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Author: Garry Wills
Publisher: Penguin
ISBN: 0143122223
Category : Music
Languages : en
Pages : 239
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Book Description
Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017. "Riveting . . . a double-barreled salvo that hits two bull's-eyes." —The New York Times Book Review This dazzling study of the three operas that Giuseppe Verdi adapted from Shakespeare's plays takes readers on a wonderfully engaging journey through opera, music, literature, history, and the nature of genius. Verdi's Shakespeare explores the writing and staging of Macbetto (Macbeth), Otello (Othello), and Falstaff, operas by Verdi, an Italian composer who could not read a word of English but who adored Shakespeare. Delving into the fast-paced worlds of these men and the hands-on life of the stage that at once challenged them and gave flight to their brilliance, Wills, in his inimitable way, illuminates the birth of artistic creation.
Author: Garry Wills
Publisher: Penguin
ISBN: 0143122223
Category : Music
Languages : en
Pages : 239
Get Book Here
Book Description
Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017. "Riveting . . . a double-barreled salvo that hits two bull's-eyes." —The New York Times Book Review This dazzling study of the three operas that Giuseppe Verdi adapted from Shakespeare's plays takes readers on a wonderfully engaging journey through opera, music, literature, history, and the nature of genius. Verdi's Shakespeare explores the writing and staging of Macbetto (Macbeth), Otello (Othello), and Falstaff, operas by Verdi, an Italian composer who could not read a word of English but who adored Shakespeare. Delving into the fast-paced worlds of these men and the hands-on life of the stage that at once challenged them and gave flight to their brilliance, Wills, in his inimitable way, illuminates the birth of artistic creation.
Author: Enza De Francisci
Publisher: Taylor & Francis
ISBN: 1317210840
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
This interdisciplinary, transhistorical collection brings together international scholars from English literature, Italian studies, performance history, and comparative literature to offer new perspectives on the vibrant engagements between Shakespeare and Italian theatre, literary culture, and politics, from the sixteenth to the twenty-first century. Chapters address the intricate, two-way exchange between Shakespeare and Italy: how the artistic and intellectual culture of Renaissance Italy shaped Shakespeare’s drama in his own time, and how the afterlife of Shakespeare’s work and reputation in Italy since the eighteenth century has permeated Italian drama, poetry, opera, novels, and film. Responding to exciting recent scholarship on Shakespeare and Italy, as well as transnational theatre, this volume moves beyond conventional source study and familiar questions about influence, location, and adaptation to propose instead a new, evolving paradigm of cultural interchange. Essays in this volume, ranging in methodology from archival research to repertory study, are unified by an interest in how Shakespeare’s works represent and enact exchanges across the linguistic, cultural, and political boundaries separating England and Italy. Arranged chronologically, chapters address historically-contingent cultural negotiations: from networks, intertextual dialogues, and exchanges of ideas and people in the early modern period to questions of authenticity and formations of Italian cultural and national identity in the eighteenth and nineteenth century. They also explore problems of originality and ownership in twentieth- and twenty-first-century translations of Shakespeare’s works, and new settings and new media in highly personalized revisions that often make a paradoxical return to earlier origins. This book captures, defines, and explains these lively, shifting currents of cultural interchange.
Author: Gary Schmidgall
Publisher: Oxford University Press, USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
If opera had existed in Elizabethan London, the world's Top Bard, as W.H. Auden called him, might have become the world's Top Librettist. In this illuminating study, Gary Schmidgall ranges widely through the Shakespearean canon and the standard operatic repertory and presents a fascinating comparison of the two, focusing on similarities of expressive style, scenic structure, staging, and performance practice. Schmidgall includes both extended discussions of pertinent general issues and concise essays on the most intriguing Shakespeare-based operas. For all who love the stage, Shakespeare and Opera offers endless insight and fascinaton. Schmidgall's extended comparison of the two dramaturgies offers provocative new insights on Shakespeare, musical theater, comparative drama, and theater history.
Author: Michael Neill
Publisher: Oxford University Press
ISBN: 0191036145
Category : Literary Criticism
Languages : en
Pages : 993
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Book Description
The Oxford Handbook of Shakespearean Tragedy presents fifty-four essays by a range of scholars from all parts of the world. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The opening section explores ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, and addresses questions of genre by examining the playwright's inheritance from the classical and medieval past. The second section is devoted to current textual issues, while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section expands readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia.
Author: Gregory W. Harwood
Publisher: Psychology Press
ISBN: 9780824041175
Category : Composers
Languages : en
Pages : 432
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Book Description
This work constitutes the largest and most comprehensive research guide ever published about Verdi. Entries survey 1,000 of the most significant published materials relating to the composer, including bibliographies, catalogs, letters and documents, conference reports, biographies, and studies of Verdi's music dealing with topics such as genesis and compositional process, analysis, performance practice, reception, and historical position. The guide also includes selected materials on people associated with Verdi, such as Giuseppina Strepponi, his librettists, and his publishers, and on the composer's political, social, cultural, and musical milieu. The volume contains author and subject indexes and features extensive cross-referencing.
Author: Gregory W. Harwood
Publisher: Routledge
ISBN: 1136317236
Category : Music
Languages : en
Pages : 466
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Book Description
This comprehensive research guide surveys the most significant published materials relating to Giuseppe Verdi. This new edition includes research since the publication of the first edition in 1998.
Author: Brad Evans
Publisher: John Wiley & Sons
ISBN: 0745665799
Category : Political Science
Languages : en
Pages : 219
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Book Description
Security is meant to make the world safer. Yet despite living in the most secure of times, we see endangerment everywhere. Whether it is the threat of another devastating terrorist attacks, a natural disaster or unexpected catastrophe, anxieties and fears define the global political age. While liberal governments and security agencies have responded by advocating a new catastrophic topography of interconnected planetary endangerment, our desire to securitize everything has rendered all things potentially terrifying. This is the fateful paradox of contemporary liberal rule. The more we seek to secure, the more our imaginaries of threat proliferate. Nothing can therefore be left to chance. For everything has the potential to be truly catastrophic. Such is the emerging state of terror normality we find ourselves in today. This illuminating book by Brad Evans provides a critical evaluation of the wide ranging terrors which are deemed threatening to advanced liberal societies. Moving beyond the assumption that liberalism is integral to the realisation of perpetual peace, human progress, and political emancipation on a planetary scale, it exposes how liberal security regimes are shaped by a complex life-centric rationality which directly undermines any claims to universal justice and co-habitation. Through an incisive and philosophically enriched critique of the contemporary liberal practices of making life more secure, Evans forces us to confront the question of what it means to live politically as we navigate through the dangerous uncertainty of the 21st Century.
Author: Larry Wolff
Publisher: Stanford University Press
ISBN: 0804799652
Category : History
Languages : en
Pages : 505
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Book Description
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
Author: Ruth Morse
Publisher: A&C Black
ISBN: 1472558553
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Victor-Marie Hugo, François-Victor Hugo, Boris Leonidivich Pasternak, Bertolt Brecht and Aimé Césaire to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.
Author: Suddhaseel Sen
Publisher: Routledge
ISBN: 1000206068
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Shakespeare in the World traces the reception histories and adaptations of Shakespeare in the nineteenth century, when his works became well-known to non-Anglophone communities in both Europe and colonial India. Sen provides thorough and searching examinations of nineteenth-century theatrical, operatic, novelistic, and prose adaptations that are still read and performed, in order to argue that, crucial to the transmission and appeal of Shakespeare’s plays were the adaptations they generated in a wide range of media. These adaptations, in turn, made the absorption of the plays into different "national" cultural traditions possible, contributing to the development of "nationalist cosmopolitanisms" in the receiving cultures. Sen challenges the customary reading of Shakespeare reception in terms of "hegemony" and "mimicry," showing instead important parallels in the practices of Shakespeare adaptation in Europe and colonial India. Shakespeare in the World strikes a fine balance between the Bard’s iconicity and his colonial and post-colonial afterlives, and is an important contribution to Shakespeare studies.
