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Author: Axel Rüger
Publisher: National Gallery Publications Limited
ISBN: 9780300091892
Category : Art
Languages : en
Pages : 72
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Book Description
During the first seventy years of the seventeenth century the Dutch town of Delft emerged as one of the most important artistic centers in the Netherlands. Although famous as the birthplace of the painter Johannes Vermeer, Delft was also home to an extended community of masters that included among many others Pieter de Hooch and Carel Fabritius. In this introduction to the key Delft artists, Axel Rüger places Vermeer’s masterpieces within their historical and artistic context. This book, accompanying a major loan exhibition at the National Gallery, London, reveals how artistic and cultural developments of the early seventeenth century paved the way for the flowering of art in the city, culminating in the master works of the 1650s and 1660s. Investigating the artistic production of the city genre by genre, the author builds a picture of the so-called Delft School and its influences. Although painting from this time is probably best known for Vermeer’s serene scenes of everyday life, his contemporaries chose many different subjects. From Vermeer's world-famous masterpieces to the less familiar works of the period, all these refined paintings reflect a powerful sensibility to the visual aspects of the world as their makers perceived it.
Author: Axel Rüger
Publisher: National Gallery Publications Limited
ISBN: 9780300091892
Category : Art
Languages : en
Pages : 72
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Book Description
During the first seventy years of the seventeenth century the Dutch town of Delft emerged as one of the most important artistic centers in the Netherlands. Although famous as the birthplace of the painter Johannes Vermeer, Delft was also home to an extended community of masters that included among many others Pieter de Hooch and Carel Fabritius. In this introduction to the key Delft artists, Axel Rüger places Vermeer’s masterpieces within their historical and artistic context. This book, accompanying a major loan exhibition at the National Gallery, London, reveals how artistic and cultural developments of the early seventeenth century paved the way for the flowering of art in the city, culminating in the master works of the 1650s and 1660s. Investigating the artistic production of the city genre by genre, the author builds a picture of the so-called Delft School and its influences. Although painting from this time is probably best known for Vermeer’s serene scenes of everyday life, his contemporaries chose many different subjects. From Vermeer's world-famous masterpieces to the less familiar works of the period, all these refined paintings reflect a powerful sensibility to the visual aspects of the world as their makers perceived it.
Author: Stephan Koja
Publisher:
ISBN: 9783954986118
Category :
Languages : en
Pages : 264
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Book Description
The Girl Reading a Letter at an Open Window by Johannes Vermeer is one of the most famous works of seventeenth-century Dutch art. Preserved at the Gemaldegalerie Alte Meister in Dresden, the painting has been restored, in an elaborate process lasting from 2017 to 2021. The removal of a large section of overpainting dating from a later period has profoundly altered the work's appearance and revealed the original composition. To showcase the discovery, the Dresden Gemaldegalerie is now presenting the Girl Reading a Letter along with other masterpieces by Vermeer and a selection of exceptional Dutch genre paintings that reveal parallels and reciprocities between the art of Vermeer and that of his peers. This catalog brings together texts by renowned scholars as they explore not only the restoration of this pivotal work but also fundamental questions on the visual vernacular and essence of Vermeer's painting, his optical realism, his iconography of love, and the lived realities of women in the Dutch Golden Age.
Author: Anthony Bailey
Publisher: Macmillan
ISBN: 9780805069303
Category : Art
Languages : en
Pages : 200
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Book Description
Presents a portrait of Vermeer's life and character.
Author: Gabrielle Townsend
Publisher: Peter Lang
ISBN: 9783039111244
Category : Art
Languages : en
Pages : 240
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Book Description
This study of Marcel Proust's creative imagination examines an aspect of the novel that has hitherto been largely overlooked: the author's dependence on secondary visual sources. Gabrielle Townsend argues that reproductions play a key role in the work's complex, multi-layered structure.
Author: Walter A. Liedtke
Publisher:
ISBN: 9789461300416
Category :
Languages : en
Pages : 208
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Book Description
Johannes Vermeer (16321675) has been one of the most widely admired European painters since his so-called rediscovery in the second half of the nineteenth century. Until quite recently, the Romantic roots of writing on the Sphinx of Delft have encouraged the image of him as an isolated genius; the artists private life and religion, his supposed use of a camera obscura, and the fact that his teacher has not been identified have all contributed to an air of mystery. As this new monograph demonstrates, Vermeers life is actually well documented and his work may be more appropriately understood by placing the painter in the context of the Delft school as a whole and of Delft society. The fact that one local patron acquired about twenty pictures by the artist (only thirty-six are known today) must have been significant for Vermeers subtleties of meaning and refinements of technique and style. In the end, however, the most historical approach to Vermeer still leaves us with a master whose rare sensibility and extraordinary powers of observation may be described but not explained.
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
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Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Author: Timothy Brook
Publisher: Bloomsbury Publishing USA
ISBN: 159691727X
Category : History
Languages : en
Pages : 289
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Book Description
In this critical darling Vermeer's captivating and enigmatic paintings become windows that reveal how daily life and thought-from Delft to Beijing--were transformed in the 17th century, when the world first became global. A Vermeer painting shows a military officer in a Dutch sitting room, talking to a laughing girl. In another canvas, fruit spills from a blue-and-white porcelain bowl. Familiar images that captivate us with their beauty--but as Timothy Brook shows us, these intimate pictures actually give us a remarkable view of an expanding world. The officer's dashing hat is made of beaver fur from North America, and it was beaver pelts from America that financed the voyages of explorers seeking routes to China-prized for the porcelains so often shown in Dutch paintings of this time, including Vermeer's. In this dazzling history, Timothy Brook uses Vermeer's works, and other contemporary images from Europe, Asia, and the Americas to trace the rapidly growing web of global trade, and the explosive, transforming, and sometimes destructive changes it wrought in the age when globalization really began.
Author: Jane Jelley
Publisher: Oxford University Press
ISBN: 0192506900
Category : Art
Languages : en
Pages : 369
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Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
Author: John Michael Montias
Publisher: Princeton University Press
ISBN: 9780691002897
Category : Art
Languages : en
Pages : 486
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Book Description
This book is not only a fascinating biography of one of the greatest painters of the seventeenth century but also a social history of the colorful extended family to which he belonged and of the town life of the period. It explores a series of distinct worlds: Delft's Small-Cattle Market, where Vermeer's paternal family settled early in the century; the milieu of shady businessmen in Amsterdam that recruited Vermeer's grandfather to counterfeit coins; the artists, military contractors, and Protestant burghers who frequented the inn of Vermeer's father in Delft's Great Market Square; and the quiet, distinguished "Papists Corner" in which Vermeer, after marrying into a high-born Catholic family, retired to practice his art, while retaining ties with wealthy Protestant patrons. The relationship of Vermeer to his principal patron is one of many original discoveries in the book.
Author: Anita Jansen
Publisher: W Books
ISBN: 9789462583283
Category : Genre painting, Dutch
Languages : en
Pages : 0
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Book Description
* After Vermeer, Pieter de Hooch is widely considered to be the most celebrated Delft master of the 17th century. This book accompanies the first retrospective exhibition in the Netherlands at the Museum Prinsenhof, Delft from 11 October 2019 to 16 February 2020This stunning catalogue accompanies a retrospective exhibition in the Netherlands of the famous 17th-century painter Pieter de Hooch (1629- after 1684). The exhibition, Pieter de Hooch in Delft - From the Shadow of Vermeer is the first retrospective of the artist's work in his own country, and will be presented at the Museum Prinsenhof Delft from 11 October 2019 to 16 February 2020. After Vermeer, Pieter de Hooch is widely considered to be the most celebrated Delft master of the 17th century. The paintings De Hooch produced in Delft (ca. 1652-1660) will be at the heart of the exhibition: his most beautiful courtyards and interiors will return to the city where they were painted almost 400 years ago. Approximately 30 works will be coming to Delft on loan from leading museums in Europe and the United States and includes many famous paintings.
