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Author: John Willis
Publisher: George F Thompson Publishing
ISBN: 9781938086632
Category : History
Languages : en
Pages : 192
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Book Description
Photographer John Willis has long been aware of the exploitation that can occur when photographers enter communities as outsiders. So, in 1992, when he first visited the Pine Ridge Indian Reservation in South Dakota, he assured elders of the Oglala Lakota nation that he would not exhibit any of his images. Over time, however, Willis earned the respect and trust of the community, and the elders urged him to show his work and create this book so that others might better understand Lakota land and life. Willis has returned to the reservation every year since 1992, and he has come to grasp and interpret this place as few others have. Views from the Reservation, first published to widespread acclaim in 2010 and now presented in an updated and expanded edition, remains a gift--a wopila--that is meant to open the minds, eyes, and hearts of outsiders to the life, culture, and conditions of the Oglala Lakota people. Along with his insightful and accomplished images, Willis has enlisted other voices to offer a more complete story: Lakota elders and high school students from the Pine Ridge Reservation offer powerful poems; writer Kent Nerburn contributes an original essay; Emil Her Many Horses, a curator at the National Museum of the American Indian, tells his story of growing up on the rez; Kevin Gover, Director of the National Museum of the American Indian, apologizes for the government's abuse of native people; Oglala Lakota artist Dwayne Wilcox shares his provocative ledger drawings; and members of the Reddest family present their amazing photo collection. Views from the Reservation is a masterful book that has been praised by the Lakota people for its honesty, spirit, and depth. It offers the chance for native peoples and outsiders alike to appreciate and respect the Pine Ridge Reservation from contemporary and historical points of view, with art and storytelling leading the way.
Author: John Willis
Publisher: George F Thompson Publishing
ISBN: 9781938086632
Category : History
Languages : en
Pages : 192
Get Book Here
Book Description
Photographer John Willis has long been aware of the exploitation that can occur when photographers enter communities as outsiders. So, in 1992, when he first visited the Pine Ridge Indian Reservation in South Dakota, he assured elders of the Oglala Lakota nation that he would not exhibit any of his images. Over time, however, Willis earned the respect and trust of the community, and the elders urged him to show his work and create this book so that others might better understand Lakota land and life. Willis has returned to the reservation every year since 1992, and he has come to grasp and interpret this place as few others have. Views from the Reservation, first published to widespread acclaim in 2010 and now presented in an updated and expanded edition, remains a gift--a wopila--that is meant to open the minds, eyes, and hearts of outsiders to the life, culture, and conditions of the Oglala Lakota people. Along with his insightful and accomplished images, Willis has enlisted other voices to offer a more complete story: Lakota elders and high school students from the Pine Ridge Reservation offer powerful poems; writer Kent Nerburn contributes an original essay; Emil Her Many Horses, a curator at the National Museum of the American Indian, tells his story of growing up on the rez; Kevin Gover, Director of the National Museum of the American Indian, apologizes for the government's abuse of native people; Oglala Lakota artist Dwayne Wilcox shares his provocative ledger drawings; and members of the Reddest family present their amazing photo collection. Views from the Reservation is a masterful book that has been praised by the Lakota people for its honesty, spirit, and depth. It offers the chance for native peoples and outsiders alike to appreciate and respect the Pine Ridge Reservation from contemporary and historical points of view, with art and storytelling leading the way.
Author: Brianna Theobald
Publisher: UNC Press Books
ISBN: 1469653176
Category : History
Languages : en
Pages : 289
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Book Description
This pathbreaking book documents the transformation of reproductive practices and politics on Indian reservations from the late nineteenth century to the present, integrating a localized history of childbearing, motherhood, and activism on the Crow Reservation in Montana with an analysis of trends affecting Indigenous women more broadly. As Brianna Theobald illustrates, the federal government and local authorities have long sought to control Indigenous families and women's reproduction, using tactics such as coercive sterilization and removal of Indigenous children into the white foster care system. But Theobald examines women's resistance, showing how they have worked within families, tribal networks, and activist groups to confront these issues. Blending local and intimate family histories with the histories of broader movements such as WARN (Women of All Red Nations), Theobald links the federal government's intrusion into Indigenous women's reproductive and familial decisions to the wider history of eugenics and the reproductive rights movement. She argues convincingly that colonial politics have always been--and remain--reproductive politics. By looking deeply at one tribal nation over more than a century, Theobald offers an especially rich analysis of how Indigenous women experienced pregnancy and motherhood under evolving federal Indian policy. At the heart of this history are the Crow women who displayed creativity and fortitude in struggling for reproductive self-determination.
Author:
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 76
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Book Description
Author: Jim Hubbard
Publisher: Chronicle Books (CA)
ISBN:
Category : Photography
Languages : en
Pages : 124
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Book Description
In response to the rise of public concern over the plight of the homeless comes this moving collection of photographs taken by homeless children in Washington, D.C. Royalties from the book benefit Shooting Back, Inc., an education and media center that brings together volunteer photographers and young people living in shelters. 125 photographs.
Author: Restaurant Reservation books
Publisher:
ISBN:
Category :
Languages : en
Pages : 370
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Book Description
Are you looking for a Restaurant Reservation book? This Reservations Log Book is the perfect way to help you with your restaurant management and operations. Reservation book details : Each interior page includes space to write: Date, Time, PPL, Name, Phone, Notes each page has 29 reservation entry slots. 5 columns to record essential booking information Features: 370 pages. Perfect size "8.5x11" Matt cover. This Reservation Book is Perfect for any Restaurant, Cafe, and Bistro. SCROLL UP AND CLICK THE " BUY NOW "BUTTON AND GET YOUR COPY TODAY.
Author: David Treuer
Publisher: Grove/Atlantic, Inc.
ISBN: 0802194893
Category : History
Languages : en
Pages : 350
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Book Description
A prize-winning writer offers “an affecting portrait of his childhood home, Leech Lake Indian Reservation, and his people, the Ojibwe” (The New York Times). A member of the Ojibwe of northern Minnesota, David Treuer grew up on Leech Lake Reservation, but was educated in mainstream America. Exploring crime and poverty, casinos and wealth, and the preservation of native language and culture, Rez Life is a strikingly original blend of history, memoir, and journalism, a must read for anyone interested in the Native American story. With authoritative research and reportage, he illuminates issues of sovereignty, treaty rights, and natural-resource conservation. He traces the policies that have disenfranchised and exploited Native Americans, exposing the tension that marks the historical relationship between the US government and the Native American population. Ultimately, through the eyes of students, teachers, government administrators, lawyers, and tribal court judges, he shows how casinos, tribal government, and the Bureau of Indian Affairs have transformed the landscape of modern Native American life. “Treuer’s account reads like a novel, brimming with characters, living and dead, who bring his tribe’s history to life.” —Booklist “Important in the way Dee Brown’s Bury My Heart at Wounded Knee was when it came out in 1970, deeply moving readers as it schooled them about Indian history in a way nothing else had.” —Minneapolis Star-Tribune “[A] poignant, penetrating blend of memoir and history.” —People
Author: Philip J. Deloria
Publisher: University Press of Kansas
ISBN: 0700614591
Category : Social Science
Languages : en
Pages : 312
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Book Description
Despite the passage of time, our vision of Native Americans remains locked up within powerful stereotypes. That's why some images of Indians can be so unexpected and disorienting: What is Geronimo doing sitting in a Cadillac? Why is an Indian woman in beaded buckskin sitting under a salon hairdryer? Such images startle and challenge our outdated visions, even as the latter continue to dominate relations between Native and non-Native Americans. Philip Deloria explores this cultural discordance to show how stereotypes and Indian experiences have competed for ascendancy in the wake of the military conquest of Native America and the nation's subsequent embrace of Native "authenticity." Rewriting the story of the national encounter with modernity, Deloria provides revealing accounts of Indians doing unexpected things-singing opera, driving cars, acting in Hollywood-in ways that suggest new directions for American Indian history. Focusing on the late nineteenth and early twentieth centuries--a time when, according to most standard American narratives, Indian people almost dropped out of history itself—Deloria argues that a great many Indians engaged the very same forces of modernization that were leading non-Indians to reevaluate their own understandings of themselves and their society. He examines longstanding stereotypes of Indians as invariably violent, suggesting that even as such views continued in American popular culture, they were also transformed by the violence at Wounded Knee. He tells how Indians came to represent themselves in Wild West shows and Hollywood films and also examines sports, music, and even Indian people's use of the automobile-an ironic counterpoint to today's highways teeming with Dakota pick-ups and Cherokee sport utility vehicles. Throughout, Deloria shows us anomalies that resist pigeonholing and force us to rethink familiar expectations. Whether considering the Hollywood films of James Young Deer or the Hall of Fame baseball career of pitcher Charles Albert Bender, he persuasively demonstrates that a significant number of Indian people engaged in modernity-and helped shape its anxieties and its textures-at the very moment they were being defined as "primitive." These "secret histories," Deloria suggests, compel us to reconsider our own current expectations about what Indian people should be, how they should act, and even what they should look like. More important, he shows how such seemingly harmless (even if unconscious) expectations contribute to the racism and injustice that still haunt the experience of many Native American people today.
Author: Michelle H. Raheja
Publisher: U of Nebraska Press
ISBN: 0803268270
Category : Social Science
Languages : en
Pages : 283
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Book Description
In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood’s representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually negative, messages about Native peoples that films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in film that reflect the complex and vibrant experiences of Native peoples and communities.
Author: Sherman Alexie
Publisher: Open Road Media
ISBN: 1480457175
Category : Fiction
Languages : en
Pages : 331
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Book Description
DIVDIVWinner of the American Book Award and the Murray Morgan Prize, Sherman Alexie’s brilliant first novel tells a powerful tale of Indians, rock ’n’ roll, and redemption/div Coyote Springs is the only all-Indian rock band in Washington State—and the entire rest of the world. Thomas Builds-the-Fire takes vocals and bass guitar, Victor Joseph hits lead guitar, and Junior Polatkin rounds off the sound on drums. Backup vocals come from sisters Chess and Checkers Warm Water. The band sings its own brand of the blues, full of poverty, pain, and loss—but also joy and laughter.DIV It all started one day when legendary bluesman Robert Johnson showed up on the Spokane Indian Reservation with a magical guitar, leaving it on the floor of Thomas Builds-the-Fire’s van after setting off to climb Wellpinit Mountain in search of Big Mom./divDIV In Reservation Blues, National Book Award winner Alexie vaults with ease from comedy to tragedy and back in a tour-de-force outing powered by a collision of cultures: Delta blues and Indian rock. DIVThis ebook features an illustrated biography including rare photos from the author’s personal collection./div/divDIV/div/div
Author: Brad Asher
Publisher:
ISBN: 9780806131078
Category : History
Languages : en
Pages : 275
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Book Description
Beyond the Reservation is the first in-depth examination of the American Indian presence in local courts during the nineteenth century. Through examination of Washington Territory's district court records for 1853-1889, as well as other archival materials, Brad Asher provides a detailed portrait of Indian-white contact within this region. Overturning the conventional notion that Indians were confined to reservations during the latter half of the nineteenth century, Asher shows that most Indians in Washington Territory never moved to reservations or resided on them only seasonally. As the central mechanism for governing interracial contact outside of reservations, the courts were the primary vehicle for creating and policing racial boundaries. Initially denied legal standing in white courts, Indians at first attempted to resolve disputes with settlers and with other Indians according to their cultural traditions. In the 1870s, when they did gain access to legal institutions, they began using these for their own ends. The legal systems remained far from race blind, however, and few Indians gained satisfaction in American courts. By focusing on contact between Indians and whites, this book challenges the emphasis of most histories on the exclusion and separation of Indians during the settlement period. In addition, by conceiving of law as a mode of governance, it sheds new light on the role of the state in the colonization of the American West.
