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Author: Paul Walker
Publisher:
ISBN: 0190056193
Category : Music
Languages : en
Pages : 385
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Book Description
Examining the roots of the classical fugue pre-Bach, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period--motet, ricercar, and canonza--through musical examples and close analysis.
Author: Paul Walker
Publisher:
ISBN: 0190056193
Category : Music
Languages : en
Pages : 385
Get Book Here
Book Description
Examining the roots of the classical fugue pre-Bach, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period--motet, ricercar, and canonza--through musical examples and close analysis.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 184
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 714
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 712
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Book Description
Author: Tess Knighton
Publisher: Univ of California Press
ISBN: 9780520210813
Category : Art
Languages : en
Pages : 452
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Book Description
With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.
Author: Laurie Stras
Publisher: Cambridge University Press
ISBN: 1107154073
Category : Music
Languages : en
Pages : 417
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Book Description
Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.
Author: Katharina M Wilson
Publisher: BRILL
ISBN: 9004625801
Category : Biography & Autobiography
Languages : en
Pages : 187
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Book Description
Selection of the works of Hrotsvit, the first-known woman dramatist, containing legends, dramas, and epics. Hrotsvit of Gandersheim (c.935 - c.975), almost certainly of noble Saxon parentage, was a canoness of the Saxon imperial abbey of Gandersheim, living and working there during its time of greatest material prosperity and cultural and intellectual pre-eminence. Her importance cannot be overestimated: she is the first poet of Saxony; the first known dramatist of Christianity (indeed the first known woman dramatist of any time); and a woman displaying erudition and wit in an essentially patriarchal age, a female author in a literary field dominated by men who insisted on re-evaluating and redrawing the literary depiction of women. Discovered in the late fifteenth century, her extraordinary oeuvre, written in medieval Latin, comprises a wide variety of genres: eight legends, six dramas, and two epics, organised into three books. The present volume contains a selection of Hrotsvit's works in Englishtranslation, together with an interpretative essay, critical introduction, and scholarly apparatus. Professor KATHARINA WILSONteaches at the University of Georgia.
Author: Fiona Kisby
Publisher: Cambridge University Press
ISBN: 9780521661713
Category : History
Languages : en
Pages : 224
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Book Description
Examines musical culture in the towns and cities of Renaissance Europe and the New World.
Author: Sylvia Huot
Publisher: Stanford University Press
ISBN: 9780804727174
Category : Music
Languages : en
Pages : 264
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Book Description
This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.
Author: Josquin Des Prez
Publisher: Alfred Music
ISBN: 9781457481345
Category : Music
Languages : la
Pages : 32
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Book Description
A choral worship collection, composed by Josquin Des Prez. Titles: * 1. In principio erat verbum (4 voices, a cappella) * 2. Responsum acceperat Simeon (6 voices, a cappella) * 3. Tulerunt Dominum meum (8 voices, a cappella)
