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Author: Maurice Ravel
Publisher: Alfred Music
ISBN: 9781457406560
Category : Music
Languages : en
Pages : 44
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Book Description
Composed by Maurice Ravel in 1911, this set of eight waltzes was inspired conceptually by 19th century waltzes by Franz Schubert and Johann Strauss. The work beautifully reflects Ravel's daring early 20th-century style. It's subtle harmonies caused Debussy to comment, "It is the product of the finest ear that ever existed." This teaching/performance-oriented edition by Maurice Hinson includes suggested fingerings, performance advice, and discussions about tempo, pedaling and dynamics.
Author: Maurice Ravel
Publisher: Alfred Music
ISBN: 9781457406560
Category : Music
Languages : en
Pages : 44
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Book Description
Composed by Maurice Ravel in 1911, this set of eight waltzes was inspired conceptually by 19th century waltzes by Franz Schubert and Johann Strauss. The work beautifully reflects Ravel's daring early 20th-century style. It's subtle harmonies caused Debussy to comment, "It is the product of the finest ear that ever existed." This teaching/performance-oriented edition by Maurice Hinson includes suggested fingerings, performance advice, and discussions about tempo, pedaling and dynamics.
Author: Franz Schubert
Publisher: Alfred Music
ISBN: 9781457465086
Category : Music
Languages : en
Pages : 104
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Book Description
Schubert wrote 452 short dances and this collection presents 52 of the most beautiful, melodic, and expressive waltzes written by this beloved composer. The editor carefully selected a representative sampling of the kind of dance music Schubert must have improvised for parties. The Valses Nobles, Op. 77, D 969 are included in their entirety along with 18 of the Letzte Walzer (Last Waltzes), Op. 127, D 146. Other waltzes were chosen from Op. 9, Op. 18, Op. 33, and Op. 50.
Author: Deborah Mawer
Publisher: Routledge
ISBN: 1351546031
Category : Music
Languages : en
Pages : 493
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Book Description
Maurice Ravel, as composer and scenario writer, collaborated with some of the greatest ballet directors, choreographers, designers and dancers of his time, including Diaghilev, Ida Rubinstein, Benois and Nijinsky. In this book, the first study dedicated to Ravel's ballets, Deborah Mawer explores these relationships and argues that ballet music should not be regarded in isolation from its associated arts. Indeed, Ravel's views on ballet and other stage works privilege a synthesized aesthetic. The first chapter establishes a historical and critical context for Ravel's scores, engaging en route with multimedia theory. Six main ballets from Daphnis et Chlo?hrough to Bol? are considered holistically alongside themes such as childhood fantasy, waltzing and neoclassicism. Each work is examined in terms of its evolution, premiere, critical reception and reinterpretation through to the present; new findings result from primary-source research, undertaken especially in Paris. The final chapter discusses the reasons for Ravel's collaborations and the strengths and weaknesses of his interpersonal relations. Mawer emphasizes the importance of the performative dimension in realizing Ravel's achievement, and proposes that the composer's large-scale oeuvre can, in a sense, be viewed as a balletic undertaking. In so doing, this book adds significantly to current research interest in artistic production and interplay in early twentieth-century Paris.
Author: Lorraine Bodley
Publisher: Yale University Press
ISBN: 0300268408
Category : Music
Languages : en
Pages : 738
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Book Description
An insightful biography of the great composer, revealing Schubert’s complex and fascinating private life alongside his musical genius Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert’s life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one. Drawing on extensive archival research in Vienna and the Czech Republic and reconsidering the meaning of some of his best-known works, Bodley provides a fuller account than ever before of Schubert’s extraordinary achievement and incredible courage. This is a compelling new portrait of one of the most beloved composers of the nineteenth century.
Author: Maurice Hinson
Publisher: Alfred Music
ISBN: 9781457439759
Category : Music
Languages : en
Pages : 132
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Book Description
This excellent volume contains 85 selections that are essential for pianists at the early- to late-intermediate level. Spanning the Baroque through Modern eras, all of the selections have interesting melodic and rhythmic qualities, good design and formal structure, and excellent aesthetic value.
Author: Maurice Hinson
Publisher: Alfred Music Publishing
ISBN: 9780739008874
Category : Music
Languages : en
Pages : 132
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Book Description
This excellent volume contains 85 selections that are essential for pianists at the early- to late-intermediate level. Spanning the Baroque through Modern eras, all of the selections have interesting melodic and rhythmic qualities, good design and formal structure, and excellent aesthetic value. Kim O'Reilly Newman holds a Master of Music degree from the University of Illinois. She has performed throughout North America and Europe with the Hambro Quartet of Pianos and was an editor and recording pianist for Alfred Publishing. Kim is a brain tumor survivor and now specializes in performing music for the left hand.
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 716
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Book Description
Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 0253010233
Category : Music
Languages : en
Pages : 1215
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Book Description
Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.
Author: Michael J. Puri
Publisher: Oxford University Press
ISBN: 0190453680
Category : Music
Languages : en
Pages : 272
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Book Description
The music of Maurice Ravel (1875-1937), beloved by musicians and audiences since its debut, has been a difficult topic for scholars. The traditional stylistic categories of impressionism, symbolism, and neoclassicism, while relevant, have offered too little purchase on this fascinating but enigmatic work. In Ravel the Decadent, author Michael Puri provides an innovative and productive solution by locating the aesthetic origins of this music in the French Decadence and demonstrating the extension of this influence across the length of his oeuvre. From an array of Decadent topics Puri selects three--memory, sublimation, and desire--and uses them to delineate the content of this music, pinpoint its overlap with contemporary cultural discourse, and link it to its biographical context, as well as to create new methods altogether for the analysis and interpretation of music. Ravel the Decadent opens by defining the main concepts, giving particular attention to memory and decadence. It then stakes out contrasting modes of memory in this music: a nostalgic mode that views the past as forever lost, and a more optimistic one that imagines its resurrection and reanimation. Acknowledging Ravel's lifelong identity as a dandy--a figure that embodies the Decadence and its aspiration toward the sublime--Puri identifies possible moments of musical self-portraiture before stepping back to theorize dandyism in European musical modernism at large. He then addresses the dialectic between desire and its sublimation in the pairing of two genres--the bacchanal and the idyl--and leverages the central trio of concepts to offer provocative readings of Ravel's two waltz sets, the Valses nobles et sentimentales and La valse. Puri concludes by invoking the same terms to identify a topic of "faun music" that promises to create new common ground between Ravel and Debussy. Rife with close readings that will satisfy the musicologist, Ravel the Decadent also suits a more general reader through its broadly humanistic key concepts, immersion in contemporary art and literature, and clarity of language.
Author: J. P. Wearing
Publisher: Rowman & Littlefield
ISBN: 0810893061
Category : Performing Arts
Languages : en
Pages : 721
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Book Description
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1940 through December 1949. The volume chronicles more than 2,400 productions at 53 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Light of Heart, Mr. Bolfry, Perchance to Dream, Pacific 1860, Bless the Bride, The Lady’s Not for Burning, The Late Edwina Black, Outrageous Fortune, Seagulls over Sorrento, and Buoyant Billions, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1940-1949 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
