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Author: Sean M. Parr
Publisher: Oxford University Press
ISBN: 0197542646
Category : Music
Languages : en
Pages : 325
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Book Description
Introduction. Coloratura and Female Vocality -- The New Franco-Italian School of Singing -- Verdi and the End of Italian Coloratura -- Melismatic Madness and Technology -- Caroline Carvalho and Her World -- Carvalho, Gounod, and the Waltz -- Vestiges of Virtuosity : The French Coloratura Soprano -- Epilogue. Unending Coloratura.
Author: Sean M. Parr
Publisher: Oxford University Press
ISBN: 0197542646
Category : Music
Languages : en
Pages : 325
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Book Description
Introduction. Coloratura and Female Vocality -- The New Franco-Italian School of Singing -- Verdi and the End of Italian Coloratura -- Melismatic Madness and Technology -- Caroline Carvalho and Her World -- Carvalho, Gounod, and the Waltz -- Vestiges of Virtuosity : The French Coloratura Soprano -- Epilogue. Unending Coloratura.
Author: David R. B. Kimbell
Publisher: Cambridge University Press
ISBN: 9780521466431
Category : Music
Languages : en
Pages : 708
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Book Description
David Kimbell traces the history of Italian opera from the Renaissance to the early twentieth century.
Author: Joseph Kerman
Publisher: Macmillan
ISBN: 0312593473
Category : Music
Languages : en
Pages : 475
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Book Description
DVD contains 30 minutes of video excerpts and 16 audio tracks, keyed to the text.
Author: Jane Boston
Publisher: Bloomsbury Publishing
ISBN: 1137301961
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
This wide-ranging volume explores the technical and physical aspects of voice as a craft, questioning its definitions, its historical presence, training practices and its publications. Drawing on a wealth of experience, Jane Boston presents a selection of readings that demonstrate and contextualize some of the defining moments of voice throughout history. This clear and accessible text examines the relationship between voice and aesthetics and poetics, against the backdrop of class, race and gender politics, demonstrating how vocal training has been and still is inevitably connected to such issues. Underpinned by theory, voice practitioner accounts, and cultural and historical contextualization, this comprehensive resource will be invaluable for practitioners, researchers and students of voice studies, physical theatre and theatre history.
Author: D Ferrett
Publisher: Bloomsbury Publishing USA
ISBN: 1501325833
Category : Music
Languages : en
Pages : 328
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Book Description
Dark sound carries the dense cultural weight of darkness; it is the undertow of music that embodies melancholy, desire, grief, violence, rage, pain, loss and longing. Compelling and unnerving, dark sound immerses bodies in the darkest moments and delves into the depths of our hidden inner selves. There is a strangely perverse appeal about music that conjures intense affective states and about sound that can move its listeners to the very edge of the sayable. Through a series of case studies that include Moor Mother, Anna Calvi, Björk, Chelsea Wolfe and Diamanda Galás, D Ferrett argues that the extreme limits and transgressions of dark sound not only imply the limits of language, but are moreover tied to a cultural and historical association between darkness and the feminine within music and music discourse. Whilst the oppressive and violent associations between darkness and femininity are acknowledged, the author challenges their value to misogynistic, racist, capitalist and patriarchal power, showing how dark sound is charged with social, creative and political momentum.
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 0977145549
Category : Music
Languages : en
Pages : 88
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Book Description
A comprehensive guide to Donizetti's LUCIA DI LAMMERMOOR, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with Italian/English side-by side, and over 25 music highlight examples.
Author: Anna Hoefnagels
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773587136
Category : Social Science
Languages : en
Pages : 519
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Book Description
First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene. Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).
Author: Dylan Robinson
Publisher: U of Minnesota Press
ISBN: 1452961255
Category : Music
Languages : en
Pages : 317
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Book Description
WInner of the Best First Book from the Native American and Indigenous Studies Association Winner of the Labriola Center American Indian National Book Award Winner of the Ann Saddlemyer Award from the Canadian Association for Theatre Research Reimagining how we understand and write about the Indigenous listening experience Hungry Listening is the first book to consider listening from both Indigenous and settler colonial perspectives. A critical response to what has been called the “whiteness of sound studies,” Dylan Robinson evaluates how decolonial practices of listening emerge from increasing awareness of our listening positionality. This, he argues, involves identifying habits of settler colonial perception and contending with settler colonialism’s “tin ear” that renders silent the epistemic foundations of Indigenous song as history, law, and medicine. With case studies on Indigenous participation in classical music, musicals, and popular music, Hungry Listening examines structures of inclusion that reinforce Western musical values. Alongside this inquiry on the unmarked terms of inclusion in performing arts organizations and compositional practice, Hungry Listening offers examples of “doing sovereignty” in Indigenous performance art, museum exhibition, and gatherings that support an Indigenous listening resurgence. Throughout the book, Robinson shows how decolonial and resurgent forms of listening might be affirmed by writing otherwise about musical experience. Through event scores, dialogic improvisation, and forms of poetic response and refusal, he demands a reorientation toward the act of reading as a way of listening. Indigenous relationships to the life of song are here sustained in writing that finds resonance in the intersubjective experience between listener, sound, and space.
Author: Allan Moore
Publisher: Cambridge University Press
ISBN: 1107494532
Category : Music
Languages : en
Pages : 238
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Book Description
From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analysed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture.
Author:
Publisher: Academic Press
ISBN: 0080582729
Category : Psychology
Languages : en
Pages : 391
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Book Description
Advances in the Study of Behavior
