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Author: Toby Lester
Publisher: Simon and Schuster
ISBN: 1439189250
Category : History
Languages : en
Pages : 312
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Book Description
In Da Vinci's Ghost, critically acclaimed historian Toby Lester tells the story of the world’s most iconic image, the Vitruvian Man, and sheds surprising new light on the artistry and scholarship of Leonardo da Vinci, one of history’s most fascinating figures. Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493 Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world. Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
Author: Toby Lester
Publisher: Simon and Schuster
ISBN: 1439189250
Category : History
Languages : en
Pages : 312
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Book Description
In Da Vinci's Ghost, critically acclaimed historian Toby Lester tells the story of the world’s most iconic image, the Vitruvian Man, and sheds surprising new light on the artistry and scholarship of Leonardo da Vinci, one of history’s most fascinating figures. Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493 Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world. Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
Author: Arthur R. Beaubien
Publisher: Epiphi Productions
ISBN: 9780994032140
Category :
Languages : en
Pages : 100
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Book Description
This book provides the most important and illuminating analysis of Da Vinci's Vitruvian Man drawing that has ever been made in the more than 500 years that have elapsed since its production. Everyone in the past has focused on how the drawing illustrates the fit of the human body to both a square and a circle. However, this was not the real intent of the drawing, but served mainly as a distraction to divert attention from the anomalies that hide a truly dark revelation. It has been discovered that Da Vinci followed a mathematically precise geometric model for the construction not only of the square, the circle and the equilateral triangle (which fits the spread-apart pair of legs), but also of a pentagram which Da Vinci chose to hide. With this model, all 4 of the geometric shapes are pure functions of the radius of the circle. Although Da Vinci hid the pentagram, most likely because he was using it as a Freemasonic occult symbol, he pointed to its hidden presence by creating a device which makes use of a slight reduction in the radius of the model circle and a minor change in one corner of the square. Even more intriguing are several distortions in the body shape of the human figure in the drawing. These were deliberately constructed to have the man's body fit the image of the ancient dual serpent god Ningishzida. This god is known as a fertility god and a healer, but since the image of Ningishzida is likely a predecessor of the caduceus (the staff of Hermes or Mercury), there seems to be a more sinister aspect to Da Vinci's use of this deity. The Greek god Hermes, who was called Mercury by the Romans, was considered to be the god of thieves as well as a god of deception and trickery. In fitting the human shape to Ningishzida, Da Vinci appears to be proclaiming the rulership of this serpent god over humanity. In the process, he also appears to have found a clever way to indicate that he was gay. It also seems that Da Vinci was showing that Ningishzida creates a satanic chakra system which is superimposed on our yogic chakra system to repress it and connect us to a satanic consciousness. Despite the heavy indoctrination that NASA has promoted for over 50 years saying that Mars is a lifeless planet, the topography of the planet overwhelmingly reveals through scientific measurements that the huge mountains, many craters and other landforms did not arise from natural forces but instead have been artificially constructed. It has been found that the 4 giant mountains of Olympus Mons, Ascraeus Mons, Pavonis Mons and Arsia Mons have been artificially arranged to provide a template for a virtual Vitruvian Martian which can be constructed using the exact same model used by Da Vinci. There is a pyramid nearby which is approximately 30 km in diameter and has the shape of a perfect pentagram. The Martian architects used the 2 northern star points of the pyramid to delineate the radius and the centre (naval position) of the circle which fits the Vitruvian Martian. Da Vinci, as a Freemason, probably had access to privileged information about Mars. It is likely that he used the model of the Vitruvian Martian as the basis for his drawing of the Vitruvian Man. He distorted the model and the human figure in order to secretly send occult messages to elite members of Freemasonry. The distortions are also very likely to have been intended to serve as subliminal messages to the masses in order to exert a satanic influence on an unsuspecting public.
Author: John Oksanish
Publisher: Oxford University Press
ISBN: 0190697008
Category : Art
Languages : en
Pages : 265
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Book Description
Professionalism is political. This book offers a new assessment of the Roman architect Vitruvius and his treatise, On Architecture, dedicated to Augustus in the 20s BCE. Once reviled by scholars, Vitruvius emerges as an imperial expert par excellence when read alongside literary coevals through an intertextual lens. No building of Vitruvius' name survives from antiquity, but his treatise remains a formidable literary construction that partakes of Rome's vibrant textual culture. The book explores Vitruvius' portrait of the ideal architect as an imposing "Vitruvian man" at the dawn of Augustus' empire. In direct dialogue with his republican model, Cicero's ideal orator, the architect embodies a distinctly imperial civic ethos in which technically skilled partisans supersede old elites as guarantors of Augustan authority. Vitruvius promises to shape not only the emperor's legacy with architecture, but also the notion of a Roman citizen through his ideal architect.
Author: John Oksanish
Publisher: Oxford University Press, USA
ISBN: 0190696982
Category : Art
Languages : en
Pages : 265
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Book Description
Professionalism is political. This book offers a new assessment of the Roman architect Vitruvius and his treatise, On Architecture, dedicated to Augustus in the 20s BCE. Once reviled by scholars, Vitruvius emerges as an imperial expert par excellence when read alongside literary coevals through an intertextual lens. No building of Vitruvius' name survives from antiquity, but his treatise remains a formidable literary construction that partakes of Rome's vibrant textual culture. The book explores Vitruvius' portrait of the ideal architect as an imposing "Vitruvian man" at the dawn of Augustus' empire. In direct dialogue with his republican model, Cicero's ideal orator, the architect embodies a distinctly imperial civic ethos in which technically skilled partisans supersede old elites as guarantors of Augustan authority. Vitruvius promises to shape not only the emperor's legacy with architecture, but also the notion of a Roman citizen through his ideal architect.
Author: Leonardo Da Vinci
Publisher: Dover Publications
ISBN: 9780486836560
Category : Art
Languages : en
Pages : 0
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Book Description
Featuring da Vinci's world-famous Vitruvian Man illustration on the cover, this pocket-sized notebook features 64 blank pages and makes a great place to store phone numbers, appointments, and more. It's also a wonderfully portable sketchbook.
Author: Flame Tree Studio
Publisher: Flame Tree Gift
ISBN: 9781786646262
Category :
Languages : en
Pages : 0
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Book Description
Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Leonardo da Vinci's Vitruvian Man.
Author: Sandra M. Bell
Publisher:
ISBN: 9781533089588
Category :
Languages : en
Pages : 106
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Book Description
What would it feel like to regain the positivity and joy of your childhood? What if you could spend your lunch hour moving toward that kind of freedom and joie de vivre? Lunchtime Joy Magnet brings fresh, affirmative answers to both of those questions. There are easy and fun ways to make your life enchanting again, and you can start with just one hour a day. Many times lunchtime is a lot of the same old same old anyway, right? It doesn't have to be. You want to step out of your box. You want personal transformation that is bold, authentic and lasting. Whether this is your first look into grooming your mind for positivity or you have been a lifelong seeker and practitioner of researchers' leading edge methods, this book will transform your mind and life by giving you new ways to perceive and interpret your daily realities. As these leading methods are incorporated into your life, old entrenched negative neural pathways will be pruned away and an upbeat confidence will emerge. You are loving, joyful, timeless, and brilliant at your authentic core. Lunchtime Joy Magnet guides you effortlessly toward your authentic self and a life of peace and well-being. The simple activities within this book can be used to immediately uplift your mood, or with habitual use of the underlying techniques, for raising your baseline of happiness. In moments in which you reside in alignment with your dazzling authentic core, you are a magnet for joy, and others feel the gravitational pull toward your lightness of spirit.
Author: Tony Rubino
Publisher:
ISBN: 9781079587708
Category :
Languages : en
Pages : 152
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Book Description
Leonardo da Vinci was a Renaissance Master and is widely considered one of the greatest painters of all time. In addition to his paintings Leonardo da Vinci was famous for his highly detailed notebooks and manuscripts where he wrote and sketched his ideas on his studies of science, invention, anatomy and nature. The notebooks of Leonardo da Vinci provide a rare glimpse into the mind of a universal genius. These notebooks are carefully crafted with that in mind, to inspire the modern day artist and inventor in the tradition of this Renaissance genius. The Vitruvian Man note book makes a great personal journal, diary and sketchbook or a perfect birthday gift or Christmas gift for the renaissance man or woman in your life. Be sure to check our other Leonardo da Vinci Notebooks designs on the Leonardo da Vinci's Notebooks page.Graph Paper / Grid Lines pages - Leonardo da Vinci's Notebook, Journal, Sketchbook, Diary (Leonardo da Vinci Notebooks)Leonardo da Vinci Notebooks - The Vitruvian Man - Features: Beautiful Glossy cover.150 Graph Paper pages perfect for writing, journaling, drawing, sketching, or taking notes.5"x8" in size
Author: St. Hildegard of Bingen
Publisher: Catholic University of America Press
ISBN: 0813231299
Category : Religion
Languages : en
Pages : 568
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Book Description
Completed in 1173, The Book of Divine Works (Liber Divinorum Operum) is the culmination of the Visionary’s Doctor’s theological project, offered here for the first time in a complete and scholarly English translation. The first part explores the intricate physical and spiritual relationships between the cosmos and the human person, with the famous image of the universal Man standing astride the cosmic spheres. The second part examines the rewards for virtue and the punishments for vice, mapped onto a geography of purgatory, hellmouth, and the road to the heavenly city. At the end of each Hildegard writes extensive commentaries on the Prologue to John’s Gospel (Part 1) and the first chapter of Genesis (Part 2)—the only premodern woman to have done so. Finally, the third part tells the history of salvation, imagined as the City of God standing next to the mountain of God’s foreknowledge, with Divine Love reigning over all.
Author: Rocco Sinisgalli
Publisher: federighi editori
ISBN: 8889159227
Category : Art
Languages : en
Pages : 50
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Book Description
