Voice in Later Medieval English Literature

Voice in Later Medieval English Literature PDF Author: David Lawton
Publisher: Oxford University Press
ISBN: 0198792409
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as public interiorities) without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney, and Paul Valery, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.

Voice in Later Medieval English Literature

Voice in Later Medieval English Literature PDF Author: David Lawton
Publisher: Oxford University Press
ISBN: 0198792409
Category : Literary Criticism
Languages : en
Pages : 256

Get Book

Book Description
David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as public interiorities) without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney, and Paul Valery, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.

Voice in Later Medieval English Literature

Voice in Later Medieval English Literature PDF Author: David Lawton
Publisher:
ISBN: 9780191835254
Category : English literature
Languages : en
Pages : 0

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Book Description
David Lawton approaches later medieval English vernacular culture in terms of voice, and shows how medieval texts constitute the foundation of a literary history of voice that extends to modernity. As texts and discourses shift in translation and use, antecedent texts are revoiced in ways that recreate them without effacing their history or future.

The Psalms and Medieval English Literature

The Psalms and Medieval English Literature PDF Author: Tamara Atkin
Publisher: Boydell & Brewer
ISBN: 1843844354
Category : Literary Criticism
Languages : en
Pages : 364

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Book Description
An examination of how The Book of Psalms shaped medieval thought and helped develop the medieval English literary canon.

The Tempter's Voice

The Tempter's Voice PDF Author: Eric Jager
Publisher: Cornell University Press
ISBN: 9780801480362
Category : Language Arts & Disciplines
Languages : en
Pages : 364

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Book Description
The school of Paradise -- The genesis of hermeneutics -- The Garden of eloquence -- The Old English epic of the Fall -- The seducer and the daughter of Eve -- The carnal letter in Chaucer's earthly paradise -- Signs of the Fall: from the Middle Ages to Postmodernism.

Divine Ventriloquism in Medieval English Literature

Divine Ventriloquism in Medieval English Literature PDF Author: M. Hayes
Publisher: Springer
ISBN: 0230118739
Category : Literary Criticism
Languages : en
Pages : 246

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Book Description
A study of medieval attitudes towards the ventriloquism of God's and Christ's voices through human media, which reveals a progression from an orthodox view of divine vocal power to an anxiety over the authority of the priest's voice to a subversive take on the divine voice that foreshadows Protestant devotion.

The Power of a Woman's Voice in Medieval and Early Modern Literatures

The Power of a Woman's Voice in Medieval and Early Modern Literatures PDF Author: Albrecht Classen
Publisher: Walter de Gruyter
ISBN: 3110897776
Category : Literary Criticism
Languages : de
Pages : 461

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Book Description
The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres and could present themselves as authorities in the public eye. Mystic texts by Hildegard of Bingen, Marie de France and Margery Kempe, the medieval conduct poem known as Die Winsbeckin, the Devout Books of Sisters composed in convents in South-West Germany, but also quasi-historical documents such as the memoirs of Helene Kottaner or Anna Weckerin's cookery book, demonstrate that far more women were in the public gaze than had hitherto been assumed and that they possessed the self-confidence to establish their positions with their intellectual and their literary achievements.

Voice and Voicelessness in Medieval Europe

Voice and Voicelessness in Medieval Europe PDF Author: Irit Ruth Kleiman
Publisher: Springer
ISBN: 1137397063
Category : Literary Criticism
Languages : en
Pages : 264

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Book Description
Twelve medieval scholars from a wide range of disciplines, including law, literature, and religion address the question: What did it mean to possess a voice - or to be without one - during the Middle Ages? This collection reveals how the philosophy, theology, and aesthetics of the voice inhabit some of the most canonical texts of the Middle Ages.

Author, Scribe, and Book in Late Medieval English Literature

Author, Scribe, and Book in Late Medieval English Literature PDF Author: Rory G. Critten
Publisher: Boydell & Brewer
ISBN: 1843845059
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
The works of four major fifteenth-century writers re-examined, showing their innovative reconceptualization of Middle English authorship and the manuscript book.

Medieval literary voices

Medieval literary voices PDF Author: Louise D’Arcens
Publisher: Manchester University Press
ISBN: 1526149486
Category : Literary Criticism
Languages : en
Pages : 349

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Book Description
Voice is a fleeting physical phenomenon that leaves behind traces of its existence. Medieval literary voices offers a wide-reaching approach to the concept of literary voices, both the vanished authorial ones and the implicit textual ones. Its impressive lineup deepens our understanding of how literary voices evoke the elusive voices lurking beyond the text, capturing the absent authorial voice, the traces of scribal voices and the soundscape of the uttered text. It explores multiple dimensions of medieval voice and vocalisations, and the interactions between literary voices and their authorial, scribal and socio-political settings. It contends that through the theorizing of literary voices we can begin to understand the ways in which medieval voices mediate or proclaim an embodied selfhood or material presence, how they dictate or contest moral conventions, and how they create and sustain narrative soundscapes.

Nonhuman voices in Anglo-Saxon literature and material culture

Nonhuman voices in Anglo-Saxon literature and material culture PDF Author: James Paz
Publisher: Manchester University Press
ISBN: 1526116006
Category : Literary Criticism
Languages : en
Pages : 259

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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is available as an open access ebook under a CC-BY-NC-ND licence. Nonhuman voices in Anglo-Saxon literature and material culture uncovers the voice and agency possessed by nonhuman things across Anglo-Saxon literature and material culture. It makes a new contribution to ‘thing theory’ and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a þing is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine.