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Author: Karen Redrobe
Publisher: Duke University Press
ISBN: 082238437X
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
Author: Karen Redrobe
Publisher: Duke University Press
ISBN: 082238437X
Category : Performing Arts
Languages : en
Pages : 255
Get Book Here
Book Description
With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
Author: Karen Redrobe Beckman
Publisher: Duke University Press
ISBN: 9780822330745
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
DIVDisappearing women as a persistent trope from nineteenth-century magic through contemporary theory, film, and psychoanalysis./div
Author: Doug Peterson
Publisher: Center Point
ISBN: 9781628998283
Category : Fiction
Languages : en
Pages : 0
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Book Description
"Based on the true story of Ellen Craft, a light-skinned slave who escaped from Georgia in 1848. By posing as an ailing white man while her husband pretended to be her slave, Ellen and William Craft traveled over one thousand to freedom"--
Author: Claire McGowan
Publisher: Little a
ISBN: 9781542035293
Category : True Crime
Languages : en
Pages :
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Book Description
From the bestselling author of What You Did comes a true-crime investigation that cast a dark shadow over the Ireland of her childhood. Ireland in the 1990s seemed a safe place for women. With the news dominated by the Troubles, it was easy to ignore non-political murders and sexual violence, to trust that you weren't going to be dragged into the shadows and killed. But beneath the surface, a far darker reality had taken hold. Through questioning the society and circumstances that allowed eight young women to vanish without a trace―no conclusion or conviction, no resolution for their loved ones―bestselling crime novelist Claire McGowan delivers a candid investigation into the culture of secrecy, victim-blaming and shame that left these women's bodies unfound, their fates unknown, their assailants unpunished. McGowan reveals an Ireland not of leprechauns and craic but of outdated social and sexual mores, where women and their bodies were of secondary importance to perceived propriety and misguided politics--a place of well-buttoned lips and stony silence, inadequate police and paramilitary threat. Was an unknown serial killer at large or was there something even more insidious at work? In this insightful, sensitively drawn account, McGowan exposes a system that failed these eight women--and continues to fail women to this day.
Author: Poppy Gee
Publisher: HarperCollins
ISBN: 0062978500
Category : Fiction
Languages : en
Pages : 392
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Book Description
One of CrimeReads Most Anticipated Books of the Year! "This literary thriller paints as vivid a landscape as any book coming out this summer...Gee creates a lush, tantalizing world that readers will want to travel into deeper and deeper."—CrimeReads Celia Lily is rich, beautiful, and admired. She’s also missing. And the search for the glamorous socialite is about to expose all the dark, dirty secrets of Vanishing Falls… Deep within the lush Tasmanian rainforest is the remote town of Vanishing Falls, a place with a storied past. The town’s showpiece, built in the 1800s, is its Calendar House—currently occupied by Jack Lily, a prominent art collector and landowner; his wife, Celia; and their four daughters. The elaborate, eccentrically designed mansion houses one masterpiece and 52 rooms—and Celia Lily isn’t in any of them. She has vanished without a trace.… Joelle Smithton knows that a few folks in Vanishing Falls believe that she’s simple-minded. It’s true that Joelle’s brain works a little differently—a legacy of shocking childhood trauma. But Joelle sees far more than most people realize, and remembers details that others cast away. For instance, she knows that Celia’s husband, Jack, has connections to unsavory local characters whom he’s desperate to keep hidden. He’s not the only one in town with something to conceal. Even Joelle’s own husband, Brian, a butcher, is acting suspiciously. While the police flounder, unable to find Celia, Joelle is gradually parsing the truth from the gossip she hears and from the simple gestures and statements that can unwittingly reveal so much. Just as the water from the falls disappears into the ground, gushing away through subterranean creeks, the secrets in Vanishing Falls are pulsing through the town, about to converge. And when they do, Joelle must summon the courage to reveal what really happened to Celia, even if it means exposing her own past…
Author: Wendelin Guentner
Publisher: University of Delaware
ISBN: 1611494478
Category : Art
Languages : en
Pages : 384
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Book Description
Over the past years, studies have begun not only to identify the factors that impeded the full participation of women artists in French cultural life, such as women’s limited access to professional art education, but also to bring to light the considerable artistic accomplishments of women occluded by historians for over a century. A similar effort at historical revision has been under way for French women writers. Works of fiction that enjoyed many editions in the nineteenth-century receded from our field of vision for almost a century before being rediscovered and reissued during the last decades of the twentieth century. Such efforts have resulted in scholarship that has helped revise the history of both artistic and literary expression in nineteenth-century France. Similarly, many women in nineteenth-century France had their art criticism published both in journal reviews and in book form, often for decades, in a number of the most influential venues of their day. However, it is perplexing that they remain almost totally invisible in histories of French culture. Women Art Critics in Nineteenth-Century France: Vanishing Acts is the first sustained effort to bring these prolific and influential critics out from the shadows. Although each of the chapters in this volume results from an interdisciplinary approach, the fact that they are written by scholars in art history and in literature means that there will be inevitable differences in approach and methodology. Thus, we study the women’s reception of specific artworks and aesthetic movements, discuss intersections of aesthetics and politics in their essays and the literary styles and rhetorical strategies of individual critics, explore the social conditions that allowed or impeded their successes, and suggest reasons for their all but disappearance in the twentieth century. In bringing to light for twenty-first-century readers the “vanished” writings of heretofore unrecognized or underrecognized women art critics, the authors hope to contribute to the ongoing revision of women’s role in cultural history. The multifaceted approaches to word/image studies modeled in this book, and the many avenues for further research it identifies, will inspire scholars in a number of disciplines to continue the work of reinscribing women in the history of cultural life.
Author: Lavell Memee.D Harvard
Publisher: Demeter Press
ISBN: 1772580678
Category : Social Science
Languages : en
Pages : 338
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Book Description
The hidden crisis of missing and murdered Indigenous women and girls in Canada is both a national tragedy and a national shame. In this ground-breaking new volume, as part of their larger efforts to draw attention to the shockingly high rates of violence against our sisters, Jennifer Brant and D. Memee Lavell-Harvard have pulled together a variety of voices from the academic realms to the grassroots and front-lines to speak on what has been identified by both the Inter-American Commission on Human Rights and the United Nations as a grave violation of the basic human rights of Aboriginal women and girls. Linking colonial practices with genocide, through their exploration of the current statistics, root causes and structural components of the issue, including conversations on policing, media and education, the contributing authors illustrate the resilience, strength, courage, and spirit of Indigenous women and girls as they struggle to survive in a society shaped by racism and sexism, patriarchy and misogyny. This book was created to honour our missing sisters, their families, their lives and their stories, with the hope that it will offer lessons to non-Indigenous allies and supporters so that we can all work together towards a nation that supports and promotes the safety and well-being of all First Nation, Métis and Inuit women and girls.
Author: Katia Lief
Publisher: Random House
ISBN: 144645956X
Category : Fiction
Languages : en
Pages : 370
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Book Description
The police call him... the working girl killer. But no woman is safe... The 11th victim is found only a short distance from Karin Shaeffer’s house. At the crime-scene she discovers a local prostitute stabbed to death, the knife left embedded between her breasts. It is the signature of the ‘Working Girl Killer’ – a serial killer who has terrorised New York City for the last three years. The police are clueless but when Karin’s best friend becomes the lead investigator, she finds herself drawn into the investigation as a consulting detective. But next time the killer is going to strike all too close to home...
Author: Elizabeth Ezra
Publisher: Manchester University Press
ISBN: 9780719053962
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
Before the turn of the 20th century, before the nickelodeon, even before the first cinemas, George Méliès began making movies. In addition to the fairy tales and fantasies for which he is best known, he made films in every genre from newsreels and commercial advertisements to science fiction and pornography. This major study of Méliès's films interprets his work using the tools of modern film analysis and explores several myths about Méliès's role in film history.
Author: Margaret Courtney-Clarke
Publisher: Clarkson Potter Publishers
ISBN:
Category : Africa, North
Languages : en
Pages : 224
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Book Description
As she has in her previous books, Ndebele: The Art of an African Tribe and African Canvas: The Art of West African Women, Margaret Courtney-Clarke turns her sensitive eye on women whose lives have seldom been observed. Her photos explore the remarkable arts and rapidly changing way of life of the Berber women of North Africa. 230 full-color photos.
