Vampire fiction then and now. A Comparison of Bram Stoker's “Dracula” and Anne Rice's “Interview with the Vampire” PDF Download
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Author: Laura Commer
Publisher: GRIN Verlag
ISBN: 3668278105
Category : Literary Criticism
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, , language: English, abstract: To understand what makes vampires attractive to people nowadays, at first one has to look at the vampire myth and where it comes from. Next this paper will look into the supernatural abilities the vampires in Bram Stoker's "Dracula" and Anne Rice's "Interview with the Vampire" have. After that it will focuse on the characters and their relationships to each other. In the end, the results will be summarized and brought into relation with today’s society. The vampires in media nowadays own seductive attributes and superpowers. These are attributes the first vampire in literature, Count Dracula, did not have. Nevertheless, Bram Stoker ́s Gothic novel "Dracula", written in 1897, laid the foundations for all vampire genres afterwards. Count Dracula was the first vampire in history who became so famous that everybody still knows him today. He has some superpowers but no romantic or sexual interests and no human soul, whereas, Anne Rice’s vampires from the novel "Interview with the Vampire", written in 1973, have these attributes. Rice’s vampires were the first ones who had a soul and feelings. Hence they were the example for the modern vampires of the 20th and 21th century.
Author: Laura Commer
Publisher: GRIN Verlag
ISBN: 3668278105
Category : Literary Criticism
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, , language: English, abstract: To understand what makes vampires attractive to people nowadays, at first one has to look at the vampire myth and where it comes from. Next this paper will look into the supernatural abilities the vampires in Bram Stoker's "Dracula" and Anne Rice's "Interview with the Vampire" have. After that it will focuse on the characters and their relationships to each other. In the end, the results will be summarized and brought into relation with today’s society. The vampires in media nowadays own seductive attributes and superpowers. These are attributes the first vampire in literature, Count Dracula, did not have. Nevertheless, Bram Stoker ́s Gothic novel "Dracula", written in 1897, laid the foundations for all vampire genres afterwards. Count Dracula was the first vampire in history who became so famous that everybody still knows him today. He has some superpowers but no romantic or sexual interests and no human soul, whereas, Anne Rice’s vampires from the novel "Interview with the Vampire", written in 1973, have these attributes. Rice’s vampires were the first ones who had a soul and feelings. Hence they were the example for the modern vampires of the 20th and 21th century.
Author: Laura Commer
Publisher:
ISBN: 9783668278110
Category :
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, language: English, abstract: To understand what makes vampires attractive to people nowadays, at first one has to look at the vampire myth and where it comes from. Next this paper will look into the supernatural abilities the vampires in Bram Stoker's "Dracula" and Anne Rice's "Interview with the Vampire" have. After that it will focuse on the characters and their relationships to each other. In the end, the results will be summarized and brought into relation with today's society. The vampires in media nowadays own seductive attributes and superpowers. These are attributes the first vampire in literature, Count Dracula, did not have. Nevertheless, Bram Stokers Gothic novel "Dracula," written in 1897, laid the foundations for all vampire genres afterwards. Count Dracula was the first vampire in history who became so famous that everybody still knows him today. He has some superpowers but no romantic or sexual interests and no human soul, whereas, Anne Rice's vampires from the novel "Interview with the Vampire," written in 1973, have these attributes. Rice's vampires were the first ones who had a soul and feelings. Hence they were the example for the modern vampires of the 20th and 21th century."
Author: Janina Nußbaumer
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954896370
Category : Literary Criticism
Languages : en
Pages : 42
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Book Description
The figure of the vampire has been around for centuries, and has lost none of its fascination. Although, the portrayal of the vampire in literature today has not much in common with its historical origins, the vampire belief is based on true events. Bram Stoker's novel ‘Dracula’ laid the foundation for the success story of the vampire. He created something sinister, a monster in the shape of a gentleman. The evil of the Victorian society was personified in the form of the revenant. Boundaries between good and evil, human and non-human, death and life are blurred and unrecognizable in his book. In contrast, Anne Rice creates a world where humans and vampires live next to each other. Her vampires resemble human beings not only in terms of their bodies, but also in terms of their minds. There is no horror detectable, but amazement and identification with the revenants by the reader. In this context, the differentiation of the constructed images of the vampires in the two novels, ‘Dracula’ by Bram Stoker and ‘Interview with the Vampire’ by Anne Rice, is analyzed. Thereby, the study investigates those elements that have been adopted, those ones that have developed over the time, and the consequences that go along with the manner of construction.
Author: Bram Stoker
Publisher: eBookIt.com
ISBN: 1456614134
Category : Fiction
Languages : en
Pages : 2106
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Book Description
Compiled in one book, the essential collection of classic vampire books:The Vampyre, a Tale, John PolidoriCarmilla, J. Sheridan LeFanuDracula, Bram StokerDracula's Guest, Bram StokerThe House of the Vampire, George Sylvester ViereckVarney the Vampire, Thomas Preskett Prest
Author: Anne Rice
Publisher: Knopf
ISBN: 9780394498218
Category : Fiction
Languages : en
Pages : 0
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Book Description
40th ANNIVERSARY EDITION • From the #1 New York Times bestselling author, "a magnificent, compulsively readable thriller...Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire” (Chicago Tribune). • The inspiration for the hit television series The time is now. We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life . . . learning first to sustain himself on the blood of cocks and rats caught in the raffish streets of New Orleans, then on the blood of human beings . . . to the years when, moving away from his final human ties under the tutelage of the hated yet necessary Lestat, he gradually embraces the habits, hungers, feelings of vampirism: the detachment, the hardened will, the "superior" sensual pleasures. He carries us back to the crucial moment in a dark New Orleans street when he finds the exquisite lost young child Claudia, wanting not to hurt but to comfort her, struggling against the last residue of human feeling within him . . . We see how Claudia in turn is made a vampire--all her passion and intelligence trapped forever in the body of a small child--and how they arrive at their passionate and dangerous alliance, their French Quarter life of opulence: delicate Grecian statues, Chinese vases, crystal chandeliers, a butler, a maid, a stone nymph in the hidden garden court . . . night curving into night with their vampire senses heightened to the beauty of the world, thirsting for the beauty of death--a constant stream of vulnerable strangers awaiting them below . . . We see them joined against the envious, dangerous Lestat, embarking on a perilous search across Europe for others like themselves, desperate to discover the world they belong to, the ways of survival, to know what they are and why, where they came from, what their future can be . . . We follow them across Austria and Transylvania, encountering their kind in forms beyond their wildest imagining . . . to Paris, where footsteps behind them, in exact rhythm with their own, steer them to the doors of the Théâtre des Vampires--the beautiful, lewd, and febrile mime theatre whose posters of penny-dreadful vampires at once mask and reveal the horror within . . . to their meeting with the eerily magnetic Armand, who brings them, at last, into intimacy with a whole brilliant and decadent society of vampires, an intimacy that becomes sudden terror when they are compelled to confront what they have feared and fled . . . In its unceasing flow of spellbinding storytelling, of danger and flight, of loyalty and treachery, Interview with the Vampire bears witness of a literary imagination of the first order.
Author: Isabella van Elferen
Publisher: Cambridge Scholars Publishing
ISBN: 1443807451
Category : Social Science
Languages : en
Pages : 270
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Book Description
Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day presents an interdisciplinary approach to an important aspect of Gothic texts, films, and music: that of rewriting. From the eighteenth-century Gothic novel to present-day vampire films and Goth music, the genre is characterised by its nostalgic reflection on past worlds, narratives, and identities. Gothic nostalgia is often accompanied by a transgressive drive, resulting in perversions of the rewritten past—the modern vampire is no longer embodied evil but an attractive dandy, while Goth subcultures reflect on Victorian aesthetics but pervert them by adding fetishist elements. Gothic nostalgia transforms the past, turning it upside down, foregrounding its background, and corrupting its order. In this volume an international group of philosophy, literature, film, and music scholars investigates the instrumental role of nostalgia and perversion in the Gothic’s rewriting of the past. If elements of both nostalgia and perversion are operative in Gothic rewriting, how are they connected? How do they play out in differing media? How do they change audiences’ views on the relationships between binaries such as past and present, other and self, and norm and deviation? Nostalgia or Perversion brings together the early Gothic novel, present-day female and black Gothic literature, Goth subculture and music, and the imagery of horror films and comic books, thus broadening the definition of ‘Gothic’ from a literary genre to a gesture of pervasive cultural criticism. The interdisciplinary analysis of nostalgia and perversion in Gothic rewriting uncovers wholly new insights into the artistic and social functions of the Gothic, making the volume useful to both scholars and students. As the essays reflect on academic as well as popular texts and media, it is also accessible to general readers. "Nostalgia or Perversion provides a sophisticated analysis of how the Gothic radically rewrites the past, not as nostalgia but as a calculated act of transgression. The past and how its reconstructions break down the boundaries between real and unreal, and normal and abnormal, is examined across a range of different media, including novels, films, comic books, television and music. The essays in this collection also address how this issue shapes Gothic formulations of race, sexuality, and gender. Both ambitious in scope and focused and rigorous in its analysis, this book provides a critically important re-evaluation of the Gothic tradition." —Andrew Smith, University of Glamorgan (UK).
Author:
Publisher: GRIN Verlag
ISBN: 3346668584
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Essay from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,3, Justus-Liebig-University Giessen, course: Victorian Vampires, language: English, abstract: The paper shows the differences between the different portraits of vampires in Bram Stoker’s novel “Dracula” and Anne Rice’s “Interview with the Vampire”. The vampires today own seductive features since they are mainly very good-looking and irresistible. These are characteristics the ancient vampire in literature do not have. Bram Stoker’s Dracula laid the foundation for the vampire cult in 1897. In 1976 Anne Rice published her novel Interview with the Vampire. Her novels turned the image of vampire’s upside down because her vampires become good-looking and live with us, since her protagonists were not only monstrous creatures. They have feelings and thoughts and also human problems.
Author: Anne Rice
Publisher: Ballantine Books
ISBN: 0307575853
Category : Fiction
Languages : en
Pages : 369
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Book Description
The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.
Author: Katherine M. Ramsland
Publisher:
ISBN: 9780345379221
Category : Fiction
Languages : en
Pages : 507
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Book Description
Hundreds of entries discuss various topics related to the Anne Rice series of vampire novels, and include characters, themes, places, and symbolism in the novels
Author: Matt Haig
Publisher: Simon and Schuster
ISBN: 1451610335
Category : Fiction
Languages : en
Pages : 402
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Book Description
Includes a "Reading group guide" ([12] p.).
