. September 2009 an der Universitat Osnabruck stattfand und deren Beitrage im vorliegenden Band versammelt sind.
Author: Claudia Glunz
Publisher: V&R unipress GmbH
ISBN: 389971590X
Category : Art
Languages : de
Pages : 330
Get Book Here
Book Description
English summary: Since antiquity, technical innovations have had a direct influence on the portrayal of war in the media and the arts. But has the actual structure and substance of war reporting changed in the course of technological progress from antiquity to the present day? Have pamphlets, war paintings, photography, radio reports and radio plays, newsreels, war films, tv news coverage or internet videos yielded more information content? Have they been able to make the incomprehensible reality of the horrors of war more comprehensible, or have means of manipulation and discourse through war images remained the same? Are the media truth machines in both senses? These are the central questions discussed in this anthology. German text. German description: Technische Innovationen haben zweifellos seit der Antike unmittelbaren Einfluss auf die Darstellung des Krieges in den Medien und Kunsten ausgeubt. Doch haben sich tatsachlich die Strukturen und Inhalte der Kriegsberichterstattung in den Produkten verandert, die mit diesen Innovationen erstellt wurden? Haben von der Antike bis zur Gegenwart des 21. Jahrhunderts Flugschriften, Schlachtengemalde, Fotografien, Radioberichte und Horspiele, Wochenschauen und Kriegsfilme, Fernsehnachrichten oder Internetvideos zu einem Mehr an Informationsgehalt gefuhrt? Haben sie die unfassbare Realitat des Grauens der Schlachten nachvollziehbar gestaltet, oder sind die Manipulationswege und die den Bildern eingeschriebenen Diskurse unverandert geblieben? Sind die Medien Wahrheitsmaschinen im doppelten Sinne? Dies waren die zentralen Fragestellungen der Tagung Wahrheitsmaschinen. Der Einfluss technischer Innovationen auf die Darstellung und das Bild des Krieges in den Medien und Kunsten, die vom 3. bis 6. September 2009 an der Universitat Osnabruck stattfand und deren Beitrage im vorliegenden Band versammelt sind.
Author: S. Gibson
Publisher: Springer
ISBN: 1137292253
Category : Social Science
Languages : en
Pages : 313
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Book Description
This edited volume brings together a series of contributions exploring the socio-cultural and psychological representation of peace and conflict. It ventures into areas of the humanities and social sciences not typically foregrounded in Peace Studies, such psychology, sociology, media studies, cultural studies, history, and geography.
Author: Nil Santiáñez
Publisher: Cambridge University Press
ISBN: 1108495125
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
This is the first comparative transnational approach to the language of absolute war and the literature on World War II.
Author: Martin Löschnigg
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311039152X
Category : History
Languages : en
Pages : 528
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Book Description
The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts.
Author: Daniel H. Rellstab
Publisher: Routledge
ISBN: 1134656831
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
War, migration, and refugeehood are inextricably linked and the complex nature of all three phenomena offers profound opportunities for representation and misrepresentation. This volume brings together international contributors and practitioners from a wide range of fields, practices, and backgrounds to explore and problematize textual and visual inscriptions of war and migration in the arts, the media, and in academic, public, and political discourses. The essays in this collection address the academic and political interest in representations of the migrant and the refugee, and examine the constructed nature of categories and concepts such as ‘war,’ ‘refuge(e),’ ‘victim,’ ‘border,’ ‘home,’ ‘non-place,’ and ‘dis/location.’ Contributing authors engage with some of the most pressing questions surrounding war, migration, and refugeehood as well as with the ways in which war and its multifarious effects and repercussions in society are being framed, propagated, glorified, or contested. This volume initiates an interdisciplinary debate which re-evaluates the relationship between war, migration, and refugeehood and their representations.
Author: Elisabeth Roehrlich
Publisher: JHU Press
ISBN: 1421443333
Category : History
Languages : en
Pages : 342
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Book Description
"Based on unique access to the IAEA Archives in Vienna and numerous interviews with leading diplomats and scientists, this book provides the first comprehensive, empirically grounded, and independent study on the history of the International Atomic Energy Agency"--
Author: Trudi Tate
Publisher: Bloomsbury Publishing
ISBN: 178672555X
Category : History
Languages : en
Pages : 231
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Book Description
The Crimean War (1853-1856) was the first modern war. A vicious struggle between imperial Russia and an alliance of the British, French and Ottoman Empires, it was the first conflict to be reported first-hand in newspapers, painted by official war artists, recorded by telegraph and photographed by camera. In her new short history, Trudi Tate discusses the ways in which this novel representation itself became part of the modern war machine. She tells forgotten stories about the war experience of individual soldiers and civilians, including journalists, nurses, doctors, war tourists and other witnesses. At the same time, the war was a retrograde one, fought with the mentality, and some of the equipment, of Napoleonic times. Tate argues that the Crimean War was both modern and old-fashioned, looking backwards and forwards, and generating optimism and despair among those who lived through it. She explores this paradox while giving full coverage to the bloody battles (Alma, Balaklava, Inkerman), the siege of Sebastopol, the much-derided strategies of the commanders, conditions in the field and the cultural impact of the anti-Russian alliance.
Author: Claes Ahlund
Publisher: Nordic Academic Press
ISBN: 9187121905
Category : History
Languages : en
Pages : 361
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Book Description
Denmark, Norway, and Sweden all managed to stay out of World War I, but all three countries were deeply affected by it. Opening with a systematically comparative introduction to the history of the Scandinavian countries during that time period, this account then presents 13 case studies examining the impact of the war on these neutral entities. From inflation and the shortage of consumer goods to widespread poverty and political unrest - not to mention the thousands of Scandinavian soldiers who participated in the war - this unique compilation 'analyzes the military and economic consequences as well as the vital political and social issues raised by the conflict.'
Author: Graham Dawson
Publisher: Manchester University Press
ISBN: 152610850X
Category : History
Languages : en
Pages : 556
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Book Description
This ground-breaking book provides the first comprehensive investigation of the history and memory of the Northern Ireland Troubles in Britain. It examines the impacts of the conflict upon individual lives, political and social relationships, communities and culture in Britain, and explores how the people of Britain (including its Irish communities) have responded to, and engaged with the conflict, in the context of contested political narratives produced by the State and its opponents. Setting an agenda for further research and public debate, the book demonstrates that 'unfinished business' from the conflicted past persists unaddressed in Britain, and advocates the importance of acknowledging legacies, understanding histories and engaging with memories in the context of peace-building and reconciliation.
Author: Ralf Schneider
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110422468
Category : Literary Criticism
Languages : en
Pages : 540
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Book Description
The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.
