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Author: Jodi Cranston
Publisher: Brepols Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 168
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Book Description
Collection of essays that focus on the Venetian style of painting and the influence of Venetian painters.
Author: Jodi Cranston
Publisher: Brepols Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 168
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Book Description
Collection of essays that focus on the Venetian style of painting and the influence of Venetian painters.
Author: AndaleebBadiee Banta
Publisher: Routledge
ISBN: 1351544896
Category : Art
Languages : en
Pages : 305
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Book Description
Venetian artistic giants of the sixteenth century, such as Giorgione, Vittore Carpaccio, Titian, Jacopo Sansovino, Jacopo Tintoretto, Paolo Veronese, and their contemporaries, continued to shape artistic development, tastes in collecting, and modes of display long after their own practices ended. The robust reverberation of the Venetian Renaissance spread far beyond the borders of the lagoon to inform and influence artists, authors, and collectors who spent very little or even no time in Venice proper. The Enduring Legacy of Venetian Renaissance Art investigates the historical resonance of Venetian sixteenth-century art and explores its afterlife and its reinvention by artists working in its shadow. Despite being a frequently acknowledged truism, the pervasive legacy of Venetian sixteenth-century art has not received comprehensive treatment in recent publication history. The broad scope of the topics covered in these essays, from Titian's profound influence on the development of landscape painting to the effects of Carpaccio's historical paintings on early twentieth-century fashion, illustrates the persistence and adaptability of the Venetian Renaissance's legacy. In addition to analyzing the effects of individual artists on each other, this volume offers insight into the shifting characterizations and reception of Venice as a center for artistic innovation and inspiration throughout the early modern period, providing a nuanced and multifaceted view of the singular lagoon city and its indelible imprint on the history of art.
Author: Bruce Cole
Publisher: Routledge
ISBN: 0429975260
Category : Art
Languages : en
Pages : 259
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Book Description
This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.
Author:
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 216
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Book Description
Author: Toledo Museum of Art
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 140
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Book Description
Author: Evelyn March Phillipps
Publisher:
ISBN: 9781835913888
Category : Art
Languages : en
Pages : 0
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Book Description
Venetian painting in its prime differs altogether in character from that of every other part of Italy. The Venetian is the most marked and recognisable of all the schools; its singularity is such that a novice in art can easily, in a miscellaneous collection, sort out the works belonging to it, and added to this unique character is the position it occupies in the domain of art. Venice alone of Italian States can boast an epoch of art comparable in originality and splendour to that of her great Florentine rival; an epoch which is to be classed among the great art manifestations of the world, which has exerted, and continues to exert, incalculable power over painting, and which is the inspiration as well as the despair of those who try to master its secret. The other schools of Italy, with all their superficial varieties of treatment and feeling, depended for their very life upon the extent to which they were able to imbibe the Florentine influence. Siena rejected that strength and perished; Venice bided her time and suddenly struck out on independent lines, achieving a magnificent victory. Art in Florence made a strictly logical progress. As civilisation awoke in the old Latin race, it went back in every domain of learning to the rich subsoil which still underlay the ruin and the alien structures left by the long barbaric dominion, for the Italian in his darkest hour had never been a barbarian; and as the mind was once more roused to conscious life, Florence entered readily upon that great intellectual movement which she was destined to lead. Her cast of thought was, from the first, realistic and scientific. Its whole endeavour was to know the truth, to weigh evidences, to elaborate experiments, to see things as they really were; and when she reached the point at which art was ready to speak, we find that the governing motive of her language was this same predilection for reality, and it was with this meaning that her typical artists found a voice. No artist ever sought for truth, both physical and spiritual, more resolutely than Giotto, and none ever spoke more distinctly the mind of his age and country; and as one generation follows another, art in Tuscany becomes more and more closely allied to the intellectual movement. The scientific predilection for form, for the representation of things as they really are, characterises not Florentine painting alone, but the whole of Florentine art. It is an art of contributions and discoveries, marked, it is needless to say, at every step by dominating personalities, positively as well as relatively great, but with each member consciously absorbed in "going one better" than his predecessors, in solving problems and in mastering methods. Florentine art is the outcome of Florentine life and thought. It is part of the definite clear-cut view of thought and reason, of that exactitude of apprehension towards which the whole Florentine mind was bent, and the lesser tributaries, as they flowed towards her, formed themselves on her pattern and worked upon the same lines, so that they have a certain general resemblance, and their excellence is in proportion to the thoroughness with which they have learned their lesson.
Author: Michael Levey
Publisher: Yale University Press
ISBN: 9780300060577
Category : Art
Languages : en
Pages : 296
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Book Description
From Canaletto to Tiepolo, eighteenth century Venetian painters created brilliant works of art that are now considered to be the last flowering of the long Venetian tradition of painting. This beautiful book provides an introduction to eighteenth century Venetian painting, discussing the various types of painting--portraiture, genre, landscape, history paintings and religious works--as well as the society, patronage and intellectual climate of Venice at this time.
Author: Bernard Berenson
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 214
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Book Description
Author: Bernard Berenson
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 0
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Book Description
Author: Bernard Berenson
Publisher: Forgotten Books
ISBN: 9781330070086
Category : Art
Languages : en
Pages : 514
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Book Description
Excerpt from Venetian Painting in America the Fifteenth Century "Now that we are on the subject of Venetian Painting," that would be a more exact title for this book. For, in fact, I have made the stray pictures in our collections the pretext for saying what I wanted to say about their authors in general. In some ways this form suits me as it suited my master, Giovanni Morelli. Like him, I have a distaste for including in my own writing questions that do not vividly interest me at the moment, no matter how important in themselves; and like him, I prefer to avoid such systematic treatment as entails dealing with materials either at second hand, or out of dimmed and attenuated recollection. It goes against the grain to write about anything that does not fascinate and absorb me. For the last few years it has been the painters of Venice, and Giovanni Bellini in particular, that have preoccupied my leisure and occupied my working hours. I thought of making a book about him, and I may still do it. But should I fail to achieve this purpose the student will be able to gather from this book, supplemented by certain essays in my third series of "Study and Criticism of Italian Art," most of what I have to contribute to the subject. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
