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Author: Karen Redrobe
Publisher: Duke University Press
ISBN: 082238437X
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
Author: Karen Redrobe
Publisher: Duke University Press
ISBN: 082238437X
Category : Performing Arts
Languages : en
Pages : 255
Get Book
Book Description
With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
Author: Karen Redrobe Beckman
Publisher: Duke University Press
ISBN: 9780822330745
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
DIVDisappearing women as a persistent trope from nineteenth-century magic through contemporary theory, film, and psychoanalysis./div
Author: Doug Peterson
Publisher: Center Point
ISBN: 9781628998283
Category : Fiction
Languages : en
Pages : 0
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Book Description
"Based on the true story of Ellen Craft, a light-skinned slave who escaped from Georgia in 1848. By posing as an ailing white man while her husband pretended to be her slave, Ellen and William Craft traveled over one thousand to freedom"--
Author: Wendelin Guentner
Publisher: University of Delaware
ISBN: 1611494478
Category : Art
Languages : en
Pages : 384
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Book Description
Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.
Author: Claire McGowan
Publisher: Little a
ISBN: 9781542035293
Category : True Crime
Languages : en
Pages :
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Book Description
From the bestselling author of What You Did comes a true-crime investigation that cast a dark shadow over the Ireland of her childhood. Ireland in the 1990s seemed a safe place for women. With the news dominated by the Troubles, it was easy to ignore non-political murders and sexual violence, to trust that you weren't going to be dragged into the shadows and killed. But beneath the surface, a far darker reality had taken hold. Through questioning the society and circumstances that allowed eight young women to vanish without a trace―no conclusion or conviction, no resolution for their loved ones―bestselling crime novelist Claire McGowan delivers a candid investigation into the culture of secrecy, victim-blaming and shame that left these women's bodies unfound, their fates unknown, their assailants unpunished. McGowan reveals an Ireland not of leprechauns and craic but of outdated social and sexual mores, where women and their bodies were of secondary importance to perceived propriety and misguided politics--a place of well-buttoned lips and stony silence, inadequate police and paramilitary threat. Was an unknown serial killer at large or was there something even more insidious at work? In this insightful, sensitively drawn account, McGowan exposes a system that failed these eight women--and continues to fail women to this day.
Author: Alan Bailey
Publisher: Liberties Press
ISBN: 1909718971
Category : True Crime
Languages : en
Pages : 378
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Book Description
Between 1993 and 1998, six Irish women, ranging in age from eighteen to twenty eight, disappeared. The area in which these disappearances occurred became publicly referred to as 'The Vanishing Triangle'. To date, none of the missing females have ever been located. These six unsolved cases resulted in the creation of the specialist Garda task force 'Operation Trace', set up in the hope of finding a connection between the missing women. None was found. The task force investigated dozens of unsolved cases of women gone missing in Ireland. Alan Bailey served as the National Coordinator for the task force for thirteen years, and the revealing stories in Missing, Presumedall come from his personal experiences in this role. Missing, Presumed details, and reports on, the Garda investigations into the case studies of fifteen women who disappeared over a time span of twenty years. In almost half of the cases, the women's badly mutilated bodies were recovered, sometimes months later, buried in shallow graves. Each chapter focuses on one woman's story, and details the timeline of events that led to her disappearance, beginning on the day of her disappearance through to the ensuing investigation, and up to - when lucky - a conviction. These stories are haunting, terrifying, and true. 'It is now sixteen years since Trace was established. The families and friends of both the disappeared and those whose bodies were found still await closure.'
Author: Olumide, Yetunde Mercy
Publisher: Langaa RPCIG
ISBN: 9956763683
Category : Social Science
Languages : en
Pages : 440
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Book Description
Skin-lightening is currently one of the most common forms of potentially harmful body modification practices in the world and African women are among some of the most widely represented users of skin-lightening products. The overall objective of this book is to provide up-to-date evidence-based recommendations for reducing the global burden of cosmetic skin bleaching and preventing injuries related to skin bleaching in sub-Saharan Africa and Africans in diaspora. The book aims to: offer an appraisal of all relevant literature on cosmetic bleaching practices to-date, focusing on any key developments; identify and address important medical, public health issues as well as historical, genetic, psychosocial, cultural, behavioural, socioeconomic, political, institutional and environmental determinants; provide guideline recommendations that would help attenuate the burden and possibly eliminate the injuries related to skin bleaching; discuss potential developments and future directions.
Author: Margaret Courtney-Clarke
Publisher: Clarkson Potter Publishers
ISBN:
Category : Africa, North
Languages : en
Pages : 224
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Book Description
As she has in her previous books, Ndebele: The Art of an African Tribe and African Canvas: The Art of West African Women, Margaret Courtney-Clarke turns her sensitive eye on women whose lives have seldom been observed. Her photos explore the remarkable arts and rapidly changing way of life of the Berber women of North Africa. 230 full-color photos.
Author: Amanda Quick
Publisher: Berkley Books
ISBN: 0399585354
Category : Fiction
Languages : en
Pages : 354
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Book Description
INSTANT NEW YORK TIMES BESTSELLER "Quick conjures up a celluloid world that will be catnip to fans of that era evoking the sensation it was plucked straight from the Warner Bros. vault."--Entertainment Weekly The New York Times bestselling author of The Girl Who Knew Too Much sweeps readers back to 1930s California--where the most dazzling of illusions can't hide the darkest secrets... After escaping from a private sanitarium, Adelaide Blake arrives in Burning Cove, California, desperate to start over. Working at an herbal tea shop puts her on the radar of those who frequent the seaside resort town: Hollywood movers and shakers always in need of hangover cures and tonics. One such customer is Jake Truett, a recently widowed businessman in town for a therapeutic rest. But unbeknownst to Adelaide, his exhaustion is just a cover. In Burning Cove, no one is who they seem. Behind facades of glamour and power hide drug dealers, gangsters, and grifters. Into this make-believe world comes psychic to the stars Madame Zolanda. Adelaide and Jake know better than to fall for her kind of con. But when the medium becomes a victim of her own dire prediction and is killed, they'll be drawn into a murky world of duplicity and misdirection. Neither Adelaide or Jake can predict that in the shadowy underground they'll find connections to the woman Adelaide used to be--and uncover the specter of a killer who's been real all along...
Author: Laura Smith
Publisher: Penguin
ISBN: 0399563601
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
A young woman chafing at the confines of marriage confronts the high cost of craving freedom and adventure in a memoir that "pushes literary boundaries" (The Atlantic) At twenty-five, as her wedding date approached, Laura Smith began to feel trapped. Not by her fiancé, who shared her appetite for adventure, but by the unsettling idea that it was hard to be at once married and free. Laura wanted her life to be different. She wanted her marriage to be different. And she found in the strangely captivating story of another restless young woman determined to live without constraints both an enticement and a challenge. Barbara Newhall Follett was a free-spirited trailblazer who published her first novel at 11, enlisted as a deck hand on a boat bound for the south China seas at 15 and was one of the first women to hike the Appalachian trail. Then in December 1939, when she was not much older than Laura, she walked out of her apartment on a quiet tree-lined street in Brookline, leaving behind a fraying marriage, and vanished without a trace. Obsessed by her story, Laura set off to find out what had happened. The Art of Vanishing is a riveting mystery and a piercing exploration of marriage and convention that asks deep and uncomfortable questions: Why do we give up on our childhood dreams? Is marriage a golden noose? Must we find ourselves in the same row houses with Pottery Barn lamps telling our kids to behave? Searingly honest and written with a raw intensity, it will challenge you to rethink your most intimate decisions and may just upend your life.
