Vocal Gems from the Knickerbockers PDF Download
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Author: Reginald De Koven
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
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Author: Reginald De Koven
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
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Author: Charles Fenno Hoffman
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 704
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Author:
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 700
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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1412
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Author: Brown University. Library
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 802
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Author: Michael Pitts
Publisher: Scarecrow Press
ISBN: 1461707129
Category : Music
Languages : en
Pages : 355
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Bing Crosby, Frank Sinatra, Tony Bennett, and Rudy Vallee—these cultural icons whose fame spanned all the important mass media, also played a vital role in the origin and development of the crooning tradition. Crooning represented one of the most important musical styles of the twentieth century, intermingling with jazz and fronting the big band craze of the thirties and forties. Crooners spurred the rise of radio as home staple and the Golden Age of film musicals. When commercial television became a viable commodity, crooners anchored perhaps the first TV programming innovation, the variety show. It took the cataclysmic aesthetic and cultural changes ushered in by rock 'n' roll in the 1950s to finally bring crooners down from their pedestal. The Rise of the Crooners examines the historical trends and events that led to the emergence of the crooning style. Ian Whitcomb, a successful popular music vocalist himself for almost 40 years, provides a personal perspective on this phenomenon. The lives and careers of six pioneers of the style—Bing Crosby, Russ Columbo, Gene Austin, Rudy Vallee, Johnny Marvin, and Nick Lucas—are covered at length. With the exception of one entry devoted to Crosby—possibly the greatest entertainer of the past century—these biographies (appended by lengthy bibliographies and discographies) are more thorough and up-to-date than any treatment in print about these seminal artists.
Author: All India Radio (AIR), New Delhi
Publisher: PRASAR BHARATI CENTRAL ARCHIVES
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 51
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THE INDIAN RADIO TIMES was the first programme journal of ALL INDIA RADIO, formerly known as The Indian State Broadcasting Service, Bombay, it was started publishing from 16 July, 1927. Later, it has been renamed to The Indian Listener w.e.f. 22 December,1935. It used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policy and service of the organisation. NAME OF THE JOURNAL: THE INDIAN RADIO TIMES LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION:05-12-1931 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 51 VOLUME NUMBER: Vol. V, No. 23 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 1041-1084 ARTICLE: Radio for Combating Crime AUTHOR: Unknown Document ID: IRT-1931-32(J-D-M)-VOL-I-10
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
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Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 676
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Author:
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ISBN:
Category : Bookbinding
Languages : en
Pages : 766
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