Author: Javier Berzal de Dios
Publisher: University of Toronto Press
ISBN: 1487503881
Category : Architecture
Languages : en
Pages : 216
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Book Description
Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period's philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers.
Author: Javier Berzal de Dios
Publisher:
ISBN: 9781487518981
Category : PERFORMING ARTS
Languages : en
Pages :
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Book Description
Visual Experiences in Cinquecento Theatrical Spaces explores the performative aspects of early modern theatre architecture and design, explicating the aesthetic function of pictorial displacements, visual anomalies, and architectural paradoxes
Author: Jimena Berzal de Dios
Publisher: University of Toronto Press
ISBN: 1487518994
Category : Architecture
Languages : en
Pages : 216
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Book Description
Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period’s philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers.
Author: Jessica A. Maratsos
Publisher: Cambridge University Press
ISBN: 1009036947
Category : Art
Languages : en
Pages : 595
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Book Description
Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art.
Author: Javier Berzal
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Through an interdisciplinary examination of theatre architecture and design in fifteenth- and sixteenth-century Italy, my dissertation studies the neglected performative aspects of theatrical spaces, especially the complexities of audience experience. Studying period engagements with philosophical and aesthetic ideas regarding space, place, and setting, I show that artists consciously moved away from illusionistic naturalism in order to present spectacles that purposefully pushed their audiences beyond real experiences towards fantastic spaces. I thus challenge traditional interpretations, demonstrating that the goal of early modern artists was not the creation of an illusionistic and unified theatrical experience dominated by single-point perspective. My dissertation presents a thematic study of the heterogeneous practices of the period that examines displacement, artifice, the realities of construction, ornament, spatial paradoxes and other overlooked albeit ubiquitous visual and textual. The goal is not to simply present an inventory of previously neglected artworks, but to set forth an interpretation of the material that shifts the current academic discourse, which has anachronistically interpreted early modern stages according to values that were not truly palpable or systematized until the seventeenth century. Developing over recent re-evaluations of perspective in art history, as well as phenomenology, theories of performance, social history, and Italian literature studies, my dissertation reveals a world rich in experimentation where artists marveled audiences with spaces that emphasized, to great effect, their very artificiality.
Author: Daphne P. Lei
Publisher: Taylor & Francis
ISBN: 1040046312
Category : Performing Arts
Languages : en
Pages : 1069
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Book Description
This updated fourth edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted. Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication’s role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its “Thinking Through Theatre Histories” boxes discuss important concepts and approaches used in the book. Features of the fully updated fourth edition include: Deeper coverage of East Asian and Latin American theater. Richer treatment of popular culture. More illustrations, photographs, and information about online resources. New case studies, include several written by authoritative scholars on the topic. Pronunciation guidance, both in the text and as audio files online. Timelines. An introduction on historiography. A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources. A case studies library listing, including both those in print and online, for greater instructor choice and flexibility. This is an essential textbook for undergraduate courses in theatre history, world theatre and introduction to theatre, and anyone looking for a full and diverse account of the emergence, development, and continuing relevance of theatre to cultures and societies across the world.
Author: Kim Knowles
Publisher: Springer Nature
ISBN: 3031552563
Category :
Languages : en
Pages : 611
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Book Description
Author: Alexandra Bamji
Publisher: Routledge
ISBN: 1317041615
Category : History
Languages : en
Pages : 597
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Book Description
'In the last two decades, the history of the Counter-Reformation has been stretched and re-shaped in numerous directions. Reflecting the variety and innovation that characterize studies of early modern Catholicism today, this volume incorporates topics as diverse as life cycle and community, science and the senses, the performing and visual arts, material objects and print culture, war and the state, sacred landscapes and urban structures. Moreover, it challenges the conventional chronological parameters of the Counter-Reformation and introduces the reader to the latest research on global Catholicism. The Ashgate Research Companion to the Counter-Reformation presents a comprehensive examination of recent scholarship on early modern Catholicism in its many guises. It examines how the Tridentine reforms inspired conflict and conversion, and evaluates lives and identities, spirituality, culture and religious change. This wide-ranging and original research guide is a unique resource for scholars and students of European and transnational history.
Author: Jodi Cranston
Publisher: Penn State Press
ISBN: 0271084030
Category : Art
Languages : en
Pages : 229
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Book Description
From celebrated gardens in private villas to the paintings and sculptures that adorned palace interiors, Venetians in the sixteenth century conceived of their marine city as dotted with actual and imaginary green spaces. This volume examines how and why this pastoral vision of Venice developed. Drawing on a variety of primary sources ranging from visual art to literary texts, performances, and urban plans, Jodi Cranston shows how Venetians lived the pastoral in urban Venice. She describes how they created green spaces and enacted pastoral situations through poetic conversations and theatrical performances in lagoon gardens; discusses the island utopias found, invented, and mapped in distant seas; and explores the visual art that facilitated the experience of inhabiting verdant landscapes. Though the greening of Venice was relatively short lived, Cranston shows how the phenomenon had a lasting impact on how other cities, including Paris and London, developed their self-images and how later writers and artists understood and adapted the pastoral mode. Incorporating approaches from eco-criticism and anthropology, Green Worlds of Renaissance Venice greatly informs our understanding of the origins and development of the pastoral in art history and literature as well as the culture of sixteenth-century Venice. It will appeal to scholars and enthusiasts of sixteenth-century history and culture, the history of urban landscapes, and Italian art.
Author: Mark Rosen
Publisher: Cambridge University Press
ISBN: 1107067030
Category : Art
Languages : en
Pages : 297
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Book Description
This well-illustrated study investigates the symbolic dimensions of painted maps as products of ambitious early modern European courts.
