Author: Alyce A. Jordan
Publisher: Brepols Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 284
Book Description
This study of the spectacular ensemble of windows of the Sainte-Chapelle in Paris- the first in-depth examination of the glass in nearly half a century- asks the question, are the scenes depicted in the stained glass comprehensible as story? Through an exhaustive study of textual and visual restoration records and extant authentic panels, Jordan posits reconstructions of the chapel's large-scale windows as they would have appeared in the 13th century. Jordan's work employs medieval understandings of narrative theory and practice to demonstrate a coherent and intertextual story of kingship in the windows' implicit antiphonal invocation of Biblical heroes and Capetian monarchy. Each chapter examines a formal aspect of the narratives depicted in the windows and elucidates it through comparison with similar techniques employed in medieval literature and articulated in the ars poetriae, rhetorical treatises devoted to the theory and practice of medieval storytelling. In the final chapter Jordan draws on both the narrative devices employed in the biblical windows and the evidence of her reconstuctions to argue for a new identification of the so-called Relics window as a Royal window chronicling the history of the kings of France. Jordan convincingly demonstrates that, far from a cacophonous assemblage of images, the Sainte-Chapelle glass adeptly employs a variety of fashionable narrative devices, and proposes that the chapel's Old Testament windows were manipulated in such a way as to craft from the biblical narratives a visual essay on kingship that articulates the foremost components of French medieval monarchic rule and the specifically Capetian claims to sacral kingship. In both its theoretical scope and the originality of its reconstructions of the windows, Visualizing Kingship provides an important contribution to Art History and intellectual history more generally.
Visualizing Kingship in the Windows of the Sainte-Chapelle
Author: Alyce A. Jordan
Publisher: Brepols Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 284
Book Description
This study of the spectacular ensemble of windows of the Sainte-Chapelle in Paris- the first in-depth examination of the glass in nearly half a century- asks the question, are the scenes depicted in the stained glass comprehensible as story? Through an exhaustive study of textual and visual restoration records and extant authentic panels, Jordan posits reconstructions of the chapel's large-scale windows as they would have appeared in the 13th century. Jordan's work employs medieval understandings of narrative theory and practice to demonstrate a coherent and intertextual story of kingship in the windows' implicit antiphonal invocation of Biblical heroes and Capetian monarchy. Each chapter examines a formal aspect of the narratives depicted in the windows and elucidates it through comparison with similar techniques employed in medieval literature and articulated in the ars poetriae, rhetorical treatises devoted to the theory and practice of medieval storytelling. In the final chapter Jordan draws on both the narrative devices employed in the biblical windows and the evidence of her reconstuctions to argue for a new identification of the so-called Relics window as a Royal window chronicling the history of the kings of France. Jordan convincingly demonstrates that, far from a cacophonous assemblage of images, the Sainte-Chapelle glass adeptly employs a variety of fashionable narrative devices, and proposes that the chapel's Old Testament windows were manipulated in such a way as to craft from the biblical narratives a visual essay on kingship that articulates the foremost components of French medieval monarchic rule and the specifically Capetian claims to sacral kingship. In both its theoretical scope and the originality of its reconstructions of the windows, Visualizing Kingship provides an important contribution to Art History and intellectual history more generally.
Publisher: Brepols Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 284
Book Description
This study of the spectacular ensemble of windows of the Sainte-Chapelle in Paris- the first in-depth examination of the glass in nearly half a century- asks the question, are the scenes depicted in the stained glass comprehensible as story? Through an exhaustive study of textual and visual restoration records and extant authentic panels, Jordan posits reconstructions of the chapel's large-scale windows as they would have appeared in the 13th century. Jordan's work employs medieval understandings of narrative theory and practice to demonstrate a coherent and intertextual story of kingship in the windows' implicit antiphonal invocation of Biblical heroes and Capetian monarchy. Each chapter examines a formal aspect of the narratives depicted in the windows and elucidates it through comparison with similar techniques employed in medieval literature and articulated in the ars poetriae, rhetorical treatises devoted to the theory and practice of medieval storytelling. In the final chapter Jordan draws on both the narrative devices employed in the biblical windows and the evidence of her reconstuctions to argue for a new identification of the so-called Relics window as a Royal window chronicling the history of the kings of France. Jordan convincingly demonstrates that, far from a cacophonous assemblage of images, the Sainte-Chapelle glass adeptly employs a variety of fashionable narrative devices, and proposes that the chapel's Old Testament windows were manipulated in such a way as to craft from the biblical narratives a visual essay on kingship that articulates the foremost components of French medieval monarchic rule and the specifically Capetian claims to sacral kingship. In both its theoretical scope and the originality of its reconstructions of the windows, Visualizing Kingship provides an important contribution to Art History and intellectual history more generally.
The Sainte-Chapelle and the Construction of Sacral Monarchy
Author: Meredith Cohen
Publisher: Cambridge University Press
ISBN: 1107025575
Category : Architecture
Languages : en
Pages : 321
Book Description
This book offers a novel perspective on one of the most important monuments of French Gothic architecture, the Sainte-Chapelle, constructed in Paris by King Louis IX of France between 1239 and 1248 especially to hold and to celebrate Christ's Crown of Thorns. Meredith Cohen argues that the chapel's architecture, decoration, and use conveyed the notion of sacral kingship to its audience in Paris and in greater Europe, thereby implicitly elevating the French king to the level of suzerain, and establishing an early visual precedent for the political theories of royal sovereignty and French absolutism. By setting the chapel within its broader urban and royal contexts, this book offers new insight into royal representation and the rise of Paris as a political and cultural capital in the thirteenth century.
Publisher: Cambridge University Press
ISBN: 1107025575
Category : Architecture
Languages : en
Pages : 321
Book Description
This book offers a novel perspective on one of the most important monuments of French Gothic architecture, the Sainte-Chapelle, constructed in Paris by King Louis IX of France between 1239 and 1248 especially to hold and to celebrate Christ's Crown of Thorns. Meredith Cohen argues that the chapel's architecture, decoration, and use conveyed the notion of sacral kingship to its audience in Paris and in greater Europe, thereby implicitly elevating the French king to the level of suzerain, and establishing an early visual precedent for the political theories of royal sovereignty and French absolutism. By setting the chapel within its broader urban and royal contexts, this book offers new insight into royal representation and the rise of Paris as a political and cultural capital in the thirteenth century.
Church, State, Vellum, and Stone
Author: Therese Martin
Publisher: BRILL
ISBN: 904741618X
Category : History
Languages : en
Pages : 584
Book Description
The essays in this volume, written in honor of retired scholar John Williams, treat a variety of topics pertaining to Medieval Spain; providing an interdisciplinary, international, and intergenerational view of current work in the field.
Publisher: BRILL
ISBN: 904741618X
Category : History
Languages : en
Pages : 584
Book Description
The essays in this volume, written in honor of retired scholar John Williams, treat a variety of topics pertaining to Medieval Spain; providing an interdisciplinary, international, and intergenerational view of current work in the field.
The Mind's Eye
Author: Jeffrey F. Hamburger
Publisher: Princeton University Press
ISBN: 0691124760
Category : Art
Languages : en
Pages : 464
Book Description
The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages.
Publisher: Princeton University Press
ISBN: 0691124760
Category : Art
Languages : en
Pages : 464
Book Description
The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages.
Memory and Commemoration in Medieval Culture
Author: Elma Brenner
Publisher: Routledge
ISBN: 1317097718
Category : History
Languages : en
Pages : 403
Book Description
In medieval society and culture, memory occupied a unique position. It was central to intellectual life and the medieval understanding of the human mind. Commemoration of the dead was also a fundamental Christian activity. Above all, the past - and the memory of it - occupied a central position in medieval thinking, from ideas concerning the family unit to those shaping political institutions. Focusing on France but incorporating studies from further afield, this collection of essays marks an important new contribution to the study of medieval memory and commemoration. Arranged thematically, each part highlights how memory cannot be studied in isolation, but instead intersects with many other areas of medieval scholarship, including art history, historiography, intellectual history, and the study of religious culture. Key themes in the study of memory are explored, such as collective memory, the links between memory and identity, the fallibility of memory, and the linking of memory to the future, as an anticipation of what is to come.
Publisher: Routledge
ISBN: 1317097718
Category : History
Languages : en
Pages : 403
Book Description
In medieval society and culture, memory occupied a unique position. It was central to intellectual life and the medieval understanding of the human mind. Commemoration of the dead was also a fundamental Christian activity. Above all, the past - and the memory of it - occupied a central position in medieval thinking, from ideas concerning the family unit to those shaping political institutions. Focusing on France but incorporating studies from further afield, this collection of essays marks an important new contribution to the study of medieval memory and commemoration. Arranged thematically, each part highlights how memory cannot be studied in isolation, but instead intersects with many other areas of medieval scholarship, including art history, historiography, intellectual history, and the study of religious culture. Key themes in the study of memory are explored, such as collective memory, the links between memory and identity, the fallibility of memory, and the linking of memory to the future, as an anticipation of what is to come.
The Four Modes of Seeing
Author: ElizabethCarson Pastan
Publisher: Routledge
ISBN: 1351544519
Category : History
Languages : en
Pages : 611
Book Description
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
Publisher: Routledge
ISBN: 1351544519
Category : History
Languages : en
Pages : 611
Book Description
Borrowing its title from Madeline Harrison Caviness's influential work on the modes of seeing articulated by the twelfth-century cleric Richard of Saint Victor, this interdisciplinary collection brings together the work of thirty scholars from England, France, Germany, Italy, Switzerland, and the United States. Each author has contributed an original article that engages with ideas formulated in Caviness's wide-ranging scholarship. The historiographic introduction discusses themes in Caviness's publications and their importance for art historical and medieval studies today. The book's thematic matrix groups together essays concerned with: The Material Object, Documentary Reconstruction, Post-Disciplinary Approaches, Multiple Readings, Gender and Reception, Performativity, Text and Image, Collecting and Consumption, and Politics and Ideology. The contributors include curators, art historians, historians, and literary scholars. Their subjects range from medieval stained glass to the nineteenth-century Gothic Revival, the Sachsenspiegel, and Mel Gibson's The Passion of the Christ. Many foreground issues of gender, reception, and textuality, which have permeated Caviness's scholarship. Some also present approaches to sites that have been the subject of important studies by Caviness, including Canterbury, Chartres, Reims, Saint-Denis, Sens, and Troyes. The volume offers a broad range of methodological approaches to key topics in the study of medieval imagery and thus highlights the vitality of the field today.
The Grove Encyclopedia of Medieval Art and Architecture
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Sexuality in the Middle Ages and Early Modern Times
Author: Albrecht Classen
Publisher: Walter de Gruyter
ISBN: 3110209403
Category : Literary Criticism
Languages : en
Pages : 913
Book Description
Sexuality is one of the most influential factors in human life. The responses to and reflections upon the manifestations of sexuality provide fascinating insights into fundamental aspects of medieval and early-modern culture. This interdisciplinary volume with articles written by social historians, literary historians, musicologists, art historians, and historians of religion and mental-ity demonstrates how fruitful collaborative efforts can be in the exploration of essential features of human society. Practically every aspect of culture both in the Middle Ages and the early modern age was influenced and determined by sexuality, which hardly ever surfaces simply characterized by prurient interests. The treatment of sexuality in literature, chronicles, music, art, legal documents, and in scientific texts illuminates central concerns, anxieties, tensions, needs, fears, and problems in human society throughout times.
Publisher: Walter de Gruyter
ISBN: 3110209403
Category : Literary Criticism
Languages : en
Pages : 913
Book Description
Sexuality is one of the most influential factors in human life. The responses to and reflections upon the manifestations of sexuality provide fascinating insights into fundamental aspects of medieval and early-modern culture. This interdisciplinary volume with articles written by social historians, literary historians, musicologists, art historians, and historians of religion and mental-ity demonstrates how fruitful collaborative efforts can be in the exploration of essential features of human society. Practically every aspect of culture both in the Middle Ages and the early modern age was influenced and determined by sexuality, which hardly ever surfaces simply characterized by prurient interests. The treatment of sexuality in literature, chronicles, music, art, legal documents, and in scientific texts illuminates central concerns, anxieties, tensions, needs, fears, and problems in human society throughout times.
Investigations in Medieval Stained Glass
Author:
Publisher: BRILL
ISBN: 9004395717
Category : History
Languages : en
Pages : 488
Book Description
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.
Publisher: BRILL
ISBN: 9004395717
Category : History
Languages : en
Pages : 488
Book Description
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.
The Image of the Prophet between Ideal and Ideology
Author: Christiane J. Gruber
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110383152
Category : Art
Languages : en
Pages : 389
Book Description
Disziplinäre Grenzen überschreitend zielt der Band darauf ab, die Visualisierung Mohammeds in der westlichen Welt vis-à-vis mit dessen Darstellung im Islam zu untersuchen. Dabei wird das Material weder geographischen oder sprachlichen Sphären zugeordnet noch werden Textquellen isoliert von bildlichen Darstellungen betrachtet. Die Beiträge eröffnen vielmehr einen thematischen und theoretischen Dialog über die Frage, wie der Prophet in verschiedenen kulturellen Traditionen, in Europa und Amerika und in der Welt des Islam, vom Mittelalter bis in die Gegenwart, vergegenwärtigt wurde.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110383152
Category : Art
Languages : en
Pages : 389
Book Description
Disziplinäre Grenzen überschreitend zielt der Band darauf ab, die Visualisierung Mohammeds in der westlichen Welt vis-à-vis mit dessen Darstellung im Islam zu untersuchen. Dabei wird das Material weder geographischen oder sprachlichen Sphären zugeordnet noch werden Textquellen isoliert von bildlichen Darstellungen betrachtet. Die Beiträge eröffnen vielmehr einen thematischen und theoretischen Dialog über die Frage, wie der Prophet in verschiedenen kulturellen Traditionen, in Europa und Amerika und in der Welt des Islam, vom Mittelalter bis in die Gegenwart, vergegenwärtigt wurde.