Author: Ana Gerhard
Publisher:
ISBN: 9782923163895
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Provides an introduction to classical music, describing how birds have inspired composers throughout history, and includes a musical glossary and short biographies of the composers.
Listen to the Birds
Author: Ana Gerhard
Publisher:
ISBN: 9782923163895
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Provides an introduction to classical music, describing how birds have inspired composers throughout history, and includes a musical glossary and short biographies of the composers.
Publisher:
ISBN: 9782923163895
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Provides an introduction to classical music, describing how birds have inspired composers throughout history, and includes a musical glossary and short biographies of the composers.
Verdi
Author: Mary Jane Phillips-Matz
Publisher: Oxford University Press, USA
ISBN: 9780198166009
Category : Biography & Autobiography
Languages : en
Pages : 941
Book Description
Written with exclusive access to the original Verdi family documents, this book explores the facts behind the myths of this extraordinary figure. Previously unknown aspects of Verdi's life are exposed in this biography, which took 30 years to write.
Publisher: Oxford University Press, USA
ISBN: 9780198166009
Category : Biography & Autobiography
Languages : en
Pages : 941
Book Description
Written with exclusive access to the original Verdi family documents, this book explores the facts behind the myths of this extraordinary figure. Previously unknown aspects of Verdi's life are exposed in this biography, which took 30 years to write.
Verdi
Author: John Suchet
Publisher: Pegasus Books
ISBN: 9781681777689
Category : Music
Languages : en
Pages : 0
Book Description
Giuseppe Verdi remains Italy’s greatest operatic composer and a man of apparent contradictions—vividly brought to life through a nuanced examination of his life and monumental music. Giuseppe Verdi remains the greatest operatic composer that Italy, the home of opera, has ever produced. Yet throughout his lifetime he claimed to detest composing and repeatedly rejected it. He was a landowner, a farmer, a politician and symbol of Italian independence; but his music tells a different story. An obsessive perfectionist, Verdi drove collaborators to despair but his works lauded from the start as dazzling feats of composition and characterization. From Rigoletto to Otello, La Traviatato to Aida, Verdi’s canon encompassed the full range of human emotion. His private life was no less complex: he suffered great loss, and went out of his way to antagonize supporters and his own family. An outspoken advocate of Italian independence and a sharp critic of the church, he was often at odds with nineteenth-century society. In Verdi: The Man Revealed, John Suchet attempts to get under the skin of perhaps the most private composer who ever lived. Unraveling his protestations, his deliberate embellishments and disavowals, Suchet reveals the true character of this great artist—and the art for which he will be forever known.
Publisher: Pegasus Books
ISBN: 9781681777689
Category : Music
Languages : en
Pages : 0
Book Description
Giuseppe Verdi remains Italy’s greatest operatic composer and a man of apparent contradictions—vividly brought to life through a nuanced examination of his life and monumental music. Giuseppe Verdi remains the greatest operatic composer that Italy, the home of opera, has ever produced. Yet throughout his lifetime he claimed to detest composing and repeatedly rejected it. He was a landowner, a farmer, a politician and symbol of Italian independence; but his music tells a different story. An obsessive perfectionist, Verdi drove collaborators to despair but his works lauded from the start as dazzling feats of composition and characterization. From Rigoletto to Otello, La Traviatato to Aida, Verdi’s canon encompassed the full range of human emotion. His private life was no less complex: he suffered great loss, and went out of his way to antagonize supporters and his own family. An outspoken advocate of Italian independence and a sharp critic of the church, he was often at odds with nineteenth-century society. In Verdi: The Man Revealed, John Suchet attempts to get under the skin of perhaps the most private composer who ever lived. Unraveling his protestations, his deliberate embellishments and disavowals, Suchet reveals the true character of this great artist—and the art for which he will be forever known.
The Annual American Catalogue
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 404
Book Description
Catalogue of Books
Author: Wigan (England). Free Public Library. Reference Dept
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
Book Description
Makers of Music
Author: Robert Farquharson Sharp
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 426
Book Description
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 426
Book Description
Current Literature
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 602
Book Description
The Annual American Catalogue 1886-1900
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 652
Book Description
Verdi (copy 2)
Author: Janell Cannon
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152010287
Category : Juvenile Fiction
Languages : en
Pages : 60
Book Description
Young Verdi doesn't want to grow up to be big and green. He likes bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. Despite his efforts, Verdi turns as green as the leaves on the trees, but to his delight, he discovers that being green doesn't mean he has to stop being himself. Full color.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152010287
Category : Juvenile Fiction
Languages : en
Pages : 60
Book Description
Young Verdi doesn't want to grow up to be big and green. He likes bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. Despite his efforts, Verdi turns as green as the leaves on the trees, but to his delight, he discovers that being green doesn't mean he has to stop being himself. Full color.
Verdi in Victorian London
Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.