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Author: Hans Bernhard Moeller
Publisher: SIU Press
ISBN: 0809389398
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.
Author: Hans Bernhard Moeller
Publisher: SIU Press
ISBN: 0809389398
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.
Author: Philippe Met
Publisher: Columbia University Press
ISBN: 023185126X
Category : Performing Arts
Languages : en
Pages : 612
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Book Description
Arguably a pioneer of the French New Wave (with Ascenseur pour l’échafaud, 1957) Louis Malle went on to enjoy an acclaimed yet provocative and versatile transatlantic career. This collection of original essays proposes to reassess his richly eclectic and boldly subversive oeuvre and redress the surprising critical neglect it has suffered over the years. It does so through a combination of transversal and monographic analyses that use a variety of critical lenses and theoretical tools in order to examine Malle’s documentaries as well as his fiction features (and, more importantly, the constant shuttling and uniquely persistent cross-pollination between those two cinematic approaches), illuminate the profound, lasting dialogue his films entertained with literature and theater, bring to the fore their sustained, albeit often oblique autobiographical thrust along with their scathing sociopolitical critique, and scrutinize the alternating use of stars and non-professional actors. In addition, the volume features an exclusive interview with the acclaimed playwright John Guare (a close friend and collaborator of Louis Malle’s who scripted Atlantic City) and is bookended by a foreword by Volker Schlöndorff and an afterword by Wes Anderson, two renowned filmmakers who articulate their admiration for, and the seminal influence of, their predecessor.
Author: Ernest J. Gaines
Publisher: Vintage
ISBN: 0307830381
Category : Fiction
Languages : en
Pages : 226
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Book Description
A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s. The Village Voice called A Gathering of Old Men “the best-written novel on Southern race relations in over a decade.”
Author: Lindsay Ann Bywood
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Evelyn Naudorf
Publisher: GRIN Verlag
ISBN: 3638191168
Category : Literary Criticism
Languages : en
Pages : 18
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Book Description
Essay from the year 2001 in the subject German Studies - Comparative Literature, grade: A, University of London (Faculty of German Literature), course: German Narrative Fiction: Text and Film, language: English, abstract: ‘The key to understanding The Tin Drum lies in understanding the mind of its remarkable first-person narrator, Oskar Matzerath, that brilliantly conceived fictional eyewitness and personification of the Third Reich, its prehistory, and its aftermath.’1 This quote stresses the importance of the narrator in Günter Grass’ novel. In this essay, I should like to compare the narrative structure in the novel with the film adaptation. As my aim is to find out how the film version works, I would like to put forward the proposition that not only the understanding of the narrator’s mind is crucial for the understanding of the novel, but also the understanding of the narrative structure itself within Die Blechtrommel. Therefore, I will have a closer look at the novel first and then proceeding to the film, in order to examine the changes Volker Schlöndorff made and what effect they may have on the understanding of the film. Hans Magnus Enzensberger, a famous German poet and critic, described Günter Grass’ novel as a ‘Brocken, an dem Rezensenten und Philologen mindestens ein Jahrzehnt lang zu würgen haben, bis es [sic] reif zur Kanonisierung oder zur Aufbewahrung im Schauhaus der Literaturgeschichte ist.’2 This prophecy of 1959 came true and it was not until twenty years later that Volker Schlöndorff tried the first film adaptation of this complex work of literature. Nevertheless, the novel was a tremendous success, not only in post-war Germany. In the following paragraph, I will start with an explanation of the elements, which make the novel’s narrative structure so complicated and multilayered. 1 Keele, Alan Frank. Understanding Günter Grass, page 11 2 Richter, Frank. Die zerschlagene Wirklichkeit. Überlegungen zur Form der Danzig-Triologie von Günter Grass, page 7
Author: Stephen Brockmann
Publisher: Camden House
ISBN: 1571134689
Category : Music
Languages : en
Pages : 534
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Book Description
A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation.
Author: L. A. Bywood
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Marguerite Yourcenar
Publisher: Macmillan
ISBN: 0374516316
Category : Gay men
Languages : en
Pages : 168
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Book Description
Author: Siegfried Kracauer
Publisher: Princeton University Press
ISBN: 0691191344
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
Author: Randall Halle
Publisher: University of Illinois Press
ISBN: 0252033299
Category : History
Languages : en
Pages : 258
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Book Description
A focused examination of German film's transformation from a national to transnational industry