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Author: Sara Moslener
Publisher: Oxford University Press
ISBN: 0199987777
Category : Religion
Languages : en
Pages : 233
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Book Description
First taking hold of the American cultural imagination in the 1990s, the sexual purity movement of contemporary evangelicalism has since received considerable attention from a wide range of media outlets, religious leaders, and feminist critics. Virgin Nation offers a history of this movement that goes beyond the Religious Right, demonstrating a link between sexual purity rhetoric and fears of national decline that has shaped American ideas about morality since the nineteenth century. Concentrating on two of today's best known purity organizations, True Loves Waits and Silver Ring Thing, Sara Moslener's investigation reveals that purity work over the last two centuries has developed in concert with widespread fears of changing traditional gender roles and sexual norms, national decline, and global apocalypse. Moslener highlights a number of points in U.S. history when evangelical beliefs and values have seemed to provide viable explanations for and solutions to widespread cultural crises, resulting in the growth of their cultural and political influence. By asserting a causal relationship between sexual immorality, national decline, and apocalyptic anticipation, leaders have shaped a purity rhetoric that positions Protestant evangelicalism as the salvation of American civilization. From the purity reformers of the nineteenth century to fundamentalist leaders such as Billy Graham and Carl F.H. Henry, Moslener illuminates the evolution of a strain of purity rhetoric that runs throughout Protestant evangelicalism.
Author: Sara Moslener
Publisher: Oxford University Press
ISBN: 0199987777
Category : Religion
Languages : en
Pages : 233
Get Book Here
Book Description
First taking hold of the American cultural imagination in the 1990s, the sexual purity movement of contemporary evangelicalism has since received considerable attention from a wide range of media outlets, religious leaders, and feminist critics. Virgin Nation offers a history of this movement that goes beyond the Religious Right, demonstrating a link between sexual purity rhetoric and fears of national decline that has shaped American ideas about morality since the nineteenth century. Concentrating on two of today's best known purity organizations, True Loves Waits and Silver Ring Thing, Sara Moslener's investigation reveals that purity work over the last two centuries has developed in concert with widespread fears of changing traditional gender roles and sexual norms, national decline, and global apocalypse. Moslener highlights a number of points in U.S. history when evangelical beliefs and values have seemed to provide viable explanations for and solutions to widespread cultural crises, resulting in the growth of their cultural and political influence. By asserting a causal relationship between sexual immorality, national decline, and apocalyptic anticipation, leaders have shaped a purity rhetoric that positions Protestant evangelicalism as the salvation of American civilization. From the purity reformers of the nineteenth century to fundamentalist leaders such as Billy Graham and Carl F.H. Henry, Moslener illuminates the evolution of a strain of purity rhetoric that runs throughout Protestant evangelicalism.
Author: Sara Moslener
Publisher: Oxford University Press, USA
ISBN: 0199987769
Category : Religion
Languages : en
Pages : 233
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Book Description
"Sara Moslener sheds light on the contemporary purity movement by examining how earlier movements established the rhetorical and moral frameworks utilized by two of today's leading purity organizations, True Loves Waits and Silver Ring Thing. Her investigation reveals that purity work over the last two centuries has developed in concert with widespread fears of changing traditional gender roles and sexual norms, national decline, and global apocalypse"--
Author: Stafford Poole
Publisher: University of Arizona Press
ISBN: 9780816516230
Category : Social Science
Languages : en
Pages : 348
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Book Description
The devotion to Our Lady of Guadalupe, based on the story of apparitions of the Virgin Mary to Juan Diego, an Indian neophyte, at the hill of Tepeyac in December 1531, is one of the most important formative religious and national symbols in the history of Mexico. In this first work ever to examine in depth every historical source of the Guadalupe apparitions, Stafford Poole traces the origins and history of the account, and in the process challenges many commonly accepted assumptions and interpretations. Poole finds that, despite common belief, the apparition account was unknown prior to 1648, when it was first published by a Mexican priest. And then, the virgin became the predominant devotion not of the Indians, but of the criollos, who found in the story a legitimization of their own national aspirations and an almost messianic sense of mission and identity. Poole finds no evidence of a contemporary association of the Virgin of Guadalupe with the Mexican goddess Tonantzin, as is frequently assumed, and he rejects the common assertion that the early missionaries consciously substituted Guadalupe for a preconquest deity.
Author: William H. Beezley
Publisher: John Wiley & Sons
ISBN: 1444340581
Category : History
Languages : en
Pages : 701
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Book Description
A Companion to Mexican History and Culture features 40 essays contributed by international scholars that incorporate ethnic, gender, environmental, and cultural studies to reveal a richer portrait of the Mexican experience, from the earliest peoples to the present. Features the latest scholarship on Mexican history and culture by an array of international scholars Essays are separated into sections on the four major chronological eras Discusses recent historical interpretations with critical historiographical sources, and is enriched by cultural analysis, ethnic and gender studies, and visual evidence The first volume to incorporate a discussion of popular music in political analysis This book is the receipient of the 2013 Michael C. Meyer Special Recognition Award from the Rocky Mountain Conference on Latin American Studies.
Author: Mary Kay Vaughan
Publisher: Duke University Press
ISBN: 0822387522
Category : History
Languages : en
Pages : 396
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Book Description
When the fighting of the Mexican Revolution died down in 1920, the national government faced the daunting task of building a cohesive nation. It had to establish control over a disparate and needy population and prepare the country for global economic competition. As part of this effort, the government enlisted the energy of artists and intellectuals in cultivating a distinctly Mexican identity. It devised a project for the incorporation of indigenous peoples and oversaw a vast, innovative program in the arts. The Eagle and the Virgin examines the massive nation-building project Mexico undertook between 1920 and 1940. Contributors explore the nation-building efforts of the government, artists, entrepreneurs, and social movements; their contradictory, often conflicting intersection; and their inevitably transnational nature. Scholars of political and social history, communications, and art history describe the creation of national symbols, myths, histories, and heroes to inspire patriotism and transform workers and peasants into efficient, productive, gendered subjects. They analyze the aesthetics of nation building made visible in murals, music, and architecture; investigate state projects to promote health, anticlericalism, and education; and consider the role of mass communications, such as cinema and radio, and the impact of road building. They discuss how national identity was forged among social groups, specifically political Catholics, industrial workers, middle-class women, and indigenous communities. Most important, the volume weighs in on debates about the tension between the eagle (the modernizing secular state) and the Virgin of Guadalupe (the Catholic defense of faith and morality). It argues that despite bitter, violent conflict, the symbolic repertoire created to promote national identity and memory making eventually proved capacious enough to allow the eagle and the virgin to coexist peacefully. Contributors. Adrian Bantjes, Katherine Bliss, María Teresa Fernández, Joy Elizabeth Hayes, Joanne Hershfield, Stephen E. Lewis, Claudio Lomnitz, Rick A. López, Sarah M. Lowe, Jean Meyer, James Oles, Patrice Olsen, Desmond Rochfort, Michael Snodgrass, Mary Kay Vaughan, Marco Velázquez, Wendy Waters, Adriana Zavala
Author: Ruth Hellier-Tinoco
Publisher: Oxford University Press
ISBN: 0195340361
Category : Music
Languages : en
Pages : 355
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Book Description
Embodying Mexico examines two performative icons of Mexicanness--the Dance of the Old Men and Night of the Dead of Lake Patzcuaro--in numerous manifestations, including film, theater, tourist guides, advertisements, and souvenirs. Covering a ninety-year period from the postrevolutionary era to the present day, Hellier-Tinoco's analysis is thoroughly grounded in Mexican politics and history, and simultaneously incorporates choreographic, musicological, and dramaturgical analysis.Exploring multiple contexts in Mexico, the USA, and Europe, Embodying Mexico expands and enriches our understanding of complex processes of creating national icons, performance repertoires, and tourist attractions, drawing on wide-ranging ethnographic, archival, and participatory experience. An extensive companion website illustrates the author's arguments through audio and video.
Author: Ayse YARAR
Publisher: Ediciones Universidad de Salamanca
ISBN:
Category : Social Science
Languages : en
Pages : 15
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Book Description
Author: William H. Beezley
Publisher: University of Arizona Press
ISBN: 9780816526895
Category : History
Languages : en
Pages : 228
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Book Description
In this enlightening book, the well-known historian William Beezley contends that a Mexican national identity was forged during the nineteenth century not by a self-anointed elite but rather by a disparate mix of ordinary people and everyday events. In examining independence festivals, children’s games, annual almanacs, and the performances of itinerant puppet theaters, Beezley argues that these seemingly unrelated and commonplace occurrences—not the far more self-conscious and organized efforts of politicians, teachers, and others—created a far-reaching sense of a new nation. In the century that followed Mexico’s independence from Spain in 1821, Beezley maintains, sentiments of nationality were promulgated by people who were concerned not with the promotion of nationalism but with something far more immediate—the need to earn a living. These peddlers, vendors, actors, artisans, writers, publishers, and puppeteers sought widespread popular appeal so that they could earn money. According to Beezley, they constantly refined their performances, as well as the symbols and images they employed, in order to secure larger revenues. Gradually they discovered the stories, acts, and products that attracted the largest numbers of paying customers. As Beezley convincingly asserts, out of “what sold to the masses” a collective national identity slowly emerged. Mexican National Identity makes an important contribution to the growing body of literature that explores the influences of popular culture on issues of national identity. By looking at identity as it was fashioned “in the streets,” it opens new avenues for exploring identity formation more generally, not just in Mexico and Latin American countries but in every nation. Check out the New Books in History Interview with Bill Beezley!
Author: Amelia M. Kiddle
Publisher: University of Arizona Press
ISBN: 0816550131
Category : History
Languages : en
Pages : 320
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Book Description
Mexican presidents Lázaro Cárdenas (1934–1940) and Luis Echeverría (1970–1976) used populist politics in an effort to obtain broad-based popular support for their presidential goals. In spite of differences in administrative plans, both aimed to close political divisions within society, extend government programs to those on the margins of national life, and prevent foreign ideologies and practices from disrupting domestic politics. As different as they were in political style, both relied on appealing to the public through mass media, clothing styles, and music. This volume brings together twelve original essays that explore the concept of populism in twentieth century Mexico. Contributors analyze the presidencies of two of the century’s most clearly populist figures, evaluating them against each other and in light of other Latin American and Mexican populist leaders. In order to examine both positive and negative effects of populist political styles, contributors also show how groups as diverse as wild yam pickers in 1970s Oaxaca and intellectuals in 1930s Mexico City had access to and affected government projects. The chapters on the Echeverría presidency are written by contributors at the forefront of emerging scholarship on this topic and demonstrate new approaches to this critical period in Mexican history. Through comparisons to Echeverría, contributors also shed new light on the Cárdenas presidency, suggesting fresh areas of investigation into the work of Mexico’s quintessentially populist leader. Ranging in approach from environmental history to labor history, the essays in this volume present a complex picture of twentieth century populism in Mexico.
Author: Rielle Navitski
Publisher: Duke University Press
ISBN: 0822372894
Category : Performing Arts
Languages : en
Pages : 342
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Book Description
In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America’s most industrialized nations and later developed two of the region’s largest film industries. Navitski analyzes a wide range of sensational cultural forms, from nonfiction films and serial cinema to illustrated police reportage, serial literature, and fan magazines, demonstrating how media spectacles of violence helped audiences make sense of the political instability, high crime rates, and social inequality that came with modernization. In both nations, sensational cinema and journalism—influenced by imported films—forged a common public sphere that reached across the racial, class, and geographic divides accentuated by economic growth and urbanization. Highlighting the human costs of modernization, these media constructed everyday experience as decidedly modern, in that it was marked by the same social ills facing industrialized countries. The legacy of sensational early twentieth-century visual culture remains felt in Mexico and Brazil today, where public displays of violence by the military, police, and organized crime are hypervisible.
