Varieties of Female Gothic Vol 5

Varieties of Female Gothic Vol 5 PDF Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749932
Category : Language Arts & Disciplines
Languages : en
Pages : 607

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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.

Varieties of Female Gothic Vol 5

Varieties of Female Gothic Vol 5 PDF Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749932
Category : Language Arts & Disciplines
Languages : en
Pages : 607

Get Book Here

Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.

Varieties of Female Gothic Vol 6

Varieties of Female Gothic Vol 6 PDF Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749940
Category : Language Arts & Disciplines
Languages : en
Pages : 308

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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.

Varieties of Female Gothic Vol 1

Varieties of Female Gothic Vol 1 PDF Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749894
Category : Literary Criticism
Languages : en
Pages : 340

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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.

Varieties of Female Gothic Vol 4

Varieties of Female Gothic Vol 4 PDF Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749924
Category : Language Arts & Disciplines
Languages : en
Pages : 439

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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.

Varieties of Female Gothic Vol 2

Varieties of Female Gothic Vol 2 PDF Author: Gary Kelly
Publisher: Routledge
ISBN: 1000743527
Category : Literary Criticism
Languages : en
Pages : 2056

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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.

Varieties of Female Gothic Vol 3

Varieties of Female Gothic Vol 3 PDF Author: Gary Kelly
Publisher: Routledge
ISBN: 1000749916
Category : Language Arts & Disciplines
Languages : en
Pages : 415

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Book Description
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.

Female Gothic Histories

Female Gothic Histories PDF Author: Diana Wallace
Publisher: University of Wales Press
ISBN: 1783160314
Category : Literary Criticism
Languages : en
Pages : 245

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Book Description
Female Gothic Histories traces the development of women's Gothic historical fiction from Sophia Lee's The Recess in the late eighteenth century through the work of Elizabeth Gaskell, Vernon Lee, Daphne du Maurier and Victoria Holt to the bestselling novels of Sarah Waters in the twenty-first century. Often left out of traditional historical narratives, women writers have turned to Gothic historical fiction as a mode of writing which can both reinsert them into history and symbolise their exclusion. This study breaks new ground in bringing together thinking about the Gothic and the historical novel, and in combining psychoanalytic theory with historical contextualisation.

History of the Gothic: Gothic Literature 1764-1824

History of the Gothic: Gothic Literature 1764-1824 PDF Author: Carol Margaret Davison
Publisher: University of Wales Press
ISBN: 0708322611
Category : Literary Criticism
Languages : en
Pages : 386

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Book Description
Offers an introduction to British Gothic literature. This book examines works by Gothic authors such as Horace Walpole, Matthew Lewis, Ann Radcliffe, William Godwin and Mary Shelley against the backdrop of eighteenth-and-nineteenth-century British social and political history.

Penny Dreadfuls and the Gothic

Penny Dreadfuls and the Gothic PDF Author: Nicole C. Dittmer
Publisher: University of Wales Press
ISBN: 1786839725
Category : Literary Criticism
Languages : en
Pages : 262

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Book Description
• Penny Dreadfuls and the Gothic uncovers neglected Gothic texts of the nineteenth century which are crucial in understanding working-class popular culture. • The approach of this study of penny dreadfuls is vast and eclectic, ranging from data-driven publication data to close textual analysis of these texts to adaptations of penny fiction. • This title covers a broad range of penny texts, some of which have never before been written on.

Gilbert and Gubar's The Madwoman in the Attic after Thirty Years

Gilbert and Gubar's The Madwoman in the Attic after Thirty Years PDF Author: Annette R. Federico
Publisher: University of Missouri Press
ISBN: 0826272096
Category : Literary Criticism
Languages : en
Pages : 328

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Book Description
When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia. These contributions represent both the diversity of today’s feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work. The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman’s impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book’s suppressed foremothers. In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women’s writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.