Author: Norman Bryson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214

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Book Description

Author: Margaret S. Livingstone
Publisher: Harry N. Abrams
ISBN: 9781419706929
Category : Art
Languages : en
Pages : 240

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Book Description
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.

Author: Michelle Foa
Publisher: Yale University Press
ISBN: 0300212828
Category : Art
Languages : en
Pages : 246

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Book Description
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.

Author: Robert A. Wade
Publisher: Betterway Books
ISBN: 9780891344629
Category : Art
Languages : en
Pages : 135

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Book Description
Teaches artists to paint what they see (and what they want to see) with confidence -- by taking artists into the realm of exploring their feelings about what they see in order to clarify the focus of a painting.

Author: Semir Zeki
Publisher: Oxford University Press, USA
ISBN: 9780198505198
Category : Philosophy
Languages : en
Pages : 224

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Book Description
Beautifully illustrated and vividly written, "Inner Vision" explores how different areas of the brain shape responses to visual arts. 84 color illustrations. 8 halftones. 30 line illustrations.

Author: Jinah Kim
Publisher: University of California Press
ISBN: 0520343212
Category : Art
Languages : en
Pages : 349

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Book Description
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.

Author: Trudy Overlock
Publisher:
ISBN: 9781882190492
Category : Poetry
Languages : en
Pages : 90

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Book Description
Poetry and art of Maine and beyond illustrated in color with 18 of the poet's paintings. Trudy Overlock has a wide experience of life, from department store work on many levels to public relations to legal secretary and paralegal work to photo-colorist to private secretary for a Wall Street financier to minister's wife to advertising copywriter to mural and stage artist for dance studios to baker and supplier of pies to restaurants. Trudy was a professional vocalist, singing at a wide range of venues, from Maine's Lakewood Inn to the grandstand at the Skowhegan State Fair, with freebees singing for the Togus VA Medical Center and the Maine State Prison. She designed and had built the home where she raised her two stepsons; in Vassalboro she has established a gallery where a hundred of her paintings are on display in the eighteenth-century house she has restored and which is cited on the National Register of Historic Places.

Author: Pavel Florensky
Publisher: Reaktion Books
ISBN: 1861896395
Category : Art
Languages : en
Pages : 396

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Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.

Author: Belinda Thomson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148

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Book Description
When Paul Gauguin (1848-1903) painted Vision After the Sermon in the summer of 1888 he was a mature artist who had travelled, exhibited and worked in a variety of media. Today the painting is considered a masterpiece, helping to assure Gauguin's fame the world over. Few paintings have given rise to more art historical analysis and critique, more speculation, admiration or recrimination. Accompanying the innovative painting-in-focus exhibition, 'Gauguin's Vision', this book illuminates one of the most intriguing and famous images in the history of western art. This re-examination of the painting, Vision After the Sermon: Jacob Wrestling with the Angel brings together works by Gauguin, his mentors such as Paul C, zanne and Edgar Degas, and younger contemporaries including Emile Bernard, Paul S, rusier, Maurice Denis and Henri van de Velde. It explores the biographical, pictorial and cultural circumstances that enabled Gauguin to make such a radical statement in paint in 1888. This beautifully illu

Author: Michael Marmor
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 230

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Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.