Author: Bernar Venet
Publisher:
ISBN: 9782849755235
Category :
Languages : en
Pages : 64
Book Description
Bernar Venet
Bernar Venet
Author: Barry Schwabsky
Publisher: Phaidon Press
ISBN: 9780714877617
Category : Art
Languages : en
Pages : 0
Book Description
The first true monograph on the work of celebrated French conceptual artist and sculptor Bernar Venet Bernar Venet is one of France's most celebrated living artists. Having emerged from the late 1960s avant-garde scene in New York, Venet developed a personal aesthetic based on an innovative use of mathematics and science, where control, chance, and chaos converge to form a fine equilibrium while investigating their relationship with the environment. Conversant in many media, Venet is mostly known for his monumental outdoor sculptures in major cities worldwide and, in fall 19, his Arc Majeur is due for completion at a site in Belgium - at almost 200 feet in height (60 metres), Venet's sculpture will be taller than New York's Statue of Liberty.
Publisher: Phaidon Press
ISBN: 9780714877617
Category : Art
Languages : en
Pages : 0
Book Description
The first true monograph on the work of celebrated French conceptual artist and sculptor Bernar Venet Bernar Venet is one of France's most celebrated living artists. Having emerged from the late 1960s avant-garde scene in New York, Venet developed a personal aesthetic based on an innovative use of mathematics and science, where control, chance, and chaos converge to form a fine equilibrium while investigating their relationship with the environment. Conversant in many media, Venet is mostly known for his monumental outdoor sculptures in major cities worldwide and, in fall 19, his Arc Majeur is due for completion at a site in Belgium - at almost 200 feet in height (60 metres), Venet's sculpture will be taller than New York's Statue of Liberty.
Sculpture
Author:
Publisher:
ISBN:
Category : Installations (Art)
Languages : en
Pages : 454
Book Description
Publisher:
ISBN:
Category : Installations (Art)
Languages : en
Pages : 454
Book Description
Bernar Venet, Sculpture
Author: Thierry Davila
Publisher:
ISBN: 9782841053100
Category :
Languages : en
Pages : 238
Book Description
Publisher:
ISBN: 9782841053100
Category :
Languages : en
Pages : 238
Book Description
A Sculpture Reader
Author: Glenn Harper
Publisher: Isc Press
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
"A collection of essays on individual artists drawn from Sculpture magazine"--T.p. verso.
Publisher: Isc Press
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
"A collection of essays on individual artists drawn from Sculpture magazine"--T.p. verso.
From Picasso to Jeff Koons
Author: Diane Venet
Publisher:
ISBN: 9788857211565
Category : Antiques & Collectibles
Languages : it
Pages : 0
Book Description
Numerous leading artists of the 20th century showed an interest in jewelry, often through love of a woman. These jewels frequently accompany the evolution of the artists' style, especially focused because of the change of scale. This collection is set out like an intimate museum, narrating a specific history of art. Presents over 200 pieces of Jewelry designed by the greatest artists of the 20th and 21st century including Alexander Calder, Max Ernst, Salvador Dalí, Niki de Saint-Phalle, Roy Lichtenstein, Louise Bourgeois, Anish Kapoor, Jeff Koons.
Publisher:
ISBN: 9788857211565
Category : Antiques & Collectibles
Languages : it
Pages : 0
Book Description
Numerous leading artists of the 20th century showed an interest in jewelry, often through love of a woman. These jewels frequently accompany the evolution of the artists' style, especially focused because of the change of scale. This collection is set out like an intimate museum, narrating a specific history of art. Presents over 200 pieces of Jewelry designed by the greatest artists of the 20th and 21st century including Alexander Calder, Max Ernst, Salvador Dalí, Niki de Saint-Phalle, Roy Lichtenstein, Louise Bourgeois, Anish Kapoor, Jeff Koons.
Thinking the Sculpture Garden
Author: Penny Florence
Publisher: Routledge
ISBN: 0429576226
Category : Architecture
Languages : en
Pages : 273
Book Description
This innovative book poses two, deceptively simple, questions: what is a sculpture garden, and what happens when you give equal weight to the main elements of landscape, planting and artwork? Its wide-ranging frame of reference, including the USA, Europe and Japan, is brought into focus through Tremenheere Sculpture Garden, Cornwall, with which the book begins and ends. Effectively less than 15 years old, and largely the work of one man, Tremenheere affords an opportunity to examine as work-in-progress the creation of a new kind of sculpture garden. Including a historical overview, the book traverses multiple ways of seeing and experiencing sculpture gardens, culminating in an exploration of their relevance as 'cultural ecology' in the context of globalisation, urbanisation and climate change. The thinking here is non-dualist and broadly aligned with New Materialisms and Material Feminisms to explore our place as humans in the non-human world on which we depend. Eminent contributors, including John Dixon Hunt, George Descombes, Bernard Lassus and David Leatherbarrow, approach these issues through practices and theories of landscape architecture; garden and art making; history and writing; and philosophy. Richly illustrated with over 100 images, including a colour plate section, the book will primarily appeal to those engaged in professional or academic research, along with sculpture garden visitors, who will find new and surprising ways of experiencing plants and art in natural and urban settings.
Publisher: Routledge
ISBN: 0429576226
Category : Architecture
Languages : en
Pages : 273
Book Description
This innovative book poses two, deceptively simple, questions: what is a sculpture garden, and what happens when you give equal weight to the main elements of landscape, planting and artwork? Its wide-ranging frame of reference, including the USA, Europe and Japan, is brought into focus through Tremenheere Sculpture Garden, Cornwall, with which the book begins and ends. Effectively less than 15 years old, and largely the work of one man, Tremenheere affords an opportunity to examine as work-in-progress the creation of a new kind of sculpture garden. Including a historical overview, the book traverses multiple ways of seeing and experiencing sculpture gardens, culminating in an exploration of their relevance as 'cultural ecology' in the context of globalisation, urbanisation and climate change. The thinking here is non-dualist and broadly aligned with New Materialisms and Material Feminisms to explore our place as humans in the non-human world on which we depend. Eminent contributors, including John Dixon Hunt, George Descombes, Bernard Lassus and David Leatherbarrow, approach these issues through practices and theories of landscape architecture; garden and art making; history and writing; and philosophy. Richly illustrated with over 100 images, including a colour plate section, the book will primarily appeal to those engaged in professional or academic research, along with sculpture garden visitors, who will find new and surprising ways of experiencing plants and art in natural and urban settings.
Negative Space
Author: Peter Weibel
Publisher: MIT Press
ISBN: 0262044862
Category : Art
Languages : en
Pages : 705
Book Description
A bold new spatial perspective on modern sculpture, with 800 color images of work by artists including Henry Moore, Lygia Clark, Anish Kapoor, and Ana Mendieta. This monumental, richly illustrated volume from ZKM | Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains over 800 color images. Negative Space comes out of an epic exhibition at ZKM, and volume editor Peter Weibel (Chairman and CEO of ZKM) takes a curatorial approach to the topic. The last exhibition to deal comprehensively with the question “What is modern sculpture?” was at the Centre Georges Pompidou in 1986. Weibel and ZKM pick up where the Pompidou left off, examining sculptures not as figurative, solid, and self-contained monoliths but in terms of open and hollow spaces; reflection, light, shadow; innovative materials; data; and the moving image. Weibel puts advances in science, architecture, and mathematics in the context of avant-garde sensibilities to show how modern sculpture significantly deviates from the work of the past. Texts in the volume include an introduction and twelve chapters written by Weibel with contributions by cocurators as well as facsimiles and reproductions of artist-authored manifestos.
Publisher: MIT Press
ISBN: 0262044862
Category : Art
Languages : en
Pages : 705
Book Description
A bold new spatial perspective on modern sculpture, with 800 color images of work by artists including Henry Moore, Lygia Clark, Anish Kapoor, and Ana Mendieta. This monumental, richly illustrated volume from ZKM | Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains over 800 color images. Negative Space comes out of an epic exhibition at ZKM, and volume editor Peter Weibel (Chairman and CEO of ZKM) takes a curatorial approach to the topic. The last exhibition to deal comprehensively with the question “What is modern sculpture?” was at the Centre Georges Pompidou in 1986. Weibel and ZKM pick up where the Pompidou left off, examining sculptures not as figurative, solid, and self-contained monoliths but in terms of open and hollow spaces; reflection, light, shadow; innovative materials; data; and the moving image. Weibel puts advances in science, architecture, and mathematics in the context of avant-garde sensibilities to show how modern sculpture significantly deviates from the work of the past. Texts in the volume include an introduction and twelve chapters written by Weibel with contributions by cocurators as well as facsimiles and reproductions of artist-authored manifestos.
Provence - Artists - Gardens
Author: Julia Droste-Hennings
Publisher:
ISBN: 9780500514092
Category : Artists' gardens
Languages : en
Pages : 238
Book Description
Artists have always been drawn to Provence, seduced by its outstanding natural beauty its fields of lavender, vineyards and olive trees. In this lavishly illustrated book, Julia Droste-Hennings presents over twenty Provençal gardens styled by the adept minds and hands of artists. Their gardens take many forms, from imposing sculpture parks to delicate assemblages and spaces that take inspiration from Italian classical gardens. Evocative and inspiring, this sumptuous book is an exciting showcase and an original source of gardening inspiration.
Publisher:
ISBN: 9780500514092
Category : Artists' gardens
Languages : en
Pages : 238
Book Description
Artists have always been drawn to Provence, seduced by its outstanding natural beauty its fields of lavender, vineyards and olive trees. In this lavishly illustrated book, Julia Droste-Hennings presents over twenty Provençal gardens styled by the adept minds and hands of artists. Their gardens take many forms, from imposing sculpture parks to delicate assemblages and spaces that take inspiration from Italian classical gardens. Evocative and inspiring, this sumptuous book is an exciting showcase and an original source of gardening inspiration.
Art as Demonstration
Author: Sven Spieker
Publisher: MIT Press
ISBN: 0262377551
Category : Art
Languages : en
Pages : 360
Book Description
How artists wield demonstration to question the status quo both aesthetically and politically, marshaling art and education as powerful agents of change. Demonstration, in short, says: See here. It is the practice of pointing to something in order to explain or contest it. As such, Sven Spieker argues that demonstration has helped reshape art from the height of the Cold War to the late twentieth century, reformatting our understanding of how art and political engagement relate to each other. Focusing on Western Europe (especially Germany), Eastern Europe, and the United States, Art as Demonstration expands on contemporary discussions of art-as-protest, activism, and resistance. Spieker shows how a closer, more historical look at art’s connection with demonstration reconnects us with earlier efforts, notably by the early twentieth-century avant-garde, to marshal art for the purpose of instruction and engagement. Art as Demonstration reconceives the history of postwar art in Eastern and Western Europe from the perspective of demonstration, understood formally (as a technique for showing and pointing) as well as politically (as protest, resistance, etc.). Close analyses of individual artworks reveal how the deployment of demonstration has changed over time. Spieker shows how “protest” and “resistance” organize art and artists not only politically but also and especially formally and aesthetically—a development of particular importance in the Cold War art and politics of Eastern Europe. The book illustrates how from the 1960s onward demonstration radically changed the way artists thought about art: no longer as an object but as a form of education.
Publisher: MIT Press
ISBN: 0262377551
Category : Art
Languages : en
Pages : 360
Book Description
How artists wield demonstration to question the status quo both aesthetically and politically, marshaling art and education as powerful agents of change. Demonstration, in short, says: See here. It is the practice of pointing to something in order to explain or contest it. As such, Sven Spieker argues that demonstration has helped reshape art from the height of the Cold War to the late twentieth century, reformatting our understanding of how art and political engagement relate to each other. Focusing on Western Europe (especially Germany), Eastern Europe, and the United States, Art as Demonstration expands on contemporary discussions of art-as-protest, activism, and resistance. Spieker shows how a closer, more historical look at art’s connection with demonstration reconnects us with earlier efforts, notably by the early twentieth-century avant-garde, to marshal art for the purpose of instruction and engagement. Art as Demonstration reconceives the history of postwar art in Eastern and Western Europe from the perspective of demonstration, understood formally (as a technique for showing and pointing) as well as politically (as protest, resistance, etc.). Close analyses of individual artworks reveal how the deployment of demonstration has changed over time. Spieker shows how “protest” and “resistance” organize art and artists not only politically but also and especially formally and aesthetically—a development of particular importance in the Cold War art and politics of Eastern Europe. The book illustrates how from the 1960s onward demonstration radically changed the way artists thought about art: no longer as an object but as a form of education.