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Author: Lionel Lambourne
Publisher: Phaidon Press
ISBN: 9780714843599
Category : Art
Languages : en
Pages : 512
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Book Description
Victorian Paintingis a comprehensive survey of one of the most fertile and varied eras in the history of painting. It embraces not just the United Kingdom, but also English-speaking countries linked to Britain by cultural ties of empire and emigration, such as the United States, Canada, Australia, New Zealand and Africa. Long regarded as a backwater of sentiment and outmoded academic convention that was bypassed by the mainstream of development in Western art, Victorian painting is now wholeheartedly enjoyed in its own right. Unfettered by old prejudices, Lionel Lambourne presents a vivid panorama of an age of unparalleled energy and creativity. Wealth, optimism, education and self-confidence created a huge demand for art, and a remarkable array of talent emerged to meet it. Producing works in a wide variety of styles, subjects and media, many artists became rich celebrities, while the profession as a whole enjoyed unprecedented public esteem. The author tackles this protean subject by dividing it into themes that reflect its richness and variety. Chapters are devoted to such topics as Mural/ History Painting, the Nude, the Portrait, Sporting Painting, Genre Scenes and Women Painters; and social themes such as the Fallen Woman, Social Realism, Travel and Emigration; as well as movements such as the Pre-Raphaelites. Written with a light touch, full of illuminating anecdotes, and with 600 color illustrations, Victorian Paintingis beautiful, highly entertaining and informative. It is also an invaluable reference work since, in addition to many famous and well-loved images, it presents a wealth of fine work by lesser-known artists, and explores the byways as well as highways of Victorian art, demonstrating the astounding range and depth of talent of the age.
Author: Lionel Lambourne
Publisher: Phaidon Press
ISBN: 9780714843599
Category : Art
Languages : en
Pages : 512
Get Book Here
Book Description
Victorian Paintingis a comprehensive survey of one of the most fertile and varied eras in the history of painting. It embraces not just the United Kingdom, but also English-speaking countries linked to Britain by cultural ties of empire and emigration, such as the United States, Canada, Australia, New Zealand and Africa. Long regarded as a backwater of sentiment and outmoded academic convention that was bypassed by the mainstream of development in Western art, Victorian painting is now wholeheartedly enjoyed in its own right. Unfettered by old prejudices, Lionel Lambourne presents a vivid panorama of an age of unparalleled energy and creativity. Wealth, optimism, education and self-confidence created a huge demand for art, and a remarkable array of talent emerged to meet it. Producing works in a wide variety of styles, subjects and media, many artists became rich celebrities, while the profession as a whole enjoyed unprecedented public esteem. The author tackles this protean subject by dividing it into themes that reflect its richness and variety. Chapters are devoted to such topics as Mural/ History Painting, the Nude, the Portrait, Sporting Painting, Genre Scenes and Women Painters; and social themes such as the Fallen Woman, Social Realism, Travel and Emigration; as well as movements such as the Pre-Raphaelites. Written with a light touch, full of illuminating anecdotes, and with 600 color illustrations, Victorian Paintingis beautiful, highly entertaining and informative. It is also an invaluable reference work since, in addition to many famous and well-loved images, it presents a wealth of fine work by lesser-known artists, and explores the byways as well as highways of Victorian art, demonstrating the astounding range and depth of talent of the age.
Author: Christopher Wood
Publisher:
ISBN: 9780297835523
Category : Painting, British
Languages : en
Pages : 384
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Book Description
The Victorian era and its aftermath were the backdrop to one of the great flowerings of British art. Taking the story of British art from the era of Romanticism to the formal and aesthetic breakthrough of Post-Impressionism, this book offers a definitive survey of the field.
Author: Jeremy Maas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 166
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Book Description
Published to accompany exhibition held at The Royal Academy of Arts, London, 13/11/97 - 8/2/98.
Author: Christopher Wood
Publisher: London : Faber
ISBN: 9780571107803
Category : Art, Victorian
Languages : en
Pages : 260
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Book Description
Author: Julia Thomas
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Victorian narrative paintings offer a unique insight into the 19th century. The plight of women, the affects of the class system, and the onslaught of industry are all forced upon the attention of the viewer. Within each picture there is a story to uncover, either optimistic, educational, or tragic. Hugely popular in the Victorian period, the paintings tell much about how the Victorians viewed themselves and those whose "transgressive" practices threatened their respectability. An illustrated introduction decodes the conventions used in narrative painting, from literary and artistic allusions to the use of symbolism. The stories contained in works by William Holman Hunt, William Powell Frith, Richard Redgrave, John Everett Millais, and many others are uncovered in detailed examinations of their paintings.
Author: Deborah Cherry
Publisher: Psychology Press
ISBN: 9780415060530
Category : Art
Languages : en
Pages : 275
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Book Description
Looks at the experience of women painters within the oppressive confines of the Victorian patriarchy. Using biographies, journals and letters Cherry shows how their working lives were shaped by the social order of difference.
Author: Martin Ellis
Publisher:
ISBN: 9781885444479
Category :
Languages : en
Pages : 280
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Book Description
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
Author: William Powell Frith
Publisher: Yale University Press
ISBN: 0300121903
Category : Photography
Languages : en
Pages : 204
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Book Description
William Powell Frith (1819-1909) was the greatest British painter of the social scene since Hogarth. His panoramas of nineteenth-century life broke new ground in their depiction of the diverse London crowd, and they are now icons of their age. Frith’s popularity in his lifetime was unprecedented; on six separate occasions special railings had to be built at the Royal Academy to protect his paintings from an admiring public. Derby Day and The Railway Station are nearly as well known today as a century ago, yet the artist who painted them is now neglected. This book explores Frith's place in the development of Victorian painting: the impact of his unconventional private life on his work, his relationships with Hogarth and Dickens, his influence on popular illustration, the place of costume in his paintings, his female models, his painting materials and practice, and much more. The book makes an important contribution to the literature on art in the Victorian era and to our understanding of the nineteenth century.
Author: Christopher Wood
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
A revised edition of a very popular title, written by one of England's leading experts on Victorian art.
Author: Katherine Haskins
Publisher: Routledge
ISBN: 1351546287
Category : Art
Languages : en
Pages : 226
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Book Description
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
