Author: Lionel Pike
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
Vaughan Williams' nine symphonies are among the finest pieces of music written in the twentieth century, each one revealing new aspects of Vaughan Williams' formidable creative personality. But for many years these works were undervalued by imperceptive critics - and Vaughan Williams did himself no favours by joking, with misplaced humility, about what he felt was his own lack of expertise. Lionel Pike's penetrating analysis of all nine works reveals the hidden complexities that lie below the surface. He argues that RVW' has been consistently denied his rightful place in twentieth-century music and in the history of the symphony, and that close investigation can uncover elements of construction that show the mind of a genius at work. LIONEL PIKE is Senior Lecturer in Music at Royal Holloway (University of London), and has been organist of the college chapel since 1969. For four years he was Dean of the Faculty of Music in the University of London. He was a chorister and assistant organist at Bristol Cathedral, and at the University of Oxford he was organ scholar of Pembroke College.
Author: Elliott Schwartz
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 272
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Book Description
Author: Ralph Vaughan Williams
Publisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 80
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Book Description
This monograph is based on four lectures which the venerable and distinguished British composer delivered at Cornell University. He explains the nature of rhythm, the relation of folk music to the composer, why we make music, the social foundations of music, and more.
Author: Michael Kennedy
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 428
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Book Description
This is the authoritative account of Vaughan Williams's musical life-- the story of a great composer's career, and at the same time the story of music in England for over half a century. Kennedy considers the principal works in chronological order, outlining the main features of each anddiscussing details of the music's structure, often illuminating his point with a musical quotation. He also provides a good deal of biographical data, and so builds up a picture of the composer, as well as providing thumbnail sketches of many of Vaughan Williams's friends and colleagues. Kennedy'sextensive knowledge of Vaughan Williams's output also enables him to refer back and forth across the works to pick out lines of development and influence. Along with Michael Kennedy's new preface, the second edition includes a full classified list of Vaughan Williams's works.
Author: Alain Frogley
Publisher: Cambridge University Press
ISBN: 9780521480314
Category : Music
Languages : en
Pages : 268
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Book Description
A collection of essays on Vaughan Williams explores his musical language, cultural context and biography.
Author: Simon Heffer
Publisher: UPNE
ISBN: 9781555534721
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
A concise biography of the first truly English composer of the twentieth century.
Author: Stephen Town
Publisher: Rowman & Littlefield
ISBN: 1793606013
Category : Music
Languages : en
Pages : 325
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Book Description
The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams’s choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams’s life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician—Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period—Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)—written after Vaughan Williams had found his mature voice. The last cluster—Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the ‘Old 104’ Psalm Tune(1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)—typify the works finished or revisited during the final years of the composer’s life, near the end of the Second World War and immediately before or after his second marriage (1953).
Author: Alain Frogley
Publisher: Studies in Musical Genesis, St
ISBN: 9780198162841
Category : Language Arts & Disciplines
Languages : en
Pages : 350
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Book Description
Ever since its premiere just before the composer's death, Vaughan Williams's Ninth Symphony has divided critical opinion and remained something of an enigma. Yet the composer thought highly of the work, and went against his usual practice by preserving all the sketches. This study, the firstof its kind on a work of Vaughan Williams, analyses the symphony and traces its genesis through hundreds of pages of sketches and drafts; it also offers a general introduction to the composer's working methods. The manuscripts show how the composer worked meticulously to create the complexexpressive ambivalence of the finished work, transforming in the process simpler conceptions redolent of his earlier music. Most crucially, however, the sketches reveal an underlying programme, centred on the theme of innocent sacrifice and drawing on Hardy's Tess of the D'Urbervilles, Stonehenge,and Salisbury Cathedral. Vaughan Williams's new musical path in the symphony, it emerges, was closely allied to the continuing evolution of his visionary agnosticism.
Author: Hugh Ottaway
Publisher: London : British Broadcasting Corporations
ISBN:
Category : Symphonies
Languages : en
Pages : 72
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Book Description
Author: Ralph Vaughan Williams
Publisher: Petrucci Library Press
ISBN: 9781608740390
Category : Choruses, Secular (Mixed voices) with orchestra
Languages : en
Pages : 324
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Book Description
Vaughan Williams' first effort in the symphonic form had a relatively long incubation period - from 1903-1909. With text assembled from Walt Whitman's "Leaves of Grass", the work is scored for soprano and baritone soli, mixed chorus and large orchestra. With an average duration of 70 minutes, it is one of the longer pieces in the symphonic repertoire. The work's received its premiere under the composer's baton at the Leeds Festival on October 12, 1910 - Vaughan Williams' 38th birthday.
