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Author: Julia Adeney Thomas
Publisher: Duke University Press
ISBN: 147800438X
Category : History
Languages : en
Pages : 206
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Book Description
Visualizing Fascism argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film—rather than written documents alone—produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago—and today. Contributors. Nadya Bair, Paul D. Barclay, Ruth Ben-Ghiat, Maggie Clinton, Geoff Eley, Lutz Koepnick, Ethan Mark, Bertrand Metton, Lorena Rizzo, Julia Adeney Thomas, Claire Zimmerman
Author: Julia Adeney Thomas
Publisher: Duke University Press
ISBN: 147800438X
Category : History
Languages : en
Pages : 206
Get Book Here
Book Description
Visualizing Fascism argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film—rather than written documents alone—produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago—and today. Contributors. Nadya Bair, Paul D. Barclay, Ruth Ben-Ghiat, Maggie Clinton, Geoff Eley, Lutz Koepnick, Ethan Mark, Bertrand Metton, Lorena Rizzo, Julia Adeney Thomas, Claire Zimmerman
Author: Bernhard Forchtner
Publisher: Manchester University Press
ISBN: 1526165376
Category : Political Science
Languages : en
Pages : 238
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Book Description
This volume presents ground-breaking analyses of how the far right represents natural environments and environmentalism around the globe. Images are not simply pervasive in our increasingly visual culture – they are a means of proposing worlds to viewers. Accordingly, the book approaches the visual not as something ‘extra’ or ‘illustrative’ but as a key means of producing identities and ‘doing politics’. Putting visuality centre stage and covering political parties and non-party actors in Africa, Asia, Australia and New Zealand, Europe and the United States, contributors demonstrate the various ways in which the far right articulates natural environments and the rampant environmental crises of the twenty-first century, providing essential insights into such multifaceted politics.
Author: Ruth Ben-Ghiat
Publisher: Indiana University Press
ISBN: 0253015669
Category : History
Languages : en
Pages : 421
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Book Description
Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.
Author: Gavriel D. Rosenfeld
Publisher: Cambridge University Press
ISBN: 1009337467
Category : History
Languages : en
Pages : 455
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Book Description
Has fascism arrived in America? In this pioneering book, Gavriel D. Rosenfeld and Janet Ward have gathered experts to survey the history of fascism in the United States. Although the US established a staunch anti-fascist reputation by defeating the Axis powers in World War II, the unsettling truth is that fascist ideas have long been present within American society. Since the election of Donald Trump as President in 2016, scholars have debated whether Trumpism should be seen as an outgrowth of American conservatism or of a darker – and potentially fascist – tradition. Fascism in America contributes to this debate by examining the activities of interwar right-wing groups like the Silver Shirts, the KKK, and the America First movement, as well as the post-war rise of Black antifascism and white vigilantism, the representation of American Nazis in popular culture, and policy options for combating right-wing extremism.
Author: Michael Ortiz
Publisher: Bloomsbury Publishing
ISBN: 1350334944
Category : History
Languages : en
Pages : 171
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Book Description
What is fascism? Is it an anomaly in the history of modern Europe? Or its culmination? In Anti-Colonialism and the Crises of Interwar Fascism, Michael Ortiz makes the case that fascism should be understood, in part, as an imperial phenomenon. He contends that the Age of Appeasement (1935-1939) was not a titanic clash between rival socio-political systems (fascism and democracy), but rather an imperial contest between satisfied and unsatisfied empires. Historians have long debated the extent to which Western imperialisms served as ideological and intellectual precursors to European fascisms. To date, this scholarship has largely employed an “inside-out” methodology that examines the imperial discourses that pushed fascist regimes outward, into Africa, Asia, and the Americas. While effective, such approaches tend to ignore the ways in which these places and their inhabitants understood European fascisms. Addressing this imbalance, Anti-Colonialism adopts an “outside-in” approach that analyses fascist expansion from the perspective of Indian anti-colonialists such as Jawaharlal Nehru, Subhas Bose, and Mohandas Gandhi. Seen from India, the crises of Interwar fascism-the Second Italo-Ethiopian War, Spanish Civil War, Second Sino-Japanese War, Munich Agreement, and the outbreak of the Second World War-were yet another eruption of imperial expansion analogous (although not identical) to the Scramble for Africa and the Treaty of Versailles. Whether fascist, democratic, or imperialist, Europe's great powers collectively negotiated the fate of smaller nations.
Author: Andrew Denning
Publisher: Taylor & Francis
ISBN: 100091948X
Category : History
Languages : en
Pages : 735
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Book Description
The Interwar World collects an international group of over 50 contributors to discuss, analyze, and interpret this crucial period in twentieth-century history. A comprehensive understanding of the interwar era has been limited by Euro-American approaches and strict adherence to the temporal limits of the world wars. The volume’s contributors challenge the era’s accepted temporal and geographic framings by privileging global processes and interactions. Each contribution takes a global, thematic approach, integrating world regions into a shared narrative. Three central questions frame the chapters. First, when was the interwar? Viewed globally, the years 1918 and 1939 are arbitrary limits, and the volume explicitly engages with the artificiality of the temporal framework while closely examining the specific dynamics of the 1920s and 1930s. Second, where was the interwar? Contributors use global history methodologies and training in varied world regions to decenter Euro-American frameworks, engaging directly with the usefulness of the interwar as both an era and an analytical category. Third, how global was the interwar? Authors trace accelerating connections in areas such as public health and mass culture counterbalanced by processes of economic protectionism, exclusive nationalism, and limits to migration. By approaching the era thematically, the volume disaggregates and interrogates the meaning of the ‘global’ in this era. As a comprehensive guide, this volume offers overviews of key themes of the interwar period for undergraduates, while offering up-to-date historiographical insights for postgraduates and scholars interested in this pivotal period in global history.
Author: Gian Giacomo Migone
Publisher: Cambridge University Press
ISBN: 1107002451
Category : Business & Economics
Languages : en
Pages : 455
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Book Description
Originally published in Italian in 1980, Migone covers the relationship between the United States and Italy during the interwar years.
Author: Nathaniël D. B. Kunkeler
Publisher: Bloomsbury Publishing
ISBN: 1350192341
Category : History
Languages : en
Pages : 288
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Book Description
There was no representative fascist movement during interwar Europe and there is much to be learned from where fascism 'failed', relatively speaking. So Nathaniël D. B. Kunkeler skilfully argues in Making Fascism in Sweden and the Netherlands, the first in-depth analysis of Swedish and Dutch fascism in the English language. Focusing on two peripheral – and therefore often overlooked – fascist movements (the Swedish National Socialist Workers' Party and the Dutch National Socialist Movement), this sophisticated study de-centres contemporary fascism studies by showing how smaller movements gained political foothold in liberal, democratic regimes. From charismatic leaders and the rallies they held to propaganda apparatus and mythopoeic props seized by ordinary people, Making Fascism in Sweden and the Netherlands analyses the constructs and perceptions of fascism to highlight the variegated nature of the movement in Europe and shine a spotlight on its performative process. Drawing on a wealth of archival material and using a highly innovative methodology, Kunkeler provides a nuanced analysis of European fascism which allows readers to rediscover the experimental character of far-right politics in interwar Europe.
Author: Simone Cinotto
Publisher: Bloomsbury Publishing
ISBN: 1350436852
Category : History
Languages : en
Pages : 342
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Book Description
Food stood at the centre of Mussolini's attempt to occupy Ethiopia and build an Italian Empire in East Africa. Seeking to redirect the surplus of Italian rural labor from migration overseas to its own Empire, the fascist regime envisioned transforming Ethiopia into Italy's granary to establish self-sufficiency, demographic expansion and strengthen Italy's international political position. While these plans failed, the extensive food exchanges and culinary hybridizations between Ethiopian and Italian food cultures thrived, and resulted in the creation of an Ethiopian-Italian cuisine, a taste of Empire at the margins. In studying food in short-lived Italian East Africa, Gastrofascism and Empire breaks significant new ground in our understanding of the workings of empire in the circulation of bodies, foodways, and global practices of dependence and colonialism, as well as the decolonizing practices of indigenous food and African anticolonial resistance. In East Africa, Fascist Italy brought older imperial models of global food to a hypermodern level in all its political, technoscientific, environmental, and nutritional aspects. This larger story of food sovereignty-entered in racist, mass settler colonialism-is dramatically different from the plantation and trade colonialisms of other empires and has never been comprehensively told. Using an original decolonizing food studies approach and an unprecedented variety of unexplored Ethiopian and Italian sources, Cinotto describes the different meanings of different foods for different people at different points of the imperial food chain. Exploring the subjectivities, agencies and emotions of Ethiopian and Italian men and women, it goes beyond simple colonizer/colonized binaries and offers a nuanced picture of lived, multisensorial experiences with food and empire.
Author: Nadya Bair
Publisher:
ISBN: 0520300351
Category : Art
Languages : en
Pages : 333
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Book Description
"Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story: Its photographers were concerned witnesses to history and artists on the hunt for decisive moments; their pictures were humanist documents of the postwar world. Based in unprecedented archival research, The Decisive Network peels back layers of the Magnum mythology to offer a new history of what it meant to shoot, edit, and sell news images after World War II. Between the 1940s and 1960s, Magnum expanded the human-interest story - about the everyday life of ordinary people - to global dimensions while bringing the aesthetic of news pictures into new markets. Its best-known work started as humanitarian aid promotion, travel campaigns, corporate publicity, and advertising. Working with this range of clients, Magnum made photojournalism integral to visual culture. Yet Magnum's photographers could not have done this alone. This book unpacks the collaborative nature of photojournalism as it transpired on a daily basis, focusing on how picture editors, sales agents, spouses, and publishers helped Magnum photographers succeed in their assignments and achieve fame. The Decisive Network concludes in the late 1960s and early 1970s, when, amidst the decline of magazine publishing and the rise of an art market for photography, Magnum turned to photo books and exhibitions to manage its growing picture archives and consolidate its brand. In that moment, Magnum's photojournalists became artists and their assignments turned into oeuvres. Such ideas were necessary publicity, and they also managed to shape discussions about photography for decades. Bridging art history, media studies, cultural history, and the history of communication, this book transforms our understanding of the photographic profession and the global circulation of images in the pre-digital world"--
