Author: Keerti Ramachandra
Publisher: Katha
ISBN: 9788185586212
Category : Fiction
Languages : en
Pages : 180
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Book Description
The tweleve award winning translations of short stories by master storytellers from the first All India Katha Trans-lation Contest are testimony to this most variegated literary form.
Author: Arthur C. Danto
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Om den amerikanske maler Mark Tansey f.1949.
Author: Roger Kojecký
Publisher:
ISBN: 9781443843324
Category : English literature
Languages : en
Pages : 0
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Book Description
Literary texts are more or less obliged to make reference to entities beyond themselves. Drawing on other texts, ideas previously written, or on the resources of language, they make their attempts to communicate, entertain, and enlist sympathy, or even to offer counsel. Some texts profess an a priori vision, others adopt a style of reporting only contingencies. A dialogic relation can be posited between the ideal and the real, heaven and earth, imagination and reason, langue and parole, essence and substance, poetry and prose. The poetic and creative impulse is engaged with an ever present need to purify the dialect of the tribe. The topics in Visions and Revisions reflect writersâ (TM) labours with form at whatever distance from the original sources of inspiration. The authors discussed include William Blake, Marilynne Robinson, Salman Rushdie, William Golding, John Irving, David Lodge, Sara Maitland and Hilary Mantel. Verbal by definition, texts make use of other texts and are dependent on the cultural matrix. Readers are also writers in one kind or another. In both modes they may gain impetus or inspiration by re-visioning their origins as well as their ends. This book will offer readers new ways to understand the literary creations of some writers with affinities to the Western spiritual, and specifically Christian, tradition.
Author: Christine Adams
Publisher: Penn State Press
ISBN: 9780271026091
Category : History
Languages : en
Pages : 232
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Book Description
This volume brings together eight essays (all but one previously unpublished) that offer innovative strategies for studying society and culture in eighteenth-century France. Divided into three sections, the chapters map out current research paths in social, cultural, and political history. The authors engage the most heated subjects of debate in the field today, including the changing nature of political life in the age of Enlightenment, the role of public opinion in undermining absolutism, and the impact of gender on social relationships and political language in the late eighteenth century. They demonstrate a marked interest in the lives of ordinary and humble French people, finding that exclusion from the main corridors of power fostered cunning and resourcefulness, not political indifference or ignorance. The articles encompass the Old Regime and the revolutionary era without falling into the teleological trap of using the former as the backdrop for the events of 1789. On the contrary, many of the authors consciously avoid this bias by investigating the Old Regime in its own right or by consciously linking the pre- and postrevolutionary eras. This decision alone marks an important turning of the tide. By establishing a dialogue between the Old Regime and the revolution, this volume implicitly pays homage to those historians who insist on the structural continuities that underlay the rupture of 1789. Contributors are Cissie Fairchilds, Christine Adams, Orest Ranum, Lisa Jane Graham, Harvey Chisick, John Garrigus, Lenard Berlanstein, and Jack Censer.
Author: Neil Steinberg
Publisher: University of Chicago Press
ISBN: 0226772055
Category : Biography & Autobiography
Languages : en
Pages : 257
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Book Description
Steinberg takes readers through Chicago's vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city's complex web of political favoritism and carefully profiles the characters he meets along the way. Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong.
Author: James Dale Williams
Publisher: SIU Press
ISBN: 9780809324293
Category : History
Languages : en
Pages : 276
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Book Description
Williams (Soka U., California) has compiled nine essays that examine rhetoric and composition from the 1960s to the present: its emergence as a field; the influence of linguistics and psychology in shaping an empirical agenda; the waning of that influence as the field aligned itself more closely with the goals and objectives of traditional English departments; the shift toward postmodern perspectives on language, place, and self; and a move toward post-postmodern concerns. This historical study begins with reminiscences by Richard Lloyd-Jones, W. Ross Winterowd, Frank J. D'Angelo, and John Warnock. The second section examines those changes in detail. For example, Williams makes the connection between rhetoric and democracy, especially the influence of liberal democracy on rhetoric in society. He argues that because our liberal democracy is so focused on entertainment, rhetoric and composition must examine its role in relation to it. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Keerti Ramachandra
Publisher: Katha
ISBN: 9788185586731
Category : Fiction
Languages : en
Pages : 184
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Book Description
A collection of arresting short fiction in deft reader-friendly translations.
Author: Armine Kotin Mortimer
Publisher: University of Illinois Press
ISBN: 9780252027543
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
Marcel Proust speaks to us today as a contemporary and a classic. His great novel resonates across languages and time, summing up the past, interpreting the present, and envisioning the future. For Proust in Perspective, scholars from France, Italy, Belgium, Germany, Sweden, Japan, Canada, and the United States have drawn on rich new editions of Proust's novel and correspondence to bring us fresh views of his work. In nineteen original essays, a foreword by Jean–Yves Tadié, and an introduction by editors Armine Kotin Mortimer and Katherine Kolb, this volume guides readers through the dense weave of Proust's fiction and correspondence. The essays take us into the realm of Proustian language–-as quotation, metaphor, and memory–-and into art history and musical ideology, connecting the art of words with the words of art. They explore the interface of history and fiction, the mysteries of the text's evolution, and the dilemmas of its publication. They present the revelations of genetic criticism and the surprises of gender analysis. Taken together, these essays conjure a multifaceted profile of Proust–-his work, life, character, and influence–-and of new directions in Proust scholarship today. With compelling rigor and infectious enthusiasm, Proust in Perspective conveys the magnitude of Proust's continuing appeal.
Author: Dmitry Samarov
Publisher: University of Chicago Press
ISBN: 0226734749
Category : Biography & Autobiography
Languages : en
Pages : 136
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Book Description
Cabdrivers and their yellow taxis are as much a part of the cityscape as the high-rise buildings and the subway. We hail them without thought after a wearying day at the office or an exuberant night on the town. And, undoubtedly, taxi drivers have stories to tell—of farcical local politics, of colorful passengers, of changing neighborhoods and clandestine shortcuts. No one knows a city’s streets—and thus its heart—better than its cabdrivers. And from behind the wheel of his taxi, Dmitry Samarov has seen more of Chicago than most Chicagoans will hope to experience in a lifetime. An artist and painter trained at the School of the Art Institute of Chicago, Samarov began driving a cab in 1993 to make ends meet, and he’s been working as a taxi driver ever since. In Hack: Stories from a Chicago Cab, he recounts tales that will delight, surprise, and sometimes shock the most seasoned urbanite. We follow Samarov through the rhythms of a typical week, as he waits hours at the garage to pick up a shift, ferries comically drunken passengers between bars, delivers prostitutes to their johns, and inadvertently observes drug deals. There are long waits with other cabbies at O’Hare, vivid portraits of street corners and their regular denizens, amorous Cubs fans celebrating after a game at Wrigley Field, and customers who are pleasantly surprised that Samarov is white—and tell him so. Throughout, Samarov’s own drawings—of his fares, of the taxi garage, and of a variety of Chicago street scenes—accompany his stories. In the grand tradition of Nelson Algren, Saul Bellow, Mike Royko, and Studs Terkel, Dmitry Samarov has rendered an entertaining, poignant, and unforgettable vision of Chicago and its people.
Author: Ronald Duane Graybill
Publisher:
ISBN: 9781070792149
Category : Seventh-Day Adventists
Languages : en
Pages : 300
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Book Description
The Seventh-day Adventist prophet Ellen Gould Harmon White (1827-1915) wrote all her letters and manuscripts by hand. These holographs were edited and polished by her secretaries. They corrected her grammar and spelling, deleted and substituted words and rearranged sentences. The holographs are only available to scholars who receive permission to see them at Adventist church headquarters in Silver Spring, Maryland. But facsimiles of many of these holographs have been published in various books and research documents. This books explores those holographs and shows what sorts of historical evidence can only be seen by examining those original documents. It also describes the revisions made after the first publication of some of her writings, most notably her first vision, her Testimonies for the Church and her book The Great Controversy. The historical evidence demonstrates that Ellen White's writings are not without errors and discusses the controversies that arose between those who were correcting her writings and those who claimed she made no errors. They believed her inspired writings should not be changed at all.
