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Author: Michelle Jackson-Beckett
Publisher: Oxford University Press
ISBN: 0198879512
Category : Art
Languages : en
Pages : 262
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Book Description
While the domestic sphere might seem tangential to the dire political situation and humanitarian crises of interwar Europe, it was nevertheless at the forefront of debates about cultural identity and economic policy in the Viennese press, culture, and arts. Vienna and the New Wohnkultur, 1918-1938 explores why and how the Viennese design landscape was set apart--aesthetically and theoretically--from other European explorations of modern design. Jackson-Beckett examines interior design exhibitions, press, and debates about modern living in interwar Vienna, an overlooked area of modern European architecture and design history, arguing for a reconsideration of the contours of European modernism. The text analyses varied interpretations of modern domestic culture (Wohnkultur) in Vienna, and explores why these interpretations were distinct from other strands of European modernism. Vienna and the New Wohnkultur introduces new research and translation of primary sources on flexible, adaptable, and affordable design by architects, designers, and retailers. Vienna's design discourse also prefigured important postmodern and contemporary discussions on historicism, eclecticism, empathy, and user experience. Through extensive new research in archival and period sources, Jackson-Beckett illustrates how design ideas, taste, and portrayals of domestic culture of fin-de-si?cle Viennese Modernism (Wiener Moderne) were also deployed as forms of cultural and national identity both during the early years of the Social Democratic government in Vienna (1918-1934) and later under the fascist state (1934-1938).
Author: Michelle Jackson-Beckett
Publisher: Oxford University Press
ISBN: 0198879512
Category : Art
Languages : en
Pages : 262
Get Book Here
Book Description
While the domestic sphere might seem tangential to the dire political situation and humanitarian crises of interwar Europe, it was nevertheless at the forefront of debates about cultural identity and economic policy in the Viennese press, culture, and arts. Vienna and the New Wohnkultur, 1918-1938 explores why and how the Viennese design landscape was set apart--aesthetically and theoretically--from other European explorations of modern design. Jackson-Beckett examines interior design exhibitions, press, and debates about modern living in interwar Vienna, an overlooked area of modern European architecture and design history, arguing for a reconsideration of the contours of European modernism. The text analyses varied interpretations of modern domestic culture (Wohnkultur) in Vienna, and explores why these interpretations were distinct from other strands of European modernism. Vienna and the New Wohnkultur introduces new research and translation of primary sources on flexible, adaptable, and affordable design by architects, designers, and retailers. Vienna's design discourse also prefigured important postmodern and contemporary discussions on historicism, eclecticism, empathy, and user experience. Through extensive new research in archival and period sources, Jackson-Beckett illustrates how design ideas, taste, and portrayals of domestic culture of fin-de-si?cle Viennese Modernism (Wiener Moderne) were also deployed as forms of cultural and national identity both during the early years of the Social Democratic government in Vienna (1918-1934) and later under the fascist state (1934-1938).
Author: Penny Sparke
Publisher: Bloomsbury Publishing
ISBN: 1350294241
Category : Architecture
Languages : en
Pages : 313
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Book Description
The Covid-19 lockdowns caused people worldwide to be confined to their homes for longer and on a greater scale than ever before. This forced many unprecedented changes to the way we treat domestic space – as relationships shifted between the public and the private worlds, and homes were rapidly adapted to accommodate the additional roles of schools, offices, gyms, restaurants, making-spaces and more. Above all, our understanding of the home as a site to support and enhance the well-being of its inhabitants changed in a variety of novel ways. Interiors in the Era of Covid is a collection of essays which explore the complex ways in which our inside spaces (contemporary and historical) have responded to Covid-19 and other human crises. With case studies ranging from US and Europe to Japan, China, Colombia, and Bangladesh, this is a truly global work which examines wide-ranging subjects from home-working and home technologies, to the impact of lockdown on people's identities, gender roles in the home, and the realities of domestic living with Covid in refugee camps. Exploring the roles played by designers (both amateur and professional) in accommodating changing requirements and anticipating future ones – whether Covid or beyond – this book is a must-read for students and researchers in interior design, architecture, architectural and design history, and anyone interested in the home and the relationships between health and design.
Author: Rob McFarland
Publisher: Boydell & Brewer
ISBN: 1571133550
Category : History
Languages : en
Pages : 805
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Book Description
The current blockbuster German TV series Babylon Berlin introduces viewers to the tumultuous period in German history known as the Weimar Republic. Critics have praised the series for its relevance to the present: it shows dark populist forces undermining a fragile democracy. While Weimar Germany makes a fascinating backdrop, its story does not inspire much hope for our present-day political and cultural woes. A fascinating contrast is the Austrian capital, Vienna. After the First World War the former imperial city elected a Social Democratic majority that persisted into the 1930s. "Red Vienna" undertook large-scale experiments in public housing, hygiene, and education, while maintaining a world-class presence in music, literature, art, culture, and science. Though Red Vienna eventually fell victim to fascist violence, it left a rich legacy with potential to inform our own tumultuous times. The Red Vienna Sourcebook provides scholars and students with an encyclopedic selection of key documents from the period, carefully translated and introduced. The thirty-six chapters include primary works from canonical names such as Sigmund Freud and Arthur Schnitzler but also introductions to lesser-known figures such as sociologist K the Leichter and health-policy pioneer Julius Tandler. The documents will be of interest to such diverse disciplines as economics, architecture, music, film history, philosophy, women's studies, sports and body culture, and Jewish studies. Rob McFarland is Professor of German Literature, Film and Culture at Brigham Young University. Georg Spitaler is a researcher at the Austrian Labor History Society. Ingo Zechner is Director of the Ludwig Boltzmann Institute for Digital History.
Author: Martina Pippal
Publisher: C.H.Beck
ISBN: 9783406467899
Category : Architecture
Languages : en
Pages : 264
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Book Description
Author: Wolfram Koeppe
Publisher: Metropolitan Museum of Art
ISBN: 1588393682
Category : Decoration and ornament
Languages : en
Pages : 126
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Book Description
Wolfram Koeppe is Curator, Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art. --Book Jacket.
Author: Christopher Long
Publisher: Yale University Press
ISBN: 0300218281
Category : Architecture
Languages : en
Pages : 263
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Book Description
APPENDIX: Essays by Oskar Strnad, Heinrich Kulka, and Josef Frank -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
Author: August Sarnitz
Publisher: Prestel Publishing
ISBN:
Category : Architects
Languages : en
Pages : 320
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Book Description
This volume is presents a comprehensive survey on an Austrian architect.
Author: Michelle Jackson-Beckett
Publisher: Oxford University Press, USA
ISBN: 9780198879497
Category :
Languages : en
Pages : 0
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Book Description
This book introduces readers to an important but largely unknown strand of European modernism in Vienna--defining a new domestic culture (Wohnkultur)--one that often found itself at odds with the more well-known sleek, monumental approaches in Germany, France, and Italy, while navigating a complicated and perilous moment in history.
Author: Elana Shapira
Publisher: Bloomsbury Publishing
ISBN: 1350172294
Category : History
Languages : en
Pages : 345
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Book Description
Jewish designers and architects played a key role in shaping the interwar architecture of Central Europe, and in the respective countries where they settled following the Nazi's rise to power. This book explores how Jewish architects and patrons influenced and reformed the design of towns and cities through commercial buildings, urban landscaping and other material culture. It also examines how modern identities evolved in the context of migration, commercial and professional networks, and in relation to the conflict between nationalist ideologies and international aspirations in Central Europe and beyond. Pointing to the production within cultural platforms shared by Jews and Christians, the book's research sheds new light on the importance of integrating Jews into Central European design and aesthetic history. Leading historians, curators, archivists and architects present their critical analyses further to 'design' the past and push forward a transformation in the historical consciousness of Central Europe. By reconsidering the seminal role of Central European émigré and exiled architects and designers in shaping today's global design cultures, this book further strengthens humanistic, progressive and pluralistic cultural trends in Europe today.
Author: Megan Brandow-Faller
Publisher: Penn State Press
ISBN: 0271086505
Category : Art
Languages : en
Pages : 301
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Book Description
Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna’s “female Secession” created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between “art” and “craft,” “decorative” and “profound,” and “masculine” and “feminine” in art. Tracing the history of the women’s art movement in Secessionist Vienna—from its origins in 1897, at the Women’s Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst—Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women’s art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria’s women’s art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group’s ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel. Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as “works from women’s hands.” It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history.
