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Author: Talmy Givón
Publisher: John Benjamins Publishing
ISBN: 9027229171
Category : Language Arts & Disciplines
Languages : en
Pages : 411
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Book Description
This collection aims first to establish a structure-independent, language-independent definition of pragmatic voice, and more specifically then a universal functional definition of inverse. The grammar and pragmatic function of the four major voice constructions direct-active, inverse, passive, antipassive are surveyed using narrative texts from 14 languages: Koyukon (Athabascan), Plains Cree (Algonquian), Chepang (Tibeto-Burman), Squamish and Bella Coola (Salish), Sahaptin (Sahaptian), Kutenai (isolate), Surinam Carib (Carib), Spanish and Greek (Indo-European), Korean, Maasai (Nilotic), Cebuano and Karao (Philippine). The comparative quantified study of pragmatic voice functions tests the validity of a universal functional definition of voice and in particular of inverse. The cross-language comparison of grammatical structures that code the various voice functions then lays down the foundation for a non-trivial cross-language typology of inverse.
Author: Talmy Givón
Publisher: John Benjamins Publishing
ISBN: 9027229171
Category : Language Arts & Disciplines
Languages : en
Pages : 411
Get Book Here
Book Description
This collection aims first to establish a structure-independent, language-independent definition of pragmatic voice, and more specifically then a universal functional definition of inverse. The grammar and pragmatic function of the four major voice constructions direct-active, inverse, passive, antipassive are surveyed using narrative texts from 14 languages: Koyukon (Athabascan), Plains Cree (Algonquian), Chepang (Tibeto-Burman), Squamish and Bella Coola (Salish), Sahaptin (Sahaptian), Kutenai (isolate), Surinam Carib (Carib), Spanish and Greek (Indo-European), Korean, Maasai (Nilotic), Cebuano and Karao (Philippine). The comparative quantified study of pragmatic voice functions tests the validity of a universal functional definition of voice and in particular of inverse. The cross-language comparison of grammatical structures that code the various voice functions then lays down the foundation for a non-trivial cross-language typology of inverse.
Author: Richard M. Swiderski
Publisher: Popular Press
ISBN: 9780879723651
Category : Social Science
Languages : en
Pages : 164
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Book Description
This is a study of the St. Peter's Fiesta celebrated annually by the Italian, or better, Sicilian-American community of Gloucester, Massachusetts, USA. The study deals specifically with the fiesta that took place 25-28 June 1970.
Author: Brandon Derfler
Publisher: Cambridge Scholars Publishing
ISBN: 1443818941
Category : Music
Languages : en
Pages : 215
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Book Description
This study demonstrates how smooth voice leading in music can be effectively modeled using concepts from abstract algebra. Minute voice-leading displacements are explained as iterations of the basic operation, the single-semitone transformation (SST). The SST is a type of transformation in which only a single voice in a chord is transposed by a semitone. Unlike previous music theoretic studies, the SST model does not rely on twelve-tone operations on sets to determine voice-leading paths. SST-succession classes can then be defined; they allow SSTs to be generalized as parsimonious voice-leading relations between pair-ordered set classes. Voice leading between chords of different “sizes” can be obtained through split and fuse operations. Once a mathematical basis for smooth voice-leading is formalized, 3D graphical representations in the form of lattices of parsimoniously related chord types can be developed. The study compares the single-voice transformational model to transformational theories of atonal voice leading and to recent work in the emergent field of neo-Riemannian theory. The final chapter examines music from tonal, atonal, and “post-atonal” stylistic periods by Chopin, Scriabin, Webern, Paul Lansky, and John Adams, showing the new voice-leading model’s versatility as an analytical tool.
Author: Simon Goldhill
Publisher: Cambridge University Press
ISBN: 1009478214
Category : History
Languages : en
Pages : 425
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Book Description
Invaluable guide to ancient Greek literature and literary theory through the representation of poetry and the figure of the poet.
Author: Igor Mel'cuk
Publisher: Walter de Gruyter
ISBN: 3110199866
Category : Language Arts & Disciplines
Languages : en
Pages : 633
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Book Description
The book is dedicated to linguistic morphology and it contains a sketch of a complete morphological theory, centered around a discussion of fundamental concepts such as morph vs. morpheme, inflectional category, voice, grammatical case, agreement vs. government, suppletion, relationships between linguistic signs, etc.: the hottest issues in modern linguistics! The book introduces rigorous and clear concepts necessary to describe morphological phenomena of natural languages. Among other things, it offers logical calculi of possible grammemes in a given category. The presentation is developed in a typological perspective, so that linguistic data from a large variety of languages are described and analyzed (about 100 typologically very different languages). The main method is deductive: the concepts proposed in Aspects of the Theory of Morphology are based on a small set of indefinibilia and each concept is defined in terms of these indefinibilia and/or other concepts defined previously; as a result, logical calculi can be constructed (similar to Mendeleev's Periodical Table of Elements in chemistry). Then the concept is applied to the actual linguistic data to demonstrate its validity and advantages. Thus, Aspects of the Theory of Morphology combines metalinguistic endeavor (a system of concepts for morphology) with typological and descriptive orientation. It reaches out to all students of language, including the border fields and applications.
Author: Andrew Simpson
Publisher: Helmut Buske Verlag
ISBN: 3875489543
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Peter K. Austin / Andrew Simpson: Introduction; Nicholas Evans: Warramurrungunji undone: Australian languages in the 51st Millenium; Knut J. Olawsky: Obvious OVS in Urarina syntax; Larry M. Hyman / Imelda Udoh: Length harmony in Leggbó: a counter-universal?; Nora England: The influence of Mayan-speaking linguists on the state of Mayan linguistics; Pamela Munro: Oblique subjects in Garifuna; Marina Chumakina / Anna Kibort / Greville G. Corbett: Determining a language's feature inventory: person in Archi; Friederike Lüpke: Vanishing voice – the morphologically zero-coded passive of Jalonke; Anju Saxena: The ergative in Kinnauri narratives; John Hajek: Sound systems of the Asia-Pacific: some basic typological observations; Martina Faller: The Cusco Quechua Reportative evidential and rhetorical relations; Emmon Bach: Deixis in Northern Wakashan: recovering lost forms; Roberto Zavala: Inversion and obviation in Mesoamerica
Author: Moreno Andreatta
Publisher: CRC Press
ISBN: 1040156703
Category : Mathematics
Languages : en
Pages : 130
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Book Description
This book introduces path-breaking applications of concepts from mathematical topology to music-theory topics including harmony, chord progressions, rhythm, and music classification. Contributions address topics of voice leading, Tonnetze (maps of notes and chords), and automatic music classification. Focusing on some geometrical and topological aspects of the representation and formalisation of musical structures and processes, the book covers topological features of voice-leading geometries in the most recent advances in this mathematical approach to representing how chords are connected through the motion of voices, leading to analytically useful simplified models of high-dimensional spaces; It generalizes the idea of a Tonnetz, a geometrical map of tones or chords, and shows how topological aspects of these maps can correspond to many concepts from music theory. The resulting framework embeds the chord maps of neo-Riemannian theory in continuous spaces that relate chords of different sizes and includes extensions of this approach to rhythm theory. It further introduces an application of topology to automatic music classification, drawing upon both static topological representations and time-series evolution, showing how static and dynamic features of music interact as features of musical style. This volume will be a key resource for academics, researchers, and advanced students of music, music analyses, music composition, mathematical music theory, computational musicology, and music informatics. It was originally published as a special issue of the Journal of Mathematics and Music.
Author: Ed Sarath
Publisher: Routledge
ISBN: 113521526X
Category : Music
Languages : en
Pages : 434
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Book Description
Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along audio in the downloadable resources for improvisation and a companion website with resources for students and instructors.
Author: Ian Bent
Publisher: Cambridge University Press
ISBN: 9780521259699
Category : Music
Languages : en
Pages : 404
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Book Description
This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century.
Author: Eugene Edmond Ayres
Publisher:
ISBN:
Category : Canon (Musical form)
Languages : en
Pages : 78
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Book Description
