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Author: Christopher Newall
Publisher: Phaidon Press
ISBN: 9780714828114
Category : Art
Languages : en
Pages : 143
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Book Description
The Victorian era gave rise to some of the most beautiful and extraordinary watercolours ever painted. With their meticulous technique and discreet purpose, they convey much about the romantic and moral temperament of the age. Through his discussion of subject matter and stylistic development, Christopher Newall provides a fascinating insight into the artistic sensibility of the period. 'This is an informative and well-illustrated guide to an under-studied but fascinating period in the long history of the British watercolour. Graham Reynolds, Times Literary Supplement, 29 January - 4 February 1988. 'Newall possesses the rare ability of being able to make the reader really visualize an individual painting and the book abounds with deeply felt and brilliantly communicated descriptive passages.' Lionel Lambourne, Apollo, April 1989
Author: Christopher Newall
Publisher: Phaidon Press
ISBN: 9780714828114
Category : Art
Languages : en
Pages : 143
Get Book Here
Book Description
The Victorian era gave rise to some of the most beautiful and extraordinary watercolours ever painted. With their meticulous technique and discreet purpose, they convey much about the romantic and moral temperament of the age. Through his discussion of subject matter and stylistic development, Christopher Newall provides a fascinating insight into the artistic sensibility of the period. 'This is an informative and well-illustrated guide to an under-studied but fascinating period in the long history of the British watercolour. Graham Reynolds, Times Literary Supplement, 29 January - 4 February 1988. 'Newall possesses the rare ability of being able to make the reader really visualize an individual painting and the book abounds with deeply felt and brilliantly communicated descriptive passages.' Lionel Lambourne, Apollo, April 1989
Author: Scott Wilcox
Publisher: Hudson Hills
ISBN: 9781555950712
Category : Art
Languages : en
Pages : 206
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Book Description
English landscape watercolor painting, a perfect marriage of genre and medium, entered a lively period of experimentation in style and content during the second half of the nineteenth century, with rich and diverse results. Through all the changes of style and technique and all the debates over the appropriate use of the medium, it was watercolor's ability to convey the timeless truth and reality of the natural world that mattered to artists, critics, and audiences. British watercolors of the Victorian period continued to observe an essential humility before nature; they remain fresh and compellingly immediate because they derived in the first place from the artists' heartfelt communion with the elements of nature. Victorian Landscape Watercolors begins with a consideration of the continuing influence of the great generation who earlier in the century, during the extraordinary parallel rise of watercolor and landscape painting, had established the landscape watercolor as a major British contribution to the arts. The second chapter examines the role of the landscape watercolor in the aesthetic thought of John Ruskin, whose critical voice played a dominant role in shaping that art. The third chapter looks at the place of landscape within the watercolor societies and its development as it appeared in their annual exhibitions. The final chapter deals with the tug of new and old, foreign and native in the later Victorian period. The book also features 126 watercolors, from public and private collections in America and England, all reproduced in full color and accompanied by individual commentaries. Among the 76 artists represented are David Cox, Sr. and Jr., Walter Crane, William HolmanHunt, Edward Lear, Samuel Palmer, James Mallord William Turner, James McNeill Whistler, and Ruskin himself, along with dozens of lesser-known masters of the medium. Victorian Landscape Watercolors is published in conjunction with the first exhibition to survey this period of this particularly British contribution to the arts; the exhibition, organized by the Yale Center for British Art in New Haven, Connecticut, will also be seen at the Cleveland Museum of Art and in Birmingham, England.
Author: Matthew Hargraves
Publisher: Yale University Press
ISBN: 0300116586
Category : Art
Languages : en
Pages : 244
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Book Description
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0
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Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.
Author: Gerald W. R. Ward
Publisher:
ISBN: 0195313917
Category : Art
Languages : en
Pages : 848
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Book Description
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Author: Christopher Wood
Publisher: Antique Collector's Club
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
The author discusses the development and characteristics of Victorian painting, setting them within the context of time. He covers the multifarious facets of painting styles, from social realists to fairy painters, whilst not neglecting traditional areas such as marine, landscape, sporting and animal. The various artistic movements- aesthetic, classical, romantic - are all considered. The book combines a study of the two mediums of oil and watercolour in a single volume.
Author: Stephen Wildman
Publisher: Metropolitan Museum of Art
ISBN: 0870998587
Category : Arts and crafts movement
Languages : en
Pages : 375
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Book Description
This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Author: Theresa-Mary Morton
Publisher:
ISBN: 9780951337370
Category : Decoration and ornament
Languages : en
Pages : 79
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Book Description
Author: Simon Fenwick
Publisher: Routledge
ISBN: 0429760620
Category : Art
Languages : en
Pages : 379
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Book Description
First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.
Author: Graham Reynolds
Publisher: New Amsterdam Books
ISBN: 1461704340
Category : Art
Languages : en
Pages : 168
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Book Description
English artists have made a unique contribution to the art of watercolor painting. In no other Western country has this very attractive medium been used so consistently, or for works of such stature, as in England between 1750 and the present day. In this general survey of the whole period, Graham Reynolds, formerly Keeper of Paintings and of Prints and Drawings at the Victoria & Albert Museum, discusses the paintings of over 100 artists including the well-known watercolorists such as Cozens, Girtin, Cotman and De Wint, as well as artists who are equally known for their work in other media - Gainsborough, Turner, Constable, Sargent, Henry Moore. The 140 illustrations, 64 in color, show the work of these and lesser-known artists and reveal the versatility of this medium, so the reader will be introduced to its use for illustrative caricature and portraiture as well as to the finest examples of traditional landscape watercolors.
