Urartian Bronze Art PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Urartian Bronze Art PDF full book. Access full book title Urartian Bronze Art by Lilly Gershuny. Download full books in PDF and EPUB format.
Author: Lilly Gershuny
Publisher:
ISBN:
Category : Caucasus
Languages : en
Pages : 166
Get Book Here
Book Description
Author: Lilly Gershuny
Publisher:
ISBN:
Category : Caucasus
Languages : en
Pages : 166
Get Book Here
Book Description
Author: Boris Borisovich Piotrovskiĭ
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
Get Book Here
Book Description
Author: Timothy Kendall
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Guitty Azarpay
Publisher: Berkeley : University of California Press
ISBN:
Category : Art, Urartian
Languages : en
Pages : 200
Get Book Here
Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870995251
Category : Bronze age
Languages : en
Pages : 509
Get Book Here
Book Description
This volume catalogues more than six hundred bronze and iron objects in the Department of Ancient Near Eastern Art of The Metropolitan Museum of Art. Each is illustrated and discussed in terms of its formal and stylistic aspects, cultural background, function, and chronology. Bibliographic citations present comparative material relevant to each object. - Book jacket.
Author: Maurits Nanning van Loon
Publisher:
ISBN:
Category : Armenia
Languages : en
Pages : 304
Get Book Here
Book Description
Author: Suzannah F. Doeringer
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 316
Get Book Here
Book Description
If we are to believe the ancient writers, bronze was by far the most important medium of sculpture in classical antiquity. Bronzes covered a wide range of periods and cultures, depicting the hieratic and the comic, myths and scenes from daily life. This book contains the record of a symposium held in connection with the first international exhibition of Greek, Etruscan, and Roman bronze sculpture held at the Fogg Art Museum in 1967. The project was a joint endeavor of neighboring institutions Harvard and M.I.T. to meld the "two worlds" of art historian and technologist to such an extent that each might come to understand the basic methodologies of the other. The book is organized so that the more technical chapters precede those with an art-historical bent. Summaries of symposium discussions and introductions to each section have been carefully prepared by the editors in an attempt to interrelate the papers and to raise some broader questions for future study. Art is in intimate and continual contact with technology, writes Cyril Stanley Smith; technical examination of a work of art brings the viewer into contact with the object's background and into the shaping processes used by the artist. Arthur Steinberg points out that it is equally important to view a particular technology in its cultural context, to determine ancient industrial practices and the relation of the technology to ancient societies. The chapters in Part 1 discuss and summarize some of the most compelling problems encountered in the effort of scientists, art historians, and archaeologists to comprehend the technological context in which ancient bronzes—implements, vessels, armor, and large and small statues—were produced. Specific areas of investigation are bronze joining, chemical analysis of Greek and Roman statuary bronzes, the corrosion products of bronzes (patinas), the mechanics of corrosion, and the conservation of art objects. In a more general sense, these chapters illustrate the trend of cooperation of archaeologists with chemists, geologists, physicists, metallurgists, mineralogists, and conservators to analyze and interpret their finds. Chapters in Part 2 are concerned with Oriental and Orientalizing bronzes. Contributors raise questions as to the transmission or diffusion of subjects, motifs, and techniques from one culture to another; how these elements were passed on, by whom, and why. Part 3 considers votive and decorative Roman and Etruscan bronzes, raising some complicated aesthetic and technological questions as to why these bronzes have been judged "second rate" adaptations of Greek prototypes. Chapters in this section reassess the bronzes in terms of their function, the market, and the workshop, suggesting that these pieces fulfilled certain specific requirements of the culture that produced them. The book's last section contains reflections on the decline, survival, and revival of ancient bronzes; why they are collected and how they may be authenticated.
Author: Holly Pittman
Publisher: Metropolitan Museum of Art
ISBN: 0870993658
Category : Art, Ancient
Languages : en
Pages : 102
Get Book Here
Book Description
Author: Houshang Mahhoubian
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 356
Get Book Here
Book Description
This magnificent book presents over four hundred pieces of ancient Iranian copper and bronze art from Elam, Luristan, Amlash, Kaluraz and Urartu, and from the Achaemenid, Parthian and Sassanian periods, dating from 3,000 BC to AD 700. All the pieces are from The Houshang Mahboubian Family Collection. These splendid examples are described and illustrated in full colour and are accompanied by drawings, photographs of archealogical sites and maps. A presentation of 400 largely unpublished pieces of ancient Iranian copper and bronze art of the Archaemenid, Parthian and Sassanid periods, dating from 3000 BC to AD 750, this beautifully illustrated volume will lead to a better understanding of the metalwork of Ancient Iran. It will be an essential reference work for professionals involved in the field of antiquities and the interested general reader alike.
Author: Oktay Belli
Publisher:
ISBN: 9789756899014
Category : Architecture, Urartian
Languages : en
Pages : 96
Get Book Here
Book Description
