Virgilian Identities in the French Renaissance PDF Download
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Author: Phillip John Usher
Publisher: DS Brewer
ISBN: 184384317X
Category : History
Languages : en
Pages : 280
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Book Description
"Virgil's works, principally the Bucolics, the Georgics, and above all the Aeneid, were frequently read, translated and rewritten by authors of the French Renaissance. The contributors to this volume show how readers and writers entered into a dialogue with the texts, using them to grapple with such difficult questions as authorial, political and communitarian identities. It is demonstrated how Virgil's works are more than Ancient models to be imitated. They reveal themselves, instead, to be part of a vibrant moment of exchange central to the definition of literature at the time."--Back cover.
Author: Phillip John Usher
Publisher: DS Brewer
ISBN: 184384317X
Category : History
Languages : en
Pages : 280
Get Book Here
Book Description
"Virgil's works, principally the Bucolics, the Georgics, and above all the Aeneid, were frequently read, translated and rewritten by authors of the French Renaissance. The contributors to this volume show how readers and writers entered into a dialogue with the texts, using them to grapple with such difficult questions as authorial, political and communitarian identities. It is demonstrated how Virgil's works are more than Ancient models to be imitated. They reveal themselves, instead, to be part of a vibrant moment of exchange central to the definition of literature at the time."--Back cover.
Author: Phillip John Usher
Publisher:
ISBN: 0199687846
Category : Art
Languages : en
Pages : 266
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Book Description
'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.
Author: Craig Kallendorf
Publisher: BRILL
ISBN: 9004421351
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance. Using a new methodology developed at the Humboldt University in Berlin, Printing Virgil shows that the press established which commentaries were disseminated, provided signals for how the Virgilian translations were to be interpreted, shaped the discussion about the authenticity of the minor poems attributed to Virgil, and inserted this material into larger censorship concerns. The editions that were printed during this period transformed Virgil into a poet who could fit into Renaissance culture, but they also determined which aspects of his work could become visible at that time.
Author: Sarah Van der Laan
Publisher: Oxford University Press
ISBN: 0198778295
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
The Choice of Odysseus demonstrates how the Odyssey provided Renaissance authors and readers with a poetic ethics for their age. Sarah Van der Laan reconstructs Renaissance readings of the Odyssey by Petrarch, Poliziano, Ariosto, Tasso, Spenser, Monteverdi, and Milton to recover a powerful Renaissance tradition of Odyssean epic.
Author: Susanna Morton Braund
Publisher:
ISBN: 0198810814
Category : History
Languages : en
Pages : 531
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Book Description
Transcending traditional studies of single translations or particular translation traditions in isolation, this is the first volume to offer a critical overview of Virgil's influence on later literature through the translation history of his poems, from the early modern period to the present day, and throughout Europe and beyond.
Author: Kelly Lehtonen
Publisher: University of Toronto Press
ISBN: 1487545398
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
During the Renaissance, the most renowned model of epic poetry was Virgil’s Aeneid, a poem promoting an influential concept of heroism based on the commitment to one’s nation and gods. However, Longinus’ theory of the sublime – newly recovered during the Renaissance – contradicted this absolute devotion to nation as a marker of religious piety. Heroic Awe explores how Renaissance epic poetry used the sublime to challenge the assumption that epic heroism was primarily about civic duty and glorification of state. The book demonstrates how the significant investment of Renaissance epic poetry in Longinus’ theory of the sublime reshaped the genre of epic. To do so, Kelly Lehtonen examines the intersection between the Longinian sublime and early modern Protestant and Catholic discourses in Renaissance poems such as the Gerusalemme Liberata, Les Semaines, The Faerie Queene, and Paradise Lost. In illuminating the role of Longinus along with that of religious discourses, Heroic Awe offers a new perspective on epic heroism in Renaissance epic poetry, redefining heroism as the capacity to be overwhelmed emotionally, psychologically, and spiritually by encounters with divine glory. In considering the links between religion, the sublime, and epic, the book aims to shed new light on several core topics in early modern studies, including epic heroism, Renaissance philosophy, theories of emotion, and the psychology of religion.
Author: Nicholas Freer
Publisher: Bloomsbury Publishing
ISBN: 1350070521
Category : History
Languages : en
Pages : 305
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Book Description
Virgil's Georgics, the most neglected of the poet's three major works, is brought to life and infused with fresh meanings in this dynamic collection of new readings. The Georgics is shown to be a rich field of inherited and varied literary forms, actively inviting a wide range of interpretations as well as deep reflection on its place within the tradition of didactic poetry. The essays contained in this volume – contributed by scholars from Australia, Europe and North America – offer new approaches and interpretive methods that greatly enhance our understanding of Virgil's poem. In the process, they unearth an array of literary and philosophical sources which exerted a rich influence on the Georgics but whose impact has hitherto been underestimated in scholarship. A second goal of the volume is to examine how the Georgics – with its profound meditations on humankind, nature, and the socio-political world of its creation – has been (re)interpreted and appropriated by readers and critics from antiquity to the modern era. The volume opens up a number of exciting new research avenues for the study of the reception of the Georgics by highlighting the myriad ways in which the poem has been understood by ancient readers, early modern poets, explorers of the 'New World', and female translators of the twentieth and twenty-first centuries.
Author: Fiachra Mac Góráin
Publisher: Cambridge University Press
ISBN: 1107170184
Category : History
Languages : en
Pages : 573
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Book Description
Presents stimulating chapters on Virgil and his reception, offering an authoritative overview of the current state of Virgilian studies.
Author: Lee M. Fratantuono
Publisher: BRILL
ISBN: 9004301283
Category : Literary Criticism
Languages : en
Pages : 772
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Book Description
Virgil’s Aeneid 5 has long been among the more neglected sections of the poet’s epic of Augustan Rome. Book 5 opens the second movement of the poem, the middle section of the Aeneid that sees the Trojans poised between the old world of Phrygia and the new destiny in Italy. The present volume fills a significant gap in Virgilian studies by offering the first full-scale commentary in any language on this key book in the explication of the poet’s grand consideration of the meaning of Trojan versus Roman identity. A new critical text (based on first hand examination of the manuscripts) is accompanied by a prose translation and detailed commentary. The notes provide in depth analysis of literary, historical, and lexical matters; the introduction situates Book 5 both in the context of the epic and the larger tradition of heroic poetry.
Author: Jonathan Patterson
Publisher: Oxford University Press
ISBN: 0192576283
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Obscene poetry, servants' slanders against their masters, the diabolical acts of those who committed massacre and regicide. This is a book about the harmful, outward manifestation of inner malice—villainy—in French culture (1463-1610). In pre-modern France, villainous offences were countered, if never fully contained, by intersecting legal and literary responses. Combining the methods of legal anthropology with literary and historical analysis, this study examines villainy across juridical documents, criminal records, and literary texts. Whilst few people obtained justice through the law, many pursued out-of-court settlements of one kind or another. Literary texts commemorated villainies both fictitious and historical; literature sometimes instantiated the process of redress, and enabled the transmission of conflicts from one context to another. Villainy in France follows this overflowing current of pre-modern French culture, examining its impact within France and across the English Channel. Scholars and cultural critics of the Anglophone world have long been fascinated by villainy and villains. This book reveals the subject's significant 'Frenchness' and establishes a transcultural approach to it in law and literature. In this study, villainy's particular significance emerges through its representation in authors remembered for their less-than respectable, even criminal, activities: François Villon, Clément Marot, François Rabelais, Pierre de L'Estoile, Christopher Marlowe, Ben Jonson, John Marston, and George Chapman. Villainy in France affords legal-literary comparison of these authors alongside many of their lesser-known contemporaries; in so doing, it reinterprets French conflicts within a wider European context, from the mid-fifteenth century to the early seventeenth century.
