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Author: Tine Roesen
Publisher:
ISBN: 9788290249378
Category :
Languages : en
Pages : 381
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Book Description
Author: Tine Roesen
Publisher:
ISBN: 9788290249378
Category :
Languages : en
Pages : 381
Get Book Here
Book Description
Author: Vladimir Sorokin
Publisher: New York Review of Books
ISBN: 1590175123
Category : Fiction
Languages : en
Pages : 555
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Book Description
A New York Review Books Original In 1908, deep in Siberia, it fell to earth. THEIR ICE. A young man on a scientific expedition found it. It spoke to his heart, and his heart named him Bro. Bro felt the Ice. Bro knew its purpose. To bring together the 23,000 blond, blue-eyed Brothers and Sisters of the Light who were scattered on earth. To wake their sleeping hearts. To return to the Light. To destroy this world. And secretly, throughout the twentieth century and up to our own day, the Children of the Light have pursued their beloved goal. Pulp fiction, science fiction, New Ageism, pornography, video-game mayhem, old-time Communist propaganda, and rampant commercial hype all collide, splinter, and splatter in Vladimir Sorokin’s virtuosic Ice Trilogy, a crazed joyride through modern times with the promise of a truly spectacular crash at the end. And the reader, as eager for the redemptive fix of a good story as the Children are for the Primordial Light, has no choice except to go along, caught up in a brilliant illusion from which only illusion escapes intact.
Author: Vladimir Sorokin
Publisher: Macmillan + ORM
ISBN: 0374709394
Category : Fiction
Languages : en
Pages : 172
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Book Description
Long-listed for the 2016 PEN Translation Prize A New York Times Book Review Editor's Choice A dazzling, utterly distinctive saga from the internationally celebrated and controversial novelist Vladimir Sorokin, "the shock jock of Russian letters" (Harper's). "Vladimir Sorokin [is] Russia's most inventive contemporary author . . . [Gambrell's] translation is as elegant, playful and layered as the original." —Masha Gessen, The New York Times Book Review Garin, a district doctor, is desperately trying to reach the village of Dolgoye, where a mysterious epidemic is turning people into zombies. He carries with him a vaccine that will prevent the spread of this terrible disease, but is stymied in his travels by an impenetrable blizzard. A trip that should last no more than a few hours turns into a metaphysical journey, an expedition filled with extraordinary encounters, dangerous escapades, torturous imaginings, and amorous adventures. Trapped in an existential storm, Vladimir Sorokin’s characters fight their way across a landscape that owes as much to Chekhov’s Russian countryside as it does to the postapocalyptic terrain of science fiction. Hypnotic, fascinating, and richly drawn, The Blizzard is a seminal work from one of the most inventive authors writing today. Sorokin has created yet another boldly original work, which combines an avant-garde sensibility with a taste for the absurd and the grotesque, all while delivering stinging truths about contemporary life and modern-day Russia.
Author: Vladimir Sorokin
Publisher:
ISBN:
Category : Russian fiction
Languages : en
Pages : 216
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Book Description
"Vladimir Sorokin’s first published novel, The Queue, is a sly comedy about the late Soviet “years of stagnation.” Thousands of citizens are in line for . . . nobody knows quite what, but the rumors are flying. Leather or suede? Jackets, jeans? Turkish, Swedish, maybe even American? It doesn’t matter–if anything is on sale, you better line up to buy it. Sorokin’s tour de force of ventriloquism and formal daring tells the whole story in snatches of unattributed dialogue, adding up to nothing less than the real voice of the people, overheard on the street as they joke and curse, fall in and out of love, slurp down ice cream or vodka, fill out crossword puzzles, even go to sleep and line up again in the morning as the queue drags on."--Amazon.com.
Author: Vladimir Sorokin
Publisher: Deep Vellum Publishing
ISBN: 1628974125
Category : Fiction
Languages : en
Pages : 247
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Book Description
In many respects, Their Four Hearts is a book of endings and final things. Vladimir Sorokin wrote it in the year the Soviet Union collapsed and then didn’t write fiction for ten years after completing it––his next book being the infamous Blue Lard, which he wrote in 1998. Without exaggerating too much, one might call it the last book of the Russian twentieth century and Blue Lard the first book of the Russian twenty-first century. It is a novel about the failure of the Soviet Union, about its metaphysical designs, and about the violence it produced, but presented as God might see it or Bataille might write it. Their Four Hearts follows the violent and nonsensical missions carried out by a group of four characters who represent Socialist Realist archetypes: Seryozha, a naive and optimistic young boy; Olga, a dedicated female athlete; Shtaube, a wise old man; and Rebrov, a factory worker and a Stakhanovite embodying Soviet manhood. However, the degradation inflicted upon them is hardly a Socialist Realist trope. Are the acts of violence they carry out a more realistic vision of what the Soviet Union forced its “heroes” to live out? A corporealization and desacralization of self-sacrificing acts of Soviet heroism? How the Soviet Union truly looked if you were to strip away the ideological infrastructure? As we see in the long monologues Shtaube performs for his companions––some of which are scatological nonsense and some of which are accurate reproductions of Soviet language––Sorokin is interested in burrowing down to the libidinal impulses that fuel a totalitarian system and forcing the reader to take part in them in a way that isn’t entirely devoid of aesthetic pleasure. As presented alongside Greg Klassen’s brilliant charcoal illustrations, which have been compared to the work of Bruno Schulz by Alexander Genis and the work of Ralph Steadman as filtered through Francis Bacon by several gallerists, this angular work of fiction becomes a scatological storybook-world that the reader is dared to immerse themselves in.
Author: Vladimir Sorokin
Publisher: New York Review of Books
ISBN: 1681376334
Category : Fiction
Languages : en
Pages : 353
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Book Description
In the warring, neo-feudal society of this cross-genre novel for fans of Cormac McCarthy and William Gibson, the greatest treasure is a dose of tellurium—a magical drug administered by a spike through the brain. Telluria is set in the future, when a devastating holy war between Europe and Islam has succeeded in returning the world to the torpor and disorganization of the Middle Ages. Europe, China, and Russia have all broken up. The people of the world now live in an array of little nations that are like puzzle pieces, each cultivating its own ideology or identity, a neo-feudal world of fads and feuds, in which no one power dominates. What does, however, travel everywhere is the appetite for the special substance tellurium. A spike of tellurium, driven into the brain by an expert hand, offers a transforming experience of bliss; incorrectly administered, it means death. The fifty chapters of Telluria map out this brave new world from fifty different angles, as Vladimir Sorokin, always a virtuoso of the word, introduces us to, among many other figures, partisans and princes, peasants and party leaders, a new Knights Templar, a harem of phalluses, and a dog-headed poet and philosopher who feasts on carrion from the battlefield. The book is an immense and sumptuous tapestry of the word, carnivalesque and cruel, and Max Lawton, Sorokin’s gifted translator, has captured it in an English that carries the charge of Cormac McCarthy and William Gibson.
Author: Dirk Uffelmann
Publisher: Companions to Russian Literatu
ISBN: 9781644692844
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Vladimir Sorokin is the most controversial contemporary Russian writer. He became famous when the Putin youth organization burned his books and he picked up neo-imperialist discourses in his dystopian novels, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses.
Author: Vladimir Sorokin
Publisher: Farrar, Straus and Giroux
ISBN: 1429994916
Category : Fiction
Languages : en
Pages : 204
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Book Description
One of The Telegraph's Best Fiction Books of 2011 “Vladimir Sorokin is one of Russia's greatest writers, and this novel is one of his best . . . A joy to read—more entertaining, dynamic, engaging, and deeply hilarious than a dystopian novel has any right to be.” —Gary Shteyngart, author of Absurdistan and Super Sad True Love Story A startling, relentless portrait of a troubled and troubling Russian empire, Vladimir Sorokin's Day of the Oprichnik is at once a richly imagined vision of the future and a razor-sharp diagnosis of a country in crisis. Moscow, 2028. A scream, a moan, and a death rattle slowly pull Andrei Danilovich Komiaga out of his drunken stupor. But wait—that's just his ring tone. So begins another day in the life of an oprichnik, one of the czar's most trusted courtiers—and one of the country's most feared men. In this new New Russia, where futuristic technology and the draconian codes of Ivan the Terrible are in perfect synergy, Komiaga will attend extravagant parties, partake in brutal executions, and consume an arsenal of drugs. He will rape and pillage, and he will be moved to tears by the sweetly sung songs of his homeland. Vladimir Sorokin has imagined a near future both too disturbing to contemplate and too realistic to dismiss. But like all of his best work, Sorokin's new novel explodes with invention and dark humor.
Author: Dirk Uffelmann
Publisher: Academic Studies PRess
ISBN: 1644693720
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow’s artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia’s “new middle ages,” while remaining steadfast in his dismantling of foreign discourses.
Author: Ewa Mazierska
Publisher: Edinburgh University Press
ISBN: 1474405150
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Bringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War. Drawing on the history of the region, as well as Western and Eastern scholarship on the body, the book focuses on three areas: the traumatized body, the body as a site of erotic pleasure, and the relationship between the body and history. Critically dissecting the different ideological and aesthetic ways human bodies are framed, The Cinematic Bodies of Eastern Europe and Russia also demonstrates how bodily discourses oscillate between complicity and subversion, and how they shaped individuals and societies both during and after the period of state socialism.
