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Author: James W. Flannery
Publisher:
ISBN: 9780300046274
Category : Art
Languages : en
Pages : 404
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Book Description
Author: James W. Flannery
Publisher:
ISBN: 9780300046274
Category : Art
Languages : en
Pages : 404
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Book Description
Author: Christopher Morash
Publisher: Cambridge University Press
ISBN: 1009033026
Category : Literary Criticism
Languages : en
Pages : 470
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Book Description
W. B. Yeats is recognised globally as one of the most significant poets of the past century. And yet, in his Nobel address, he singled out his work in the theatre as his main accomplishment. Yeats on Theatre restores Yeats not only a playwright, but as a writer and thinker who, over forty years, produced a body of theory covering all aspects of theatre, including the possibilities of performance space, the role of the audience and the nature of tragedy. When read as whole, in conjunction with his plays, letters, and extensive manuscript materials, Yeats's theatre writings emerge as a radical, cohesive, theatrical aesthetic, at odds with – and in advance of – the theatre of his time. Ultimately, the Yeats who takes shape in Yeats on Theatre is an artist who thinks through theatre, providing us with an urgently needed reassertion of the value of theatre as embodied thought.
Author: I. Walsh
Publisher: Springer
ISBN: 1137001364
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
This book examines experimental Irish theatre that ran counter to the naturalistic 'peasant' drama synonymous with Irish playwriting. Focusing on four marginalised playwrights after Yeats, it charts a tradition linking the experimentation of the early Irish theatre movement with the innovation of contemporary Irish and international drama.
Author: Gina Masucci MacKenzie
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 200
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Book Description
The Theatre of the Real: Yeats, Beckett, and Sondheim traces the thread of jouissance (the simultaneous experience of radical pleasure and pain) through three major theatre figures of the twentieth century. Gina Masucci MacKenzie's work engages theatrical text and performance in dialogue with the Lacanian Real, so as to re-envision modern theatre as the cultural site where author, actor, and audience come into direct contact with personal and collective traumas. By showing how a transgressively free subject may be formed through theatrical experience, MacKenzie concludes that modern theatre can liberate the individual from the socially constructed self. The Theatre of the Real revises views of modern theatre by demonstrating how it can lead to a collaborative effort required for innovative theatrical work. By foregrounding Yeats's "dancer" plays, the author shows how these intimate pieces contribute to the historical development of musical as well as modern theatre. Beckett's universal dramas then pave the way for Sondheim's postmodern cacophonies of idea and spirit as they introduce comic abjection into modernism's tragic mode. This exciting work from a new author will leave readers with fresh insight to theatrical performance and its necessity in our lives.
Author: Marjorie Elizabeth Howes
Publisher: Cambridge University Press
ISBN: 0521650895
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
A comprehensive and accessible introduction to the major themes of this important poet's life and career.
Author: William Butler Yeats
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 168
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Book Description
Author: William Butler Yeats
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
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Book Description
Author: Adrian Woods Frazier
Publisher: Univ of California Press
ISBN: 9780520065499
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
"The archival material presented here is important and well-researched, Frazier's writing is lucid and dignified, and the story that unfolds is also exceedingly funny. The comedy is not laid on, it is all there in the material itself. Frazier is simply the first to bring it out."--Malcolm Brown, author of The Politics of Irish Literature
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296298
Category : Drama
Languages : en
Pages : 238
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Book Description
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
Author: Richard Allen Cave
Publisher: Dance Books Limited
ISBN: 9781852731434
Category : Artistic collaboration
Languages : en
Pages : 0
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Book Description
W.B. Yeats's invitation to Ninette de Valois to come to Dublin and help him stage his plays for dancers and to found a School of Ballet at the Abbey Theatre have been known facts for many years, not least from de Valois' own autobiographies. Collaborations is the first detailed study of the creative relationship of poet and dancer that resulted, which lasted from 1927 to 1934. Their meeting at the Festival Theatre in Cambridge, a remarkable venture in experimental staging run by Terence Gray, de Valois' cousin, had a profound impact on her subsequent work with Yeats. Gray promoted the expressionist style in terms of design and movement, for which de Valois devised the choreography, and it was a similar style that Yeats encouraged her to pursue in mounting his own plays. Four productions were achieved: Fighting the Waves, The Dreaming of the Bones, At the Hawk's Well and The King of the Great Clock Tower. This study is divided into two parts: the first investigates what precisely de Valois learned from her association with Terence Gray at the Festival Theatre and the nature of her achievements there; the second looks at how this preparation bore special fruit in her roles as performer and choreographer at the Abbey Theatre and why these four productions were for Yeats the most satisfying staging of his dance plays in his lifetime. Their success as collaborators grew from the deep respect each sustained for the integrity of the other's artistry. Yeats is often viewed as dictatorial in his handling of theatre practitioners and personnel, but this view needs to be revised in light of the creative freedom he gave to de Valois, who rapidly became for him the ideal exponent and embodiment of the dance. In this volume what is opened up and extensively illustrated for scholars is a whole new chapter of theatre and dance history, which documents the successful creating of a bridge between these two disciplines. Throughout, the focus of the discussion is on performance. Richard Allen Cave is Professor Emeritus in Drama and Theatre Arts at Royal Holloway, University of London, where he taught from 1984 to 2008. He has published extensively in the fields of Renaissance Theatre (Jonson, Webster, Brome, Shakespeare), Modern English and Irish Theatre (Wilde, Yeats, T.C. Murray, McGuinness, Friel) and in dance and movement studies. Professor Cave is also a trained Feldenkrais practitioner, who works on vocal techniques with professional actors and on extending movement skills with performers in physical theatre.
