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Author: Jack Quin
Publisher: Oxford University Press
ISBN: 0192654861
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, public monuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in the city, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.
Author: Jack Quin
Publisher: Oxford University Press
ISBN: 0192654861
Category : Literary Criticism
Languages : en
Pages : 225
Get Book Here
Book Description
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, public monuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in the city, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.
Author: Jack Quin
Publisher: Oxford University Press
ISBN: 019284315X
Category : Art and literature
Languages : en
Pages : 225
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Book Description
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, publicmonuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in thecity, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.
Author: Lauren Arrington
Publisher: Oxford University Press
ISBN: 0198834675
Category : Literary Criticism
Languages : en
Pages : 753
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Book Description
The forty-two chapters in this book consider Yeats's early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats's multiple selves as poet, playwright, public figure, and mystic. It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats's more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participate in the fascination of all the contributors here in the satisfying difficulty of this great writer.
Author: Anastasia Psoni
Publisher: Cambridge Scholars Publishing
ISBN: 1527523802
Category : Art
Languages : en
Pages : 480
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Book Description
Modernism, as a powerful movement, saw the literary and artistic traditions, as well as pure science, starting to evolve radically, creating a crisis, even chaos, in culture and society. Within this chaos, myth offered an ordered picture of that world employing symbolic and poetic images. Both W.B. Yeats and Angelos Sikelianos embraced myth and symbols because they liberate imagination and raise human consciousness, bringing together humans and the cosmos. Being opposed to the rigidity of scientific materialism that inhibits spiritual development, the two poets were waiting for a new age and a new religion, expecting that they, themselves, would inspire their community and usher in the change. In their longing for a new age, archaeology was a magnetic field for Yeats and Sikelianos, as it was for many writers and thinkers. After Sir Arthur Evans’s discovery of the Minoan Civilization where women appeared so peacefully prominent, the dream of re-creating a gynocentric mythology was no longer a fantasy. In Yeats’s and Sikelianos’s gynocentric mythology, the feminine figure appears in various forms and, like in a drama, it plays different roles. Significantly, a gynocentric mythology permeates the work of the two poets and this mythology is of pivotal importance in their poetry, their poetics and even in their life as the intensity of their creative desire brought to them female personalities to inspire and guide them. Indeed, in Yeats’s and Sikelianos’s gynocentric mythology, the image of the feminine holds a place within a historical context taking the reader into a larger social, political and religious space.
Author: Daniel Tompsett
Publisher: Routledge
ISBN: 0429885032
Category : Literary Criticism
Languages : en
Pages : 415
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Book Description
Unlocking the Poetry of W.B. Yeats undertakes a thorough re-reading of Yeats' oeuvre as an extended meditation on the image and theme of the heart as it is evident within the poetry. It places the heart at the centre of a complex web of Yeatsian preoccupations and associations—from the biographical, to the poetic and philosophical, to the mythological and mystical. In particular, the book seeks to unlock Yeats’ mystifying aesthetic vision via his understanding of the ancient Egyptian "Weighing of the Heart" ceremony. The work provides a chronological narrative arc that looks to use the theme of the heart as it recurs in the poetry in order to circumvent and overcome more established frameworks. Its purpose is to offer refreshing ways of conceptualizing and building alternatives to more deeply entrenched, but not entirely satisfactory arguments that have been offered since Yeats' death in 1939, while demonstrating the centrality of the occult to Yeats' art.
Author: David Pierce
Publisher:
ISBN:
Category :
Languages : en
Pages : 610
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Book Description
Author: William Butler Yeats
Publisher: Simon and Schuster
ISBN: 0684807335
Category : Literary Criticism
Languages : en
Pages : 450
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Book Description
The Collected Works of W. B. Yeats, Volume XIII: A Vision is part of a fourteen-volume series under the general editorship of eminent Yeats scholar George Bornstein and formerly the late Richard J. Finneran and George Mills Harper. One of the strangest works of literary modernism, A Vision is Yeats's greatest occult work. Edited by Yeats scholars Catherine E. Paul and Margaret Mills Harper, the volume presents the "system" of philosophy, psychology, history, and the life of the soul that Yeats and his wife George (née Hyde Lees) received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the book, and the revised 1937 version is much more widely available than its predecessor. The original 1925 version of A Vision, poetic, unpolished, masked in fiction, and close to the excitement of the automatic writing that the Yeatses believed to be its supernatural origin, is presented here in a scholarly edition for the first time. The text, minimally corrected to retain the sense of the original, is extensively annotated, with particular attention paid to the relationship between the published book and its complex genetic materials. Indispensable to an understanding of the poet's late work and entrancing on its own merit, A Vision aims to be, all at once, a work of theoretical history, an esoteric philosophy, an aesthetic symbology, a psychological schema, and a sacred book. It is as difficult as it is essential reading for any student of Yeats.
Author: Rachel Mannheimer
Publisher:
ISBN: 9781955125109
Category :
Languages : en
Pages : 80
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Book Description
Selected by Nobel Laureate Louise Glück as Winner of the inaugural Bergman Prize, Rachel Mannheimer's debut, Earth Room, is a dazzling book-length narrative poem that explores with tenderness how art and love intersect to make one's life. Transporting the reader across decades and from the Moon to Mars by way of Alaska, Berlin, and the Hudson Valley, Earth Room considers a lineage of sculpture, performance, and land art--from Robert Smithson to Pina Bausch--with observations shaped by gender and environment, history and portents of apocalypse. With an urgent, direct, and unmistakably powerful voice, Mannheimer tests the line between nature and culture, ordinary life and performance. A work of sly wit and bracing sincerity, Earth Room is an original, unsparing book that Louise Glück calls "a lesson in how to make something of where we find ourselves."
Author: Sunil Kumar Sarker
Publisher: Atlantic Publishers & Dist
ISBN: 9788171566471
Category :
Languages : en
Pages : 372
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Book Description
J.M. Cohen Wrote That Yeats Was The Greatest Figure In English Poetry Since The Death Of Tennyson , And Ezra Pound, Who Once Went To Yeats To Learn How To Write Poetry, Wrote About Him : I Dare Say ... That Up To Date No One Has Shown Any Disposition To Supersede Him As The Best Poet In England Or Any Likelihood Of Doing So For Some Time... Yeats Is A Very Complex And Difficult Poet, Because There Is In Him A Curious Intermixture Of Romanticism, Realism, Mythology, Supernaturalism, Magic, Ocultism, Automatic Writing, Nationalism, Private Philosophy , And Even Prejudices. His Poems Are Very Compact, Allowing No Elaborations, And Leaving Gaps For The Reader To Imaginatively Fill Them Up, And Thus Making Them More Difficult. Great Explicators And Commentators Have, Of Course, Come Forward, But They Themselves, Sometimes, Are Either Difficult Or Not Enough. Therefore, The One Single Objective Of This Book Is To Introduce The Poet To The General Reader In An Easy Manner.To Give An Idea Of The Poet, As Many As Forty-One Poems, Selected From His Four Stages Of Poetic Development, Have Been Explained (And All Those Poems Have Been Quoted In Full). Yeats Had Also A Métier For Drama, And Had Been A Pioneer Of One Act Plays, And Wrote No Fewer Than Thirty Plays. And So Yeats Has Also Been Discussed As A Dramatist, And, In Addition, Eight Of His Plays Have Been Discussed At Some Length.
Author: William Butler Yeats
Publisher: Graphic Arts Books
ISBN: 1513275887
Category : Literary Collections
Languages : en
Pages : 118
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Book Description
Ideas of Good and Evil (1903) is a collection of wide-ranging essays by Irish poet W.B. Yeats. Writing on such subjects as the art of poetry, politics, and the occult, Yeats proves himself to be not only a master of verse and drama, but an immensely talented essayist and thorough scholar. “What is ‘Popular Poetry’?” reflects on a changing Irish literary landscape which has, over the course of Yeats’ career, established its own place in world literature apart from, and perhaps surpassing, its English counterpart. Juxtaposing “the poetry of the coteries, which presupposes the written tradition” and “the true poetry of the people, which presupposes the unwritten tradition,” Yeats argues that the spirit of Irish poetry depends on its unfaltering connection to the itinerant bards and storytellers whose gift for musicality and memory kept language alive for a widely illiterate people. In “Magic,” Yeats, a longtime member of the Hermetic Order of the Golden Dawn, discusses his belief in the occult. Musing on the power of symbol to evoke memories, as well as the revelation of his past lives, Yeats provides personal anecdotes and secondhand accounts of magical occurrences and experiences, exposing a world secrets and hidden meaning for believers and the uninitiated alike. “The Philosophy of Shelley’s Poetry” is an academic essay in which Yeats argues that Shelley’s poems far surpass the radical ideologies of such figures as William Godwin. Ideas of Good and Evil showcases the diverse intellectual and spiritual interests of W.B. Yeats, an icon of Irish literature and one of the twentieth century’s leading poetic voices. With a beautifully designed cover and professionally typeset manuscript, this edition of W.B. Yeats’s Ideas of Good and Evil is a classic of Irish literature reimagined for modern readers.
