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Author: 小林忠
Publisher: Kodansha
ISBN: 9784770027306
Category : Art
Languages : en
Pages : 220
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Book Description
This volume presents the work of Utamaro, the master ukiyo-e portraitist of women. It includes colour reproductions from Ten Studies of Female Physiognomy' and 'Great Love Themes of Classical Poetry'. Who was the man behind the pseudonym 'Utamaro'? We know that he was one of the greatest artists of eighteenth-century Japan, and that he was a master portraitist of women in the woodblock-print tradition known as ukiyo-e. But as for the man himself, we know almost nothing. The little there is-gleaned from contemporary books, miscellaneous writings, temple registers-is'
Author: 小林忠
Publisher: Kodansha
ISBN: 9784770027306
Category : Art
Languages : en
Pages : 220
Get Book Here
Book Description
This volume presents the work of Utamaro, the master ukiyo-e portraitist of women. It includes colour reproductions from Ten Studies of Female Physiognomy' and 'Great Love Themes of Classical Poetry'. Who was the man behind the pseudonym 'Utamaro'? We know that he was one of the greatest artists of eighteenth-century Japan, and that he was a master portraitist of women in the woodblock-print tradition known as ukiyo-e. But as for the man himself, we know almost nothing. The little there is-gleaned from contemporary books, miscellaneous writings, temple registers-is'
Author: Julie Nelson Davis
Publisher: Julie Nelson Davis
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
One of the most influential artists working in the genre of ukiyo-e ("pictures of the floating world") in late-eighteenth-century Japan, Kitagawa Utamaro (1753?–1806) was widely appreciated for his prints of beautiful women. In images showing courtesans, geisha, housewives, and others, Utamaro made the practice of distinguishing social types into a connoisseurial art. In 1804, at the height of his success, Utamaro, along with several colleagues, was manacled and put under house arrest for fifty days for making prints of the military ruler Toyotomi Hideyoshi enjoying the pleasures of the "floating world." The event put into stark relief the challenge that popular representation posed to political authority and, according to some sources, may have precipitated Utamaro’s sudden decline. In this book Julie Nelson Davis makes a close study of selected print sets, and by drawing on a wide range of period sources reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the world of the commercial print market, she demonstrates how Utamaro’s images participated in the economies of entertainment and desire in the city of Edo (modern-day Tokyo). Offering a new approach to issues of the status of the artist and the construction of identity, gender, sexuality, and celebrity in the Edo period, Utamaro and the Spectacle of Beauty is a significant contribution to the field and a key work for readers interested in Japanese art and culture.
Author: Edmond de Goncourt
Publisher: Parkstone International
ISBN: 1780429282
Category : Art
Languages : en
Pages : 256
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Book Description
If sensuality had a name, it would be without doubt Utamaro. Delicately underlining the Garden of Pleasures that once constituted Edo, Utamaro, by the richness of his fabrics, the swan-like necks of the women, the mysterious looks, evokes in a few lines the sensual pleasure of the Orient. If some scenes discreetly betray lovers’ games, a great number of his shungas recall that love in Japan is first and foremost erotic.
Author: Gina Collia-Suzuki
Publisher:
ISBN: 9780955979637
Category : Art
Languages : en
Pages : 611
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Book Description
In Reading Duncan Reading, thirteen scholars and poets examine, first, what and how the American poet Robert Duncan read and, perforce, what and how he wrote. Harold Bloom wrote of the searing anxiety of influence writers experience as they grapple with the burden of being original, but for Duncan this was another matter altogether. Indeed, according to Stephen Collis, "No other poet has so openly expressed his admiration for and gratitude toward his predecessors." Part one emphasizes Duncan's acts of reading, tracing a variety of his derivations--including Sarah Ehlers's demonstration of how Milton shaped Duncan's early poetic aspirations, Siobhán Scarry's unveiling of the many sources (including translation and correspondence) drawn into a single Duncan poem, and Clément Oudart's exploration of Duncan's use of "foreign words" to fashion "a language to which no one is native." In part two, the volume turns to examinations of poets who can be seen to in some way derive from Duncan--and so in turn reveals another angle of Duncan's derivative poetics. J. P. Craig traces Nathaniel MacKey's use of Duncan's "would-be shaman," Catherine Martin sees Duncan's influence in Susan Howe's "development of a poetics where the twin concepts of trespass and 'permission' hold comparable sway," and Ross Hair explores poet Ronald Johnson's "reading to steal." These and other essays collected here trace paths of poetic affiliation and affinity and hold them up as provocative possibilities in Duncan's own inexhaustible work.
Author: Utamaro Kitagawa
Publisher: Metropolitan Museum of Art
ISBN: 0870993682
Category : Animals
Languages : en
Pages : 53
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Book Description
Author: Gina Collia-Suzuki
Publisher:
ISBN: 9780955979606
Category : Ukiyoe
Languages : en
Pages : 206
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Book Description
Kitagawa Utamaro is one of the most well-known figures in the history of Japanese art, renowned for his portraits of beautiful women. He is recognised as having been the leading light of the Ukiyo-e School during its golden age, and his influence upon the work of Western artists has been beyond measure. He produced in the region of 2,000 woodblock prints, approximately one third of which take their subjects from the licensed pleasure quarter of Edo, with the remainder being made up of images of popular beauties, pairs of famous lovers, historical and mythical figures, domestic scenes, and the physiognomic studies for which he is best-known. With 90 reproductions of the artist s prints, designs grouped and discussed according to subject, and with illustrations of publishers marks, artist s signatures, and the names of figures commonly inscribed upon his works, this reference guide provides the most comprehensive resource for identifying the subjects portrayed in Utamaro s prints to date."
Author: Yaksuko Betchaku
Publisher:
ISBN: 9780300203233
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Melinda Takeuchi
Publisher: Stanford University Press
ISBN: 9780804743556
Category : Art
Languages : en
Pages : 290
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Book Description
"The book also addresses issues of canon formation: by what complex process are some artists and objects singled out to communicate rhetorical or aesthetic meaning while others lapse into the background."--BOOK JACKET.
Author: Angela Dalle Vacche
Publisher: University of Texas Press
ISBN: 9780292715837
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
