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Author: Jyrki Siukonen
Publisher: Finnish Literature Society
ISBN:
Category : Art
Languages : en
Pages : 202
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Book Description
In this original and thoughtful examination Jyrki Siukonen offers stunning glimpses into the history of art and flying machines. Mankind's perennial dream of flight has found its expression in numerous ingenious contraptions failing to fly. Siukonen studies some of the finest examples, such as Clement Ader's steam-powered Avion III, the gold medal winner of the 1900 Universal Exhibition. The book differs from previous discussions of the machine aesthetics in looking at the material from an artistic rather than historical artistic perspective. The result is a fascinating and moving study, welcomed by all readers interested in byways of art and aeronautics.
Author: Jyrki Siukonen
Publisher: Finnish Literature Society
ISBN:
Category : Art
Languages : en
Pages : 202
Get Book Here
Book Description
In this original and thoughtful examination Jyrki Siukonen offers stunning glimpses into the history of art and flying machines. Mankind's perennial dream of flight has found its expression in numerous ingenious contraptions failing to fly. Siukonen studies some of the finest examples, such as Clement Ader's steam-powered Avion III, the gold medal winner of the 1900 Universal Exhibition. The book differs from previous discussions of the machine aesthetics in looking at the material from an artistic rather than historical artistic perspective. The result is a fascinating and moving study, welcomed by all readers interested in byways of art and aeronautics.
Author: Harri Veivo
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110567687
Category : Literary Criticism
Languages : en
Pages : 411
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Book Description
The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?
Author: Maxim Waldstein
Publisher: Routledge
ISBN: 1317144368
Category : History
Languages : en
Pages : 359
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Book Description
In 1991 the Soviet empire collapsed, at a stroke throwing the certainties of the Cold War world into flux. Yet despite the dramatic end of this 'last empire', the idea of empire is still alive and well, its language and concepts feeding into public debate and academic research. Bringing together a multidisciplinary and international group of authors to study Soviet society and culture through the categories empire and space, this collection demonstrates the enduring legacy of empire with regard to Russia, whose history has been marked by a particularly close and ambiguous relationship between nation and empire building, and between national and imperial identities. Parallel with this discussion of empire, the volume also highlights the centrality of geographical space and spatial imaginings in Russian and Soviet intellectual traditions and social practices; underlining how Russia's vast geographical dimensions have profoundly informed Russia's state and nation building, both in practice and concept. Combining concepts of space and empire, the collection offers a reconsideration of Soviet imperial legacy by studying its cultural and societal underpinnings from previously unexplored perspectives. In so doing it provides a reconceptualization of the theoretical and methodological foundations of contemporary imperial and spatial studies, through the example of the experience provided by Soviet society and culture.
Author: Andreas Broeckmann
Publisher: MIT Press
ISBN: 0262035065
Category : Art
Languages : en
Pages : 400
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Book Description
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.
Author: Massimo Mastrogregori
Publisher: Walter de Gruyter
ISBN: 3110951401
Category : History
Languages : en
Pages : 420
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Book Description
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 662
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Book Description
International journal of contemporary visual artists.
Author: Professor Isabel Wünsche
Publisher: Ashgate Publishing, Ltd.
ISBN: 147243269X
Category : Art
Languages : en
Pages : 243
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Book Description
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel Wünsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde and the emergence of the concept of Organic Culture.
![An [Un]Likely Alliance PDF](https://books.google.com/books/content/images/frontcover/8VwZBwAAQBAJ?fife=w80-h100)
Author: Bernd Herzogenrath
Publisher: Cambridge Scholars Publishing
ISBN: 144381038X
Category : Philosophy
Languages : en
Pages : 375
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Book Description
This volume presents an original and in-depth study devoted to the discussion and relevance of the notion of ‘the environment’ and ‘ecology’ within the frame-work and ‘ontology’ of the philosophy of Gilles Deleuze and Félix Guattari. Their non-dualist and materialist re-thinking of these issues is analyzed from various positions within Cultural Studies and the Sciences. ‘Thinking Environment[s]’ with Deleuze|Guattari is thus far removed from what might be termed ‘(intellectual) tree-hugging’—it is a call to think complexity, and to complex thinking, a way to think the environment [and environments] as negotiations of human and nonhuman dynamics. Such a thinking by default carefully evades [Cartesian] dualisms such as ‘nature’ versus ‘culture,’ ‘biology’ versus ‘technology,’ or ‘natural’ versus ‘artificial.’ At a time when the distinctions [as well as the transitions] between ‘nature’ and ‘culture’ are getting more and more fluid, Deleuze|Guattari's alliance with environmental thinking turns out to be a rather fruitful, exciting, and likely one, one that allows for a single mode of articulating environmental, evolutionary and technological registers and relations and for the conceptualization of a general, non-anthropocentric ecoscience. This book thus aims at a radical re-thinking of these concepts from a Deleuzian|Guattarian (i.e. non-dualist and materialist) perspective.
Author: Isabel W?nsche
Publisher: Routledge
ISBN: 1351541781
Category : Art
Languages : en
Pages : 243
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Book Description
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W?nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists? approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.
Author: Jussi Parikka
Publisher: U of Minnesota Press
ISBN: 081666739X
Category : Science
Languages : en
Pages : 321
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Book Description
Since the early nineteenth century, when entomologists first popularized the unique biological and behavioral characteristics of insects, technological innovators and theorists have proposed insects as templates for a wide range of technologies. In Insect Media, Jussi Parikka analyzes how insect forms of social organization-swarms, hives, webs, and distributed intelligence-have been used to structure modern media technologies and the network society, providing a radical new perspective on the interconnection of biology and technology. Through close engagement with the pioneering work of insect ethologists, including Jakob von Uexküll and Karl von Frisch, posthumanist philosophers, media theorists, and contemporary filmmakers and artists, Parikka develops an insect theory of media, one that conceptualizes modern media as more than the products of individual human actors, social interests, or technological determinants. They are, rather, profoundly nonhuman phenomena that both draw on and mimic the alien lifeworlds of insects. Deftly moving from the life sciences to digital technology, from popular culture to avant-garde art and architecture, and from philosophy to cybernetics and game theory, Parikka provides innovative conceptual tools for exploring the phenomena of network society and culture. Challenging anthropocentric approaches to contemporary science and culture, Insect Media reveals the possibilities that insects and other nonhuman animals offer for rethinking media, the conflation of biology and technology, and our understanding of, and interaction with, contemporary digital culture.
