Bernar Venet

Bernar Venet PDF Author: Bernar Venet
Publisher:
ISBN: 9782849755235
Category :
Languages : en
Pages : 64

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Book Description

Bernar Venet

Bernar Venet PDF Author: Bernar Venet
Publisher:
ISBN: 9782849755235
Category :
Languages : en
Pages : 64

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Book Description


Bernar Venet

Bernar Venet PDF Author: Barry Schwabsky
Publisher: Phaidon Press
ISBN: 9780714877617
Category : Art
Languages : en
Pages : 0

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Book Description
The first true monograph on the work of celebrated French conceptual artist and sculptor Bernar Venet Bernar Venet is one of France's most celebrated living artists. Having emerged from the late 1960s avant-garde scene in New York, Venet developed a personal aesthetic based on an innovative use of mathematics and science, where control, chance, and chaos converge to form a fine equilibrium while investigating their relationship with the environment. Conversant in many media, Venet is mostly known for his monumental outdoor sculptures in major cities worldwide and, in fall 19, his Arc Majeur is due for completion at a site in Belgium - at almost 200 feet in height (60 metres), Venet's sculpture will be taller than New York's Statue of Liberty.

Sculpture

Sculpture PDF Author:
Publisher:
ISBN:
Category : Installations (Art)
Languages : en
Pages : 454

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A Sculpture Reader

A Sculpture Reader PDF Author: Glenn Harper
Publisher: Isc Press
ISBN:
Category : Art
Languages : en
Pages : 296

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Book Description
"A collection of essays on individual artists drawn from Sculpture magazine"--T.p. verso.

Bernar Venet, Sculpture

Bernar Venet, Sculpture PDF Author: Thierry Davila
Publisher:
ISBN: 9782841053100
Category :
Languages : en
Pages : 238

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From Picasso to Jeff Koons

From Picasso to Jeff Koons PDF Author: Diane Venet
Publisher:
ISBN: 9788857211565
Category : Antiques & Collectibles
Languages : it
Pages : 0

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Book Description
Numerous leading artists of the 20th century showed an interest in jewelry, often through love of a woman. These jewels frequently accompany the evolution of the artists' style, especially focused because of the change of scale. This collection is set out like an intimate museum, narrating a specific history of art. Presents over 200 pieces of Jewelry designed by the greatest artists of the 20th and 21st century including Alexander Calder, Max Ernst, Salvador Dalí, Niki de Saint-Phalle, Roy Lichtenstein, Louise Bourgeois, Anish Kapoor, Jeff Koons.

"Art and Visual Culture on the French Riviera, 1956?971 "

Author: Rosemary O'Neill
Publisher: Routledge
ISBN: 1351575627
Category : Art
Languages : en
Pages : 283

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Book Description
The Riviera in the 1950s and 1960s was culturally rich with modernist icons such as Matisse and Picasso in residence, but also a burgeoning tourist culture, that established the C?d'Azur as a center of indigenous artists associated with Nouveau R?isme, Fluxus, and Supports/Surfaces, emerged under the mantle of the "Ecole de Nice." Drawing on the primary sources and little known publications generated during the period from museum archives, collections in the region, and privately owned archives, this study integrates material published in monographic studies of individuals and art movements, to offer the first in-depth study of this important movement in twentieth-century art. The author situates the work of the Ecole de Nice within the broader social currents that are so important in contextualizing this phenomenon within this internal region of France, and underscores why this work was so significant at this historical moment within the context of the broader European art scene, and contemporary American art, with which it shared affinities. Despite their stylistic differences, and associations with groups that are generally considered distinct, O'Neill discloses that these artists shared conceptual affinities?theatrical modes of presentation based on appropriation, use of the ready-made, and a determination to counter style-driven painting associated with the postwar Ecole de Paris. Art and Visual Culture on the Riviera, 1956-1971 suggests that the emergence of an Ecole de Nice internally eroded the dominance of Paris as the national standard at this moment of French decentralization efforts, and that these artists fostered a model of aesthetic pluralism that remained locally distinct yet fully engaged with international vanguard trends of the 1960s.

Art and Visual Culture on the French Riviera, 1956-1971

Art and Visual Culture on the French Riviera, 1956-1971 PDF Author: Rosemary O'Neill
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664710
Category : Art
Languages : en
Pages : 286

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Book Description
Drawing on the primary sources and little known publications from museum archives, collections in the region, and privately owned archives, Art and Visual Culture on the Riviera, 1956-1971 offers the first in-depth study of the Ecole de Nice. The author shows how artists indigenous to the region challenged the dominance of Paris as the national standard at this moment of French decentralization efforts, and growing internationalism in the arts.

Public Art and Urban Memorials in Berlin

Public Art and Urban Memorials in Berlin PDF Author: Biljana Arandelovic
Publisher: Springer
ISBN: 3319734946
Category : Science
Languages : en
Pages : 371

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Book Description
This book provides insight into the significant area of public art and memorials in Berlin. Through diverse selected examples, grouped according to their basic character and significance, the most important art projects produced in the period since World War II are presented and discussed. Both as a critical theoretical work and rich photo book, this volume is a unique selection of Berlin’s diverse visual elements, contemporary and from the recent past. Some artworks are very famous and are already symbols of Berlin while others are less well known. Public Art and Urban Memorials in Berlin analyzes the connections created by public art on one hand, and urban space and architectural forms on the other. This volume considers the Berlin works of iconic artists such as Christo and Jeanne-Claude, Daniel Libeskind, Dani Karavan, Bernar Venet, Keith Haring, Christian Boltanski, Richard Serra, Peter Eisenman, Henry Moore, Claes Oldenburg and Coosje van Brüggen, Wolf Vostell, Gerhard Richter, Eduardo Chillida, Jonathan Borofsky, Olaf Metzel, Sol LeWitt, Frank Gehry, Max Lingner, Bernhard Heiliger, Frank Thiel, Juan Garaizabal and more. The reader is led through seven chapters: Creative City Berlin, Introduction to Public Art, Public Art in Berlin, the Celebration of Berlin’s 750th Anniversary in 1987, Temporary public art, Socialist Realism in Art, and Urban Memorials. The chapter Public Art in Berlin discusses selected projects, Bundestag Public Art Collection, Public Art at Potsdamer Platz and The City and the river – a renewed relationship. The chapter on urban memorials discusses: Remembering the Divided City and Holocaust Memorials in Berlin. The book delivers nine interviews with artists whose Berlin work is revealed through this volume (Bernar Venet, Hubertus von der Goltz, Dani Karavan, Juan Garaizabal, Susanne Lorenz, Kalliopi Lemos, Frank Thiel, Karla Sachse and Nikolaus Koliusis).

Bernar Venet

Bernar Venet PDF Author: Thierry Lenain
Publisher: Rizzoli Publications
ISBN: 2080300148
Category : Art
Languages : en
Pages : 0

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Book Description
Bernar Venet (b. 1941, France) is a master of contemporary conceptual art who has worked in all media, from painting and sculpture to film, music and ballet. In his early work, Venet sought to distill art, to strip it of aesthetic or expressive content, and to reestablish it as purely “conceptual.” He withdrew from the art world in 1971, fulfilling a promise he had made four years prior to stop producing new work once he perceived that his term was up. After a six-year hiatus, the artist reemerged, and over the next thirty years produced a vast body of work in diverse media. This monograph, complete with over 300 illustrations, addresses the struggle of aesthetic and intellectual forces at play in contemporary art through the work of one of its foremost practitioners.Today, Venet’s sculptures–massive iron structures in three categories: lines and angles, arcs, and “indeterminate” lines–are exhibited in museums and public spaces across the world. These forms, whether striking out independently into the air, leaning against a château, curving upward from the earth, or twisting arbitrarily around themselves or each other, stand at the threshold between the physical and the abstract, between the material and the purely geometric–testing the liminal spaces between art, world, and mind.