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Author: Anne Fogarty
Publisher:
ISBN: 9781906359799
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Gathers together interpretations of Joyce's work by scholars in a wide span of disciplines: music, history, literature, philosophy, sport, geography, modern languages, economics, theatre studies, and law. The depth and range of James Joyce's relationship with key historical, intellectual, and cultural issues in the early twentieth century are explored. The twenty essays in this collection draw out the openness and pluralism of Joyce's writing and underscore the need for readings of his work from a large variety of diverging perspectives.
Author: Anne Fogarty
Publisher:
ISBN: 9781906359799
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Gathers together interpretations of Joyce's work by scholars in a wide span of disciplines: music, history, literature, philosophy, sport, geography, modern languages, economics, theatre studies, and law. The depth and range of James Joyce's relationship with key historical, intellectual, and cultural issues in the early twentieth century are explored. The twenty essays in this collection draw out the openness and pluralism of Joyce's writing and underscore the need for readings of his work from a large variety of diverging perspectives.
Author: Hugh Kenner
Publisher: Univ of California Press
ISBN: 9780520039353
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
Author: W. Stephen Smith
Publisher: Oxford University Press
ISBN: 0195300505
Category : Language Arts & Disciplines
Languages : en
Pages : 223
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Book Description
Focusing not only on the most important technical, but also on the often overlooked psychological and spiritual elements of learning to sing, The Naked Voice allows readers to develop their own full and individual identities as singers
Author: Joyce Johnson
Publisher: Penguin
ISBN: 110160106X
Category : Biography & Autobiography
Languages : en
Pages : 651
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Book Description
A groundbreaking portrait of Kerouac as a young artist—from the award-winning author of Minor Characters In The Voice is All, Joyce Johnson, author of her classic memoir, Door Wide Open, about her relationship with Jack Kerouac, brilliantly peels away layers of the Kerouac legend to show how, caught between two cultures and two languages, he forged a voice to contain his dualities. Looking more deeply than previous biographers into how Kerouac’s French Canadian background enriched his prose and gave him a unique outsider’s vision of America, she tracks his development from boyhood through the phenomenal breakthroughs of 1951 that resulted in the composition of On the Road, followed by Visions of Cody. By illuminating Kerouac’s early choice to sacrifice everything to his work, The Voice Is All deals with him on his own terms and puts the tragic contradictions of his nature and his complex relationships into perspective.
Author: Joyce Meyer
Publisher: FaithWords
ISBN: 0759510318
Category : Study Aids
Languages : en
Pages : 178
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Book Description
In the hustle and bustle of today's busy world, sometimes it's hard enough to hear yourself think, much less take a minute to stop and listen for the voice of God. But learning to recognize God's voice and the many ways in which He speaks is vital for following His plan. In How to Hear from God, Joyce Meyer shows readers that God reaches out to people every day, seeking a partnership with them to offer guidance and love. She reveals the ways in which God delivers His word and the benefits of asking God for the sensitivity to hear His voice. Joyce asks the question, "Are you listening?" and shares how to do just that.
Author: Joyce L. Kornbluh
Publisher: PM Press
ISBN: 1604868449
Category : Political Science
Languages : en
Pages : 1426
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Book Description
Welcoming women, Blacks, and immigrants long before most other unions, the Wobblies from the start were labor’s outstanding pioneers and innovators, unionizing hundreds of thousands of workers previously regarded as “unorganizable.” Wobblies organized the first sit-down strike (at General Electric, Schenectady, 1906), the first major auto strike (6,000 Studebaker workers, Detroit, 1911), the first strike to shut down all three coalfields in Colorado (1927), and the first “no-fare” transit-workers’ job-action (Cleveland, 1944). With their imaginative, colorful, and world-famous strikes and free-speech fights, the IWW wrote many of the brightest pages in the annals of working class emancipation. Wobblies also made immense and invaluable contributions to workers’ culture. All but a few of America’s most popular labor songs are Wobbly songs. IWW cartoons have long been recognized as labor’s finest and funniest. The impact of the IWW has reverberated far beyond the ranks of organized labor. An important influence on the 1960s New Left, the Wobbly theory and practice of direct action, solidarity, and “class-war” humor have inspired several generations of civil rights and antiwar activists, and are a major source of ideas and inspiration for today’s radicals. Indeed, virtually every movement seeking to “make this planet a good place to live” (to quote an old Wobbly slogan), has drawn on the IWW’s incomparable experience. Originally published in 1964 and long out of print, Rebel Voices remains by far the biggest and best source on IWW history, fiction, songs, art, and lore. This new edition includes 40 pages of additional material from the 1998 Charles H. Kerr edition from Fred Thompson and Franklin Rosemont, and a new preface by Wobbly organizer Daniel Gross.
Author: R. B. Kershner
Publisher: UNC Press Books
ISBN: 1469616211
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
The sheer mass of allusion to popular literature in the writings of James Joyce is daunting. Using theories developed by Russian critic Mikhail Bakhtin, R. B. Kershner analyzes how Joyce made use of popular literature in such early works as Stephen Hero, Dubliners, A Portrait of an Artist as a Young Man, and Exiles. Kershner also examines Joyce's use of rhetoric, the relationship between narrator and protagonist, and the interplay of voices, whether personal, literary, or subliterary, in Joyce's writing. In pointing out the prolific allusions in Joyce to newspapers, children's books, popular novels, and even pornography, Kershner shows how each of these contributes to the structures of consciousness of Joyce's various characters, all of whom write and rewrite themselves in terms of the texts they read in their youth. He also investigates the intertextual role of many popular books to which Joyce alludes in his writings and letters, or which he owned -- some well known, others now obscure. Kershner presents Joyce as a writer with a high degrees of social consciousness, whose writings highlight the conflicting ideologies of the Irish bourgeoisie. In exploring the social dimension of Joyce's writing, he calls upon such important contemporary thinkers as Jameston, Althusser, Barthes, and Lacan in addition to Bakhtin. Joyce's literary response to his historical situation was not polemical, Kershner argues, but, in Bakhtin's terms, dialogical: his writings represent an unremitting dialogue with the discordant but powerful voices of his day, many inaudible to us now. Joyce, Bakhtin, and Popular Literature places Joyce within the social and intellectual context of his time. Through stylistic, social, and ideological analysis, Kersner gives us a fuller grasp of the the complexity of Joyce's earlier writings.
Author: Carol Joyce Any
Publisher: Stanford University Press
ISBN: 9780804722292
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
This is the first book-length study of Boris Eikhenbaum (1886-1959), a leading Russian Formalist and a pathbreaking Tolstoy scholar. The author carefully traces Eikhenbaum's intellectual trajectory from his pre-Formalist "philosophical" criticism, through Formalism to his later biographical criticism of Tolstoy and Lermontov. Eikhenbaum's contribution to Formalism has not heretofore received clear definition, and the author shows that his ideas and influence were even greater than previously supposed. His shift away from Formalism, with its emphasis on purely literary analysis, toward a criticism that emphasized the writer as a cultural figure is seen as a response to both political exigency and personal need. Although by the late 1910's Formalism had become poetics non grata in the Soviet Union, the author demonstrates that Eikhenbaum also had compelling intellectual reasons to move away from Formalism, which had reached a dead end. The author asserts that Eikhenbaum prolonged his scholarly life by concentrating on nineteenth-century Russian authors whose moral opposition to mainstream Russian intellectual thought served as a model for his own ethical stance in Stalin's Russia. This is particularly true of his monumental three-volume work on Tolstoy, which in its own way has been as influential as his Formalist writings. Throughout, the author relates Eikhenbaum's critical thinking to such current literary issues as intention, perception, meaning, reader reception, deconstruction, and the New Historicism.
Author: Luke Gibbons
Publisher: University of Chicago Press
ISBN: 022652695X
Category : History
Languages : en
Pages : 307
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Book Description
For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.
Author: Susan Stanford Friedman
Publisher: Cornell University Press
ISBN: 1501722913
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
No detailed description available for "Joyce".
