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Author: Vernon Lee
Publisher: David Zwirner Books
ISBN: 1941701787
Category : Art
Languages : en
Pages : 137
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Book Description
An openly lesbian, feminist writer, Vernon Lee—a pseudonym of Violet Paget—is the most important female aesthetician to come out of nineteenth century England. Though she was widely known for her supernatural fictions, Lee hasn’t gained the recognition she so clearly deserves for her contributions in the fields of aesthetics, philosophy of empathy, and art criticism. An early follower of Walter Pater, her work is characterized by extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely overlooked in curriculums, her aesthetic works long out of print. David Zwirner Books is reintroducing Lee’s writing through the first-ever English publication of "Psychology of an Art Writer" (1903) along with selections from her groundbreaking "Gallery Diaries" (1901–1904), breathtaking accounts of Lee’s own experiences with the great paintings and sculptures she traveled to see. Ranging from deeply felt assessments of the way mood affects our ability to appreciate art, to detailed descriptions of some of the most powerful personal experiences with artworks, these writings provide profound insights into the fields of psychology and aesthetics. Her philosophical inquiries in The Psychology of an Art Writer leave no stone unturned, combining fine-grained ekphrases with high fancy and dense abstraction. The diaries, in turn, establish Lee as one of the most sensitive writers about art in any language. With a foreword by Berkeley classicist Dylan Kenny, which guides the reader through these writings and contextualizes these texts within Lee’s other work, this is the quintessential introduction to her astonishing and complex oeuvre.
Author: Vernon Lee
Publisher: David Zwirner Books
ISBN: 1941701787
Category : Art
Languages : en
Pages : 137
Get Book Here
Book Description
An openly lesbian, feminist writer, Vernon Lee—a pseudonym of Violet Paget—is the most important female aesthetician to come out of nineteenth century England. Though she was widely known for her supernatural fictions, Lee hasn’t gained the recognition she so clearly deserves for her contributions in the fields of aesthetics, philosophy of empathy, and art criticism. An early follower of Walter Pater, her work is characterized by extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely overlooked in curriculums, her aesthetic works long out of print. David Zwirner Books is reintroducing Lee’s writing through the first-ever English publication of "Psychology of an Art Writer" (1903) along with selections from her groundbreaking "Gallery Diaries" (1901–1904), breathtaking accounts of Lee’s own experiences with the great paintings and sculptures she traveled to see. Ranging from deeply felt assessments of the way mood affects our ability to appreciate art, to detailed descriptions of some of the most powerful personal experiences with artworks, these writings provide profound insights into the fields of psychology and aesthetics. Her philosophical inquiries in The Psychology of an Art Writer leave no stone unturned, combining fine-grained ekphrases with high fancy and dense abstraction. The diaries, in turn, establish Lee as one of the most sensitive writers about art in any language. With a foreword by Berkeley classicist Dylan Kenny, which guides the reader through these writings and contextualizes these texts within Lee’s other work, this is the quintessential introduction to her astonishing and complex oeuvre.
Author: Vineta Colby
Publisher: University of Virginia Press
ISBN: 0813923891
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
Vernon Lee, born Violet Paget in 1856 to English parents who lived on the Continent, bridged two worlds and many cultures. She was a Victorian by birth but lived into the second quarter of the twentieth century. Her chosen home was Italy, but she spent part of every year in England, where she published over the years an impressive number of books: novels, short stories, travel essays, studies of Italian art and music, psychological aesthetics, polemics. She was widely recognized as a woman of letters and moved freely in major literary and social circles, meeting and at times having close friendships with a huge number of the major writers and intellectuals of her time, among them Robert Browning, Walter Pater, Henry James, H. G. Wells, Bertrand Russell, Bernard Berenson, and Mario Praz. Although she never committed herself to one program of political activism, she was an advocate for feminism and social reform and during World War I was an ardent pacifist. In her last years she watched with dismay the emergence of fascism. Vernon Lee: A Literary Biography recovers this crowded and intellectually eventful life from her previously unpublished letters and journals, as well as from her books themselves. Vineta Colby also explores Lee’s troubled personal life, from her childhood in an eccentric expatriate family to her several unhappy love affairs with women to her frank recognition that her work, brilliant as some of it was, remained unappreciated. Through it all, Vernon Lee clung to her faith in the life of the mind, and through Colby’s engaging biographical narrative, she emerges today as a writer worthy of renewed attention and admiration. Victorian Literature and Culture Series
Author: Patricia Pulham
Publisher: Springer
ISBN: 0230287522
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
This, the first collection of essays on the aesthete and intellectual Vernon Lee, offers a wide range of critical writings by scholars. Key works are examined including Euphorion, Hauntings: Fantastic Stories and Music and Its Lovers . New light is shed on Lee's relationships with contemporaries such as Lee-Hamilton, Pater and Wilde.
Author: Amanda Gagel
Publisher: Taylor & Francis
ISBN: 1134976739
Category : Literary Collections
Languages : en
Pages : 707
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Book Description
Vernon Lee was the pen name of Violet Paget (1856–1935) – a prolific author best known for her supernatural fiction, her support of the Aesthetic Movement and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siècle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence — compiled from more than 30 archives worldwide — that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French), Crystal Hall (from the Italian), and Christa Zorn (from the German). The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee’s articles, books and stories. Full transcriptions of some 500 letters, covering the years 1856-1935, are arranged in chronological order along with a newly written introduction that explains their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee’s critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields. In this first volume, tracing the years 1856– 1884, the assembled letters cover the beginnings of her career, encompassing her first publication, visits to London and encounters with some of the important artistic figures of the time. As her career begins to blossom, the letters also reflect the expansion of her subject matter from cultural studies and art history to novels and aesthetic philosophy. Correspondents include Lee’s parents, Matilda and Henry Paget; her brother the poet Eugene Lee-Hamilton; English poet Mary Robinson; English authors Henrietta Jenkin and Linda Villari; and Italian writers Enrico Nencioni, Mario Pratesi, and Angelo De Gubernatis, among others.
Author: Vernon Lee
Publisher: The Floating Press
ISBN: 1776596919
Category : Fiction
Languages : en
Pages : 75
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Book Description
Fans of gothic horror will relish this spine-tingling novella from "Vernon Lee," the nom de plume of British writer Violet Paget. The story follows an unusual love affair that is not exactly what it appears to be, and the twist ending will shock even the most astute reader.
Author: Vernon Lee
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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Book Description
Author: Vernon Lee
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Christa Zorn
Publisher: Ohio University Press
ISBN: 0821414976
Category : Aestheticism (Literature)
Languages : en
Pages : 246
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Book Description
A startlingly original study, Vernon Lee adds new dimensions to the legacy of this woman of letters whose career spans the transition from the late Victorian to the modernist period. Christa Zorn draws on archival materials to discuss Lee's work in terms of British aestheticism and in the context of the Western European history of ideas.
Author: Sophie Geoffroy
Publisher: Routledge
ISBN: 1000179176
Category : Language Arts & Disciplines
Languages : en
Pages : 760
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Book Description
Vernon Lee was the pen name of Violet Paget (1856–1935) – a prolific author best known for her supernatural fiction and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siècle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence — compiled from more than 30 archives worldwide — that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French), Crystal Hall (from the Italian), and Christa Zorn (from the German). The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee’s articles, books and stories. Full transcriptions of some 500 letters, covering the years 1856-1935, are arranged in chronological order along with newly written introductions that explain their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee’s critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields. In this second volume, covering the years 1885–1889, the 421 assembled letters follow Violet Paget-Vernon Lee in her early thirties. Recovering from the stinging reception of her first novel and from Annie Meyer’s death, she turns to essay writing on aesthetics and ethics and ghost stories. After Mary Robinson’s engagement to marry French orientalist Prof. Darmesteter, she travels to Spain, Gibraltar and Tangiers and briefly falls under the spell of the Orient. She also takes a liking to Scotland, and many of her close friends are Scottish --Alice Callander, Lady "Archie" (Janey Sevilla Archibald Campbell)—and so is her future partner Clementina Anstruther-Thomson. The letters reflect the expansion of her subject matter from cultural studies, art history and aesthetic philosophy. Her charity work in hospitals in Florence and her readings in Political Economy lead her thinking towards social reform and political issues. Her brother’s mental illness and her own breakdown bring about an awareness of body and mind balance and a taste for outdoor pursuits (mountaineering; bicycling; horse riding; swimming) and for experimental psychology (rotating mirrors; hypnosis) and therapies (hydrotherapy). The Pagets move away from the city center of Florence into the Villa Il Palmerino, then in the countryside, where both Eugene and Vernon recover. Correspondents include Lee’s parents, Matilda and Henry Ferguson Paget; her step-brother poet Eugene Lee-Hamilton; English poetess Mary Robinson; English poet Robert Browning; British novelist and journalist Ellen Mary Abdy-Williams; British social reform activist and editor Percy William Bunting; Irish journalist and activist Frances Power Cobbe; Irish scholar and novelist Bella Duffy; British eugenicist Karl Pearson; British publisher William Blackwood; Scottish writer Robert Louis Stevenson; American novelist Henry James; American connoisseur and arts patron Isabella Stuart Gardner; French translator and critic Marie-Thérèse Blanc ("Th. Bentzon"); Lady Louisa Wolseley; Irish historian and activist Alice Stopford-Green; Italian Countess Angelica (Pasolini) Rasponi; Italian poet, writer and critic Enrico Nencioni; Italian novelist, essayist and critic Mario Pratesi; Italian editor and man of letters Francesco Protonotari; Italian painter Telemaco Signorini.
Author: Sondeep Kandola
Publisher: Northcote House Pub Limited
ISBN: 0746311761
Category : Literary Criticism
Languages : en
Pages : 115
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Book Description
This book is the first full-scale exploration of the fiction of one of the most influential women writing in English in the late nineteenth and early twentieth centuries. While Lee's work was well-admired in her own day, her fiction and her writings on aesthetics, 'The Woman in Question' and psychology appeared anachronistic to later twentieth-century audiences. The recent upsurge of interest in the culture of the fin de siécle and lesbian Modernist writing has assured Lee a well-deserved critical resurrection and this book explores her ground-breaking literary work in light of the turbulent friendships that she had with figures such as Oscar Wilde, H.G. Wells and Virginia Woolf. A belle-lettriste, a self-consciously Continental intellectual and a pacifist, Lee's changing authorial masks doubly participate and anticipate the wider shift from Victorian earnestness to Modernist play marking British letters over the course of fifty years. Ultimately, however, Lee emerges as an increasingly isolated
